As a result of increasing corruption and inflation, many rural areas have been facing illegal sand mining. This leads to severe water scarcity, taking a toll on the farmers’ livelihoods that depends on destroyed water sources. Inspired by real-life events, Mayur Dharod (Producer) and Vikram Aggarwal’s (Director) Marathi short film, Valu screens the politics of sand and water. 

Plot: Valu | Sand

The film opens with a scene of Vitthal, a farmer working in his field. His young daughter assists him. The film uses natural and realistic imagery to bring out the reality of the everyday lives of Indian farmers as a universal subject. While they continue their day-to-day chores, the family soon realises that their bore-well has dried up. This will lead to no water left for the field. Eventually, The farmer witnesses the illegal mining of sand, which has caused the river of his area to dry up. 

Worried about the outcome of sand mining and its consequences on his livelihood, Vitthal decides to report the crime to the district collector. However, the politics of sand mining have its roots spread everywhere. Upon receiving an unsatisfactory response from the officials, The Farmer decides to take control of the situation. This soon leads to a shocking end. 

Observing Valu: A Thought-Provoking Short Film About Indian Rural Issues

Shot in Solnapur, a village near Aurangabad, Maharashtra, known to be the hub of illegal river and sand mining, Mayur Dharod and Vikram Aggarwal mirror the water crisis in many regions of the country. Farmers are often viewed as easily susceptible to submission to various illegal activities imposed on them. The power equation and social structures repeatedly force them to be at the mercy of the higher officials, often involved in corrupt activities. 

Exposing the reality of farmers’ lives and the difficulties they face at the hands of dirty politics, Mayur Dharod and Vikram Aggarwal effectively highlight one of the most important rural issues of the nation. The film involves careful dialogues, such as the conversation between Vitthal and the truck driver involved in the illegal business. While one is living in a disguise, the other is environmentally conscious and chooses to live the right way. Additionally, there is prolonged silence throughout the film. This prompts the viewers think about the situations taking place and introspect about the outcomes of various events involved. The quest for observation defines the need for the right provisions instead of turning a blind eye to the basics. 

Summing Up

Indian rural areas are prone to many different types of illegal activities that essentially affect the lives of weaker communities, such as farmers. These farmers end up falling at the mercy of the ones above them, socially and economically, and losing their livelihoods. Mayur Dharod and Vikram Aggarwal’s 12-minute Marathi short film underscores the need for change in the legal and political systems. At the same time, it asks the audience to think about the actual future regardless ofselfish requirements.

The Marathi film won the People’s Choice Best Film award at the Athens Marathon International Film Festival 2020. It was a finalist for Best Film at the Human-Environment Care Film Festival in Canada the same year. Additionally, it was officially selected at the Festival Amnesty International Au Cinéma pour les Droits Humains in 2021 and the Oscar Qualifying Austin Film Festival in 2019. And there is reason for it. Watch the short film here.

Directed by Tejas Sonawane, Gunta, a 35-minute long short film, tells the tale of two men on their different yet uniquely similar journeys of navigating the complexities of urban life to pursue their dreams and aspirations in the city of Mumbai.

The film opens with a morning scene inside Rahi’s (Ashish Verma) apartment. He has just woken up to a messy house and stinking utensils in his kitchen. This highlights his need for house help as most people in urban setups do in their busy corporate lives. Soon Rahi’s position in his office is brought to screen as he finds himself at the mercy of his ruthless manager, Indira (Rajshree Deshpande). The narrative shifts to Rahi hiring house help where he meets Gurpreet (Gurpreet Sandhu), who is changing jobs because he is dissatisfied with working as a construction worker. He expresses his concerns of not being able to cover his expenses in the minimal pay of 6000 rupees in a city like Mumbai but is instantly countered by Rahi. 

The story reaches a comfortable setting where Rahi goes to the office and expresses his dissatisfaction with the job. On the other hand, Gurpreet learns the housework requirements and continues with his new job. He stumbles a lot and gets scolded by Rahi for the same but makes up for it. 

