Vistas of Bharat : Indian Culture
Exploring the Main Features of Vedic Society and Religion: Their Continuities and Influence on Modern Indian Society
Introduction
The Vedic period or Vedic age was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was composed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period.
The word Veda is derived from the origin of the vid which means ‘to know’. The word veda refers to the sacred information contained in the texts known as the Vedic text. Two sections of the text are included in the Vedic text. These are Mantra and Brahmana. The Mantra section forms the core of the Vedic texts and has fourth different collections. These are Rigveda, Samaveda, Yajurveda, and Atharvaveda. Brahmans are prose texts containing the meanings of words and sacrificial rituals. The Aranyakas and the Upanishads are additions to the Brahmanas. These are also known as Vedanta and contain philosophical discourses.
The Vedic period laid the foundations for the religious practices that continue in modern India. The sacred scriptures composed during this time formed the basis of Hinduism. The principles of Vedic religions were established by the priestly class, the highest in society. They performed rituals, chanted hymns, and read holy texts in temples and ceremonies. The texts in the Vedas were believed to have divine power and had to be recited precisely with the right tone, pronunciation, and emphasis to be fully effective.
Social Structure of Vedic Society
Caste System
Social interdependence is a hallmark of traditional Indian society, where people are born into families, clans, sub-castes, castes, and religious communities, and feel deeply tied to these groups. Another key feature is the social hierarchy evident in the caste system, which influences individuals, families, and kinship networks. The origins of the varna system in Vedic society are rooted in the Sanskrit word ‘vri’, which means “choice based on inherent traits.” The term ‘varna’ literally translates to ‘color’, though this was likely a way to classify people.
According to the ‘karma theory’, the varna system emerged due to professional differences. The Shanti Parva suggests that all people were originally Brahmanas but later divided into different varnas based on their work. Conversely, the Manusmriti indicates that all people were originally Shudras, before finding themselves in four distinct varnas through their professions. Similarly, Herbert Hope Risley’s transplantation theory indicates that the varna system was initially based on the color of the Aryan settlers. Thus, the system became known as the ‘varna system’.
Varna System
The varna system in Vedic society originally divided people into two main groups – the fair-skinned Aryans and the dark-skinned non-Aryans. The Aryans were then further divided into three varnas: Brahmana, Kshatriya, and Vaishya. The non-Aryans were termed Shudras and assigned physical labor. In the post-Vedic period, the practice of untouchability became deeply rooted. Certain groups were associated with occupations considered polluting, such as handling animals, waste, hides, and dead bodies. These people were seen as outside the varna system but still formed an integral part of it. As a result, the Chaturvarna model was expanded to include a fifth hereditary occupational group, known as the Panchama Varna.
In the Hindu varna system, each person is governed by their own duties and responsibilities according to their nature. Brahmanas provide education and spiritual leadership, shaping the vision and values of society. Kshatriyas protect society and are expected to show strength of body and character. Vaishyas are the productive class. Shudras are the only group that accepts employment from the other varnas, who are self-sufficient in their occupations and finances.
Impacts of Modernization
Colonialism and modernization have transformed the understanding of jāti and varna in India. Colonial rulers often misunderstood and oversimplified the caste system, worsening existing inequalities. However, the Indian reform movement of the 19th and 20th centuries, along with the efforts of social reformers like Raja Ram Mohan Roy and B.R. Ambedkar sought to challenge caste-based discrimination and promote social justice. Relationships between castes have become more relaxed today.
A major change in India has been the diversification of occupations. Earlier, most people followed caste-linked professions, but now many have taken up new occupations unrelated to their caste. The idea that lower castes cause impurity and pollution has also diminished, though traditional purification rituals are still observed in private and ceremonial settings. Endogamy is still practiced, but not as strictly as before. A woman’s status remains tied to the male, but awareness of gender equality has spread widely. In rural areas, lower castes still face challenges in accessing resources and moving beyond caste-based occupations, but in urban India, caste is less significant in daily life. While caste discrimination is outlawed, caste has become a means to compete for resources and opportunities, such as education and employment, in modern India.
Patriarchal System in India
From the very beginning the social structure has been shaped according to the male philosophy. This patriarchal system in the society separated the values of men and women in the society. In the Indian patriarchal system, the life and the identity of a woman are decided by the society before she takes birth. Women have always been oppressed under male dominance. It is the women who perform many rituals for the wellness of the family such as fasting for the long life and safety of their husband and she performs many religious tasks for the prosperity of her family.
The females suffer and their pain is sanctified by the rule of Indian traditions and mainly that of a patriarchal society. All of them have confined themselves to the traditional role assigned to them. As a result, they become agents of patriarchal values. In a patriarchal society, men are the main source of income of the family and have been given the dominating positions and women have been enslaved in the family.
Patriarchal System in Modern India
Gender biases in modern India are deeply rooted in the country’s patriarchal structure, which continues to influence social norms, traditions, and daily life. Despite significant legal and societal advancements, women often face disparities in education, employment, and personal autonomy. The patriarchal mindset manifests in subtle ways, such as the preference for male children, expectations of women to prioritize family over careers, and the normalization of gender-based violence. This system not only restricts opportunities for women but also reinforces stereotypes that limit both genders. The slow dismantling of patriarchy requires continued efforts through education, policy reforms, and shifting cultural attitudes to create a more equitable society.
In recent years, India has witnessed a significant shift towards gender equality, driven by the rise of feminism, improved access to education for women, and increased female participation in public life. Feminist movements have gained momentum, challenging traditional gender roles and advocating for women’s rights across diverse spheres. With better access to education, women are now more empowered, making strides in careers that were once dominated by men. In politics, the representation of women is gradually improving, with prominent female leaders at both state and national levels playing crucial roles in decision-making. These changes reflect a growing recognition of women’s contributions and potential, marking a crucial step toward a more inclusive and progressive society.
Religion and Ritual Practices
Hinduism, which has its roots in Vedic religion, has significantly influenced Indian society. Hindus greatly value the practice of Yajna. Both physical and spiritual Yajna is central to Hindu dharma and can be seen in daily life and sacred texts. Yajna means worship, offerings, or sacrifices, and it is considered mandatory because nature and all its elements are created and sustained by it. It is not just material but also non-material or spiritual. It can be performed sincerely, even without physical offerings, such as helping injured animals, praying, or worshiping God in one’s own way.
In Hinduism, fire is seen as a purifier and a symbol of the divine. Known as Agni, it is believed to cleanse and sanctify, removing impurities during religious ceremonies. In rituals like havans or yajnas, offerings are made to the fire, which is considered the intermediary between humans and the gods. The fire continues to influence modern Hindu ceremonies like weddings and festivals. Fire’s role in polytheistic and nature worship reflects its embodiment of natural forces and deities. As one of the five elements, fire is revered as a bridge between humans and the divine, highlighting our relationship with nature and the cosmos.
Conclusion
The Vedic era laid the foundation for many aspects of Indian society, culture, and religion. They continue to be influential today. The reverence for nature, the concept of an interconnected universe, and the centrality of ritual practices like yajña and fire worship remain deeply ingrained in Hindu beliefs and traditions. Some traditional practices and gender norms have evolved. However, the underlying worldview of the Vedas continues to shape the Indian ethos. These shape environmental ethics, social structures, and spiritual life.
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Vistas of Bharat : Indian Culture
Why Panipat Became the Epicenter of Empire-Shaking Battles in Indian History
Panipat, a small town in the northern Indian state of Haryana, has etched its name in the annals of history as the site of three monumental battles that have shaped the destiny of the Indian subcontinent. These three battles – the First, Second, and Third Battles of Panipat – were pivotal events that significantly impacted the course of Indian history.
The First Battle of Panipat, fought near a small village, marked the beginning of the Mughal Empire’s rise in India. The Second and Third Battles of Panipat were equally influential, as they witnessed the rise and fall of the Maratha Empire, a major power in the 18th century. The Third Battle of Panipat, fought on January 14, 1761, was a confrontation between the Maratha Empire and the forces of Ahmad Shah Abdali, the Afghan ruler. Each of these battles left an indelible mark on the political landscape of the Indian subcontinent, with the outcomes shaping the balance of power and the trajectory of the region’s history.
Geographical Advantage of Panipat
The town of Panipat holds a unique geographic position, situated along the ancient trade route connecting Delhi to the Northwest frontier. This unique geographical characteristics made it a prime location for decisive battles that shaped the course of Indian history. Its flat terrain provided open plains that allowed for the large-scale deployment and maneuvering of armies. These being war essentials ensured effective battle strategies and troop movements.
This openness also made Panipat particularly suitable for artillery. This was first seen in the First Battle of Panipat in 1526 when Babur famously leveraged his artillery to overpower Ibrahim Lodi’s forces. Moreover, Panipat’s proximity to Delhi, just 90 kilometers away, made it a logical choice for any force attempting to seize or defend the capital. Control of Panipat often meant a direct pathway to the seat of power in Delhi, giving any battle fought here immense political significance. Victory in Panipat could determine the control of northern India, making it a frequent site for empire-shaping confrontations.
Panipat as a Gateway to Northern India
Panipat’s strategic location extended beyond its immediate proximity to Delhi. Situated along age-old trade and military routes between the heart of India and Central Asia, Panipat naturally became a gateway for invading forces. Historically, those entering from the northwest passed through Panipat on their way to the Indian heartland, making it a place where rulers frequently sought to intercept or defend against advancing invaders.
Panipat’s geographic position along these critical trade and military corridors connecting India to Central Asia gave it immense strategic significance. It served as a natural passageway for armies and caravans traveling between the subcontinent and regions to the northwest. This made Panipat a highly valuable asset for any power seeking to control or defend against incursions into northern India. The town’s location along these well-established routes meant it was a common site for confrontations, as rulers sought to assert their authority by dominating this strategic gateway.
For example, in 1761, Ahmad Shah Abdali chose Panipat to engage the Maratha forces, understanding its strategic significance as a key point to assert dominance in northern India. This location advantage made Panipat not only a battleground but also a checkpoint for any power hoping to establish or maintain control over the subcontinent’s northern region.
Political Context: Contests for Control of India
Panipat’s role as a battleground often coincided with times of transition and upheaval in Indian politics. During periods of power shifts, such as the decline of the Mughal Empire, various factions vied for supremacy, using Panipat as the proving ground for their ambitions. The Second Battle of Panipat in 1556 saw Akbar’s forces face off against Hemu’s army. Akbar’s victory here solidified Mughal dominance, allowing him to consolidate his rule over a fragmented and contested region.
As the Mughals weakened, the importance of Panipat only grew, symbolizing the struggle for control among regional powers. The Marathas, Rajputs, and even Afghan forces recognized that holding Panipat could mean controlling India’s political heart, and each sought to make their mark through decisive battles here.
Military Strategies and Tactics Played Out in Panipat
Panipat’s historical significance as a battleground often coincided with periods of political transition and upheaval in India. During times of power shifts, such as the decline of the Mughal Empire, various factions vied for supremacy, using Panipat as the arena to assert their ambitions. The Second Battle of Panipat in 1556 saw Akbar’s forces emerge victorious against Hemu’s army, solidifying Mughal dominance and allowing Akbar to consolidate his rule over a fragmented and contested region.
As the Mughal influence waned, Panipat’s importance only grew, becoming a symbol of the struggle for control among regional powers. The Marathas, Rajputs, and even Afghan forces recognized that claiming Panipat could mean controlling the political heart of India, and each sought to leave their mark through decisive battles fought on this historic ground. These military engagements in Panipat demonstrated the importance of terrain in battle. They also showcased the evolving tactics of warfare on the subcontinent, with Panipat serving as a proving ground for these strategic advancements.
The Consequences of the Third Battle of Panipat (1761)
The Third Battle of Panipat in 1761 was a catastrophic event, marked by immense bloodshed and long-lasting consequences. The Maratha Empire had expanded its influence into northern India. However, they suffered a devastating defeat at the hands of Ahmad Shah Abdali’s forces. This defeat effectively curbed Maratha expansion in the region. It left a political void that the British Empire would later capitalize on.
With Indian powers significantly weakened, the British East India Company found it easier to establish and expand their influence across the Indian subcontinent. Panipat’s legacy thus encompasses not only the immediate outcomes of each battle, but also its broader impact on India’s colonial history, as the battles ultimately weakened Indian rulers and paved the way for British dominance.
Conclusion: Panipat’s Enduring Legacy
Panipat is a place that has left a lasting mark on India’s history, a site where ambitions clashed, and new empires emerged. Its strategic location made it a crucial gateway and stronghold for the northern region, and the battles fought here have significantly shaped the country’s history. Panipat has witnessed the ebb and flow of power, where victors solidified their place in history, while the defeated saw their imperial dreams crumble. Even today, Panipat stands as a testament to the fierce and transformative battles that have molded India’s destiny.
Vistas of Bharat : Indian Culture
The Symbolism of Lion and Bull in Indian Mythology, Art and Architecture
Every civilization has its unique perspective on animals. Their art and literature portrayed this. Indians viewed animals as companions.
Every civilization has its unique perspective on animals. They portrayed them through folktales, art, literature and sculptures, often as emblems of power and wisdom. For instance, the Romans saw animals as fierce creatures that needed to be killed or controlled for human survival, while the Greeks viewed them as symbols of power existing in a separate world. In contrast, ancient Indians viewed animals in a more positive light, as companions. Historically, Indians have believed that animals and humans can coexist, harmoniously. They are revered and respected, contributing to various aspects such as food, entertainment, trade, clothing and ecological balance. Therefore, animals became important symbols in Indian mythology and art, representing the powers and duties of deities. Specific animals like the lion and cow were closely associated with important figures such as Durga and Krishna. Archaeologists have studied these animal depictions to learn about the historical context of the sculptures.
Lion (Simha) in Indian Mythology, Art and Architecture
Mythological Significance
In Indian religious architecture and literature, the lion has occupied a prominent position since the sixth century BCE. The Puranas tell the story of Narasimha, which is full of deep religious and philosophical meaning. The story says that the god Vishnu took the form of a half-man, half-lion to save Prahlāda and kill the demon Hiranyakaśipu. Narasimha is the most important animal deity in Hinduism. Temples honoring Narasimha are common in southern and central India. The most basic account of Narasimha’s incarnation is found in the Mahābhārata.
The early depictions of the lion in pre-Aryan Indian religious art portray the lion and goddess Durga together as an almost unstoppable force that even the gods feared. The iconic image of Durga riding a lion and defeating enemies is a common symbol in Vedic texts. This connects the realms of gods and humans in an ancient worldview.
The symbolism of the lion in Buddhist tradition has roots in ancient Mesopotamian civilization. Though traditionally linked to royalty, power and the sun, within Buddhism the lion is reimagined as a protector of peaceful teachings, even though it was historically associated with humans’ warlike domination of nature.
Artistic and Architectural Significance
The lion in Indian art often represents the male principle and the sun, symbolizing both royalty and the divine. The Sarnath Lion Capital, one of the Ashokan pillars, features four lions standing on a drum, each facing a different direction. This lion motif references the Buddha and symbolizes the royalty, leadership, power and sovereignty of King Ashoka. The lion is traditionally seen as the king of the forest, the most powerful and majestic of all animals, holding great significance in early Buddhist tradition. Lion figures can also be found guarding the entrances of Indian temples, signifying protection from evil and a welcoming of divine presence, as seen in many Shiva temples across Bengal.
Symbolism in Indian Art
Artists depict the lion as an ornamental feature and architectural element in Indian art and architecture. Researchers have conducted extensive studies on the various aspects of the goddess Durga in Indian mythology and religion, with scholars well-documenting her visual representations in Indian art and sculpture. Writers often associate the lion with her in Indian literature, art, and sculpture. Similarly, devotees consider Narasimha, the half-man, half-lion deity, one of the ten avatars or incarnations of Lord Vishnu. Historians trace the origins of Narasimha worship back to the ancient practice of lion worship in India. Archaeologists have found the oldest known representation of Narasimha in a panel at Kondamotu village, in the Guntur district of Andhra Pradesh.
In Indo-Persian art, the lion is a prominent symbol, depicted as a representation of power, strength, and royal authority. This reflects the cultural influences of both Persia and India. The lion holds an important place in royal imagery, often associated with leadership and bravery. This symbolism manifests in courtly art, with lions appearing in detailed miniature paintings, textile patterns and architectural designs. Additionally, the lion’s presence in Indo-Persian art carries spiritual meanings, symbolizing protective qualities and cosmic forces, particularly in depictions of mythical creatures like the lion-headed Simurgh that blend Persian and Indian artistic traditions.
Bull (Vrishabha/Nandi) in Indian Mythology, Art and Architecture
Mythological Significance
Nandi, the sacred bull, holds a revered place in Hinduism as the devoted vehicle and companion of Lord Shiva. It symbolizes eternal vigilance, meditation and receptivity. In every Shiva temple, one can find a sculpture of Nandi sitting in front of the sanctum sanctorum, facing the Shiva lingam. Though Nandi appears serene, the beliefs hold that he is always in a state of alertness, vitality, and strength, ever meditating.
Artistic and Architectural Significance
In Indian culture, the bull holds immense artistic and architectural significance, symbolizing strength, power and fertility across various historical periods. Nandi is a prominent feature in Shaivite temples, often placed directly facing the sanctum where the Shiva lingam is enshrined. These sculptures, typically large and serene, reflect the spiritual symbolism of Nandi as a loyal guardian and embodiment of Dharma.
Archaeologists trace bull symbolism back to the ancient Indus Valley Civilization, where seals and figurines of bulls, particularly the iconic ‘unicorn bull’ seals found in Harappa and Mohenjo-Daro, highlight the animal’s significance. These artifacts suggest the bull’s important role in agriculture and trade, symbolizing fertility, prosperity and economic strength. The frequent depiction of bulls on these seals indicates their revered status in both sacred and everyday life, making the bull a vital link between the divine and practical realms in early Indian society.
Symbolism in Indian Art
The bull is a prominent motif in traditional Indian art. It appears in both paintings and sculptures beyond just its depiction as Nandi. These representations often emphasize the bull’s muscular physique, symbolizing themes of fertility and agricultural abundance. Paintings of bulls, such as those found in rural folk art or the distinctive Madhubani style, celebrate the bull’s integral role in daily life and its connection to the land’s productivity. Similarly, sculptures of the bull, particularly in regions where agriculture was central, convey the animal’s symbolic status as a representation of prosperity and life-sustaining power.
Comparative Analysis of Lion and Bull Symbolism
The lion and the bull are central symbols in Indian art and culture. Both represent contrasting yet complementary qualities. People traditionally see the lion as a symbol of power, defense and royalty. They often associate it with kingship and divine authority. It represents courage, dominance and regal presence, as evident in depictions of Goddess Durga riding a lion or the lion capital of the Ashoka Pillar, which symbolizes sovereign power and the protection of Dharma.
On the other hand, the bull, particularly the figure of Nandi, symbolizes strength, fertility and religious devotion. Nandi, who is the companion of Lord Shiva, reflects loyalty, endurance and the nurturing aspect of power, closely linked to agricultural life and spiritual dedication.
Despite their contrasting attributes, the lion and bull share common themes in Indian symbolism. People see them both as protectors of Dharma, representing divine connection and cosmic balance. The lion, as a fierce guardian, upholds justice and royal authority, while the bull, as a calm and powerful figure, embodies spiritual strength and moral law. Both animals, in their respective contexts, serve as embodiments of power and protection, bridging the material and divine realms, and reinforcing the moral and spiritual laws that govern life.
Lion and Bull in Modern Indian Culture
In modern India, the lion and bull still remain significant symbols. The modern embodiment of these symbols reflects their enduring cultural and historical importance. The national emblem featuring Ashoka’s four lions represents India’s power, sovereignty and commitment to justice and integrity.
The bull is deeply woven into cultural practices, especially in South India. Festivals like Pongal and Jallikattu celebrate the bull’s agricultural and cultural significance. Pongal honors the bull’s vital role in farming, symbolizing fertility, prosperity, and the bond between people and the land. Jallikattu showcases the strength and bravery of both the bull and the participants, highlighting the animal’s importance in rural and agricultural traditions. Together, the lion and bull symbolize the balance between governance and agriculture, authority and sustenance, in modern Indian culture.
The lion and the bull are deeply rooted, emblematic figures in Indian mythology, art, and architecture. Their symbolic representations reflect the richness of Indian culture, which reveres these animals for their spiritual, regal, and life-sustaining qualities. The lion, as a symbol of power, defense and sovereignty and the bull, as a representation of strength, devotion and fertility, are interwoven into the very fabric of Indian civilization, serving as archetypes that transcend time and space.
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Vistas of Bharat : Indian Culture
Role of Rituals and Festivals in Indian Society
India is known as the land of diversity. Many communities live together, each with unique cultural traditions.
India, known as the land of diversity, is home to a multitude of communities, each with unique cultural traditions. This diversity is reflected in the numerous festivals celebrated across the country, honoring the various deities revered by these communities. The methods and practices of celebrating these festivals also vary significantly from one state to another due to India’s cultural heritage. Festivals are an integral part of Indian culture and have been passed down for generations. These festivals help in fostering unity and harmony among the people and are a representation of the long-standing traditions of the country.
Historical Overview of Rituals and Festivals
Festivals and rituals are cultural practices that foster social connections and communication. Ancient societies worldwide set aside specific times for public celebrations, attracting large numbers of people. Over time, with the emergence of new religious beliefs and practices, these early festivities underwent significant changes and evolution. The earliest known rituals were those associated with death, as evidenced by the ritual burial practices of early Paleolithic humans and Neanderthals, which suggest their concern for the deceased and the care they provided in their final rites.
The lives of ancient people in India were centered around agriculture and the cycles of nature. Therefore, the earliest festivals and celebrations related to these fundamental aspects of human existence. People eagerly welcomed the coming of spring and the end of winter with joyous celebrations. The planting of new crops was also an important seasonal event. It was celebrated with various rites and rituals. Through these celebrations, people expressed their hopes and prayers for a bountiful harvest.
One such ancient festival still celebrated across India is Makar Sankranti. The festival, observed on January 13-14, goes by various regional names such as Uttarayana, Lohri, Pongal, Bihu, and Khichdi. Farmers and peasants especially celebrate it, marking the newly harvested crops with food rituals. However, it also garners great enthusiasm in towns and cities, reminding everyone of our deep agrarian roots and connection to the land.
Vedic Literature and Rituals and Festivals
The literature of the Vedic period contains numerous references to public events organized to appease and honor gods, ancestors, and the changing seasons. These events were integral to the spiritual and cultural fabric of ancient Indian society. People performed rituals known as Yajnas to offer the gods a share of grain, milk, and ghee. They always dedicated the first oblation to the sacred fire. Even today, many Indian cultures consider fire to be the centrality of the divine in various rituals and ceremonies.
In the subsequent period, people held celebrations through Samajas—gatherings for entertainment and rejoicing. These social events strengthened community bonds and fostered a shared sense of identity. The state organized Utsavas, or festivals, with the intervention of the ruling king. This formalized the celebrations and aligned them with the instructions issued by the king, highlighting the close relationship between religious practice and political authority in ancient India.
Significance of Festivals and Rituals in Indian Society
In India, festivals offer much more than a temporary respite from everyday hustling. These celebrations are imbued with deep inner significance, each being a multifaceted celebration. Every festival celebrated in India draws from a story in the Puranas, offering insight into its deeper spiritual meaning and the foundations of the celebration. These stories are part of common folklore, reaching out to the common people in a way that dry theological facts cannot.
Festivals also become a source of motivation for temporary escape, social interaction, and community bonding for the attendees. Festivals have been viewed as a way to foster geographical connections, a sense of belonging, and adaptability. Though festivals may be rooted in specific religious or cultural beliefs, they are typically open to participation from people of diverse backgrounds. For example, even non-Hindus enthusiastically celebrate Holi, which is predominantly a Hindu festival, in the secular nation of India. People from different countries visit Varanasi in India to participate in the festivities of Holi. Similarly, Eid-ul-Fitr involves numerous iftar feasts for friends and family, of all religions. Such festivals bring the society and community together.
Most Indian festivals place great emphasis on community service. These celebrations often involve fasting, prayer, and observances of social and cultural significance. They may also feature arduous physical exercises, as well as musical, dance, and theatrical performances. Muslims observe numerous festivals. Many of them are connected to the Shia faith. Two such important observances are the Prophet’s birthday and the martyrdom of Imam Husain.
Conclusion
Festivals are a way for communities to express and uphold their shared beliefs, values, and traditions. These celebrations reinforce the cultural identity of the people, creating a sense of belonging and unity. Indigenous communities use festivals to preserve their distinct traditional practices, ensuring the continuation of their legacy. Festivals that focus on cultural or ethnic themes also aim to educate community members about their traditions. Most festivals include elders sharing stories and experiences during these events to foster unity within families. Through the celebrations of various festivals, Indian society has maintained a close relationship with nature and the divine.
Members of society celebrate cultural festivals for many reasons. They pass down the knowledge of rituals, traditions, beliefs, and norms from one generation to the next. However, they also ensure their ongoing preservation and the development of diverse values. These cultural festivals play a vital role in the cultural growth of individuals. They provide them with opportunities for rejuvenation and personal development.
Festivals and rituals have been an integral part of Indian society for centuries. While cultural traditions have evolved over time to reflect their dynamic nature, people still celebrate them with a lively spirit. Festivals and rituals serve multiple roles in Indian society. They help preserve cultural identity, foster community bonding, and connect people with the divine. These celebrations are essential in maintaining the rich cultural history of India, promoting