Gunta: Observing the Narrative Between the Dialogues

The film effectively draws parallels between the hardships faced by Rahi and Gurpreet, two immigrants to Mumbai, as they strive to succeed in their own jobs and deal with the difficulties of city living. Their shared struggles and goals, despite their contrasting upbringings and social status, reflect the universality of the human struggle.

Essentially, Gunta addresses the deeply ingrained class patterns in Indian culture, emphasizing the inequalities and conflicts that are present throughout its structure. Rahi, who is a script writer and an aspiring director, is constantly at the whim of his manager. Alongside, he is fed up with the unpredictable and unfair dynamics of the film industry. Similarly, Gurpreet, who aspires to work in films, is trying his best to handle the challenges of his new job. He is unable to grapple with the employer-employee relationship and treats it more like a sibling bond.

Gunta stands out for its subtle depiction of friendship and cooperation in an urban setting. The bond between Rahi and Gurpreet develops beyond the conventional notion of employer and employee. It blossoms into a complex dynamic that relies on trust and understanding on both sides of the equation. The film portrays the complicated nature of their bond through their communications and introspective moments. This tells the audience about the tragic reality and the loneliness that exists behind the surface of city life.

Summing Up

Sonwane’s direction is subtle yet evocative and captures the reality of the multifaceted struggles within metropolitan cities. He cleverly handles intricate subjects like class differences and challenges in the workplace. By letting the characters speak for themselves instead of relying on preachiness or a didactic approach, the movie invites audiences to consider the realities of urban life and the pursuit of ambitions in a world that is changing quickly.

In conclusion, Gunta is a remarkable short film that leaves a lasting impression. It reminds us that while pursuing success can be difficult, in the end, it is the relationships we make along the way that keep us going in life. With its gripping story, excellent performances, and touching message, it provides a glimpse into the lives of those who dare to dream in the city of dreams.

ADHD (Attention-deficit/hyperactivity disorder) is a disorder that is pretty common and manageable. But what is not common is it getting diagnosed in India. And the reason is not because it is hard to diagnose. Rather the lack of awareness about this condition and mental health in general in India is what contributes to the higher percentage of it being undiagnosed. The short film ADHD highlights this beautifully.

ADHD: A Closer Look

In about 22mins, the short film, ADHD manages to capture the audience’s attention. And it’s all due to the way the storyline is executed. Having a star-studded cast helps in gaining attention, but it’s the storyline that takes the story forward. And the creators of this film, Shipra Arora, and Shivankar Arora managed to do just that by nailing it with a strong driving storyline.

The film did stand out in certain aspects that ensured that it carried the theme of spreading awareness, such as the narrator who is also a pivotal character in the story, breaking the fourth wall now and then. By using various scenarios from everyday life, like failing to wake up early, getting distracted easily by small objects while studying, and feeling overwhelmed, each scenario though seems small carries with them a layer of what ADHD looks like. And thus, help us understand the depth and complexity of this mental health illness better.

ADHD doesn’t shy away from highlighting how people in India to this day and age still focus on the “mental” part of “mental health”. They made an impact by not shying away from shedding light on this painful reality of digital India that otherwise would have continued to remain in the dark shrouded by the thin veil of social media mental health wokeness that only targets certain age groups of people. Not being as well-covered as mental health topics like depression and anxiety, ADHD demands people’s attention to the topic as it’s not as common as one may assume it to be.

Afterword

The brilliant acting with a strong storyline is what makes ADHD a must-watch for any short film buff. Anyone looking to create more awareness about mental health, especially ADHD should really consider broadcasting this video to help communicate the message better.

“Autsie” is a heartfelt short film directed by Raghunath S. Animesh. It offers a look into the world of Autism Spectrum Disorder through the eyes of its protagonist, Animesh, otherwise called “Autsie”. The film goes in-depth into the internal and external struggles Autsie faces daily, a young man who finds solace in playing the drums amidst the challenges of living with Autism Spectrum Disorder and the people that make his life challenging as well.

Autsie’s daily life is made a struggle by the people around him who misunderstand him and taunt him, particularly Anup and others who bully him extensively. Autsie’s journey is about coping with his condition and finding acceptance and understanding in a world that often fails to see beyond labels.

A Closer Look

At the heart of the story “Autism” is a powerful message of self-realisation. Autsie’s journey drastically turns when he is unjustly stopped from doing what he wants. This setback catalysed his introspection, leading him on a journey of self-discovery and empowerment.

The film captures the inner turmoil and resilience with the sensitivity and authenticity of Autsie. As he grapples with feelings of inadequacy and isolation, Autsie discovers the strength to confront his insecurities and embrace his unique identity.

The film underscores the importance of empathy and compassion in our interactions with individuals with Autism Spectrum Disorder. It serves as a reminder that beyond the labels and stereotypes lies a rich tapestry of human experience waiting to be understood and embraced.

The Take-Away

In a world where differences are often met with fear, ignorance and sometimes even aggression, “Autsie” urges audiences to cultivate a culture of acceptance and kindness towards individuals with Autism Spectrum Disorders. By shedding light on the journey of Animesh, the film challenges us to look beyond appearances and embrace the inherent worth and dignity of every individual.

 In conclusion, “Autsie” is a touching film of resilience, self-discovery, and the power of empathy. The film calls for audiences to practice compassion and understanding through its compelling narrative and heartfelt performance. It reminds us that true beauty lies in embracing our differences and celebrating the unique melody that each of us brings to the symphony of life.

How often do we skip homemade meals for the so-called delicacies from our favourite restaurants? Most people often skip dal-rice meals for that finger-licking mutton biryani everyone so loves. Drawing inspiration from real-life occurrences, Adarsh Gupta’s bold and thought-provoking short film, Chaara explores the relationship between humanity and food, and the potentially profound consequences it can yield.

Plot

Set against the backdrop of contemporary society, Adarsh Gupta’s 13-minute short film stars Alam Khan and Yashi Singh in a cinematic masterpiece that has won National and International awards. The film opens with the sight of a street dog probably being lured to food. This serves as a grim reminder of the very unsettling and infamous reports of canine meat finding its way into local Indian eateries. What doesn’t seem to be important is a commentary on Indian food habits and everyday circumstances.

The film unfolds as Sushil Kumar (Alam Khan) wakes up to his wife cooking a fresh meal for the day. However, he ends up choosing leftover scraps for breakfast solely because of his non-vegetarian eating preferences. The film portrays a repetition of the same incident at lunch. Sushil yet again chooses to order meat for himself and skips the lunch his wife made for him.

For dinner, Alam Khan is yet again seen craving biryani and plans a sweet hang-out with his wife around it. The hangout starts with short a doctor’s visit which is followed up by eating street food and shopping. But this hangout is interrupted by Sushil getting a call from work. As Sushil leaves his wife alone for a while to attend his work calls, his wife runs into an incident that scars Sushil and probably his eating habits too.

Chaara: A Story About Cannibalism 

Cannibalism is a common term for researchers globally. However, for ordinary individuals navigating their daily lives, the notion remains unfathomable. Through Gupta’s nuanced storytelling, the film captures the subtleties of food habits. It serves as a poignant reminder of how easily we can become blinded by our dietary habits, oblivious to the unsettling realities unfolding around us.

Adarsh Gupta’s short film, Chaara serves as a poignant reminder of the impact our dietary choices can have on our perception of the world. The film highlights the underlying complexities of human behaviour, prompting us to confront uncomfortable truths and reassess our perspectives. It has the power to provoke introspection and inspire change. It urges viewers to look and think beyond the familiar lines and assess a deeper understanding of humanity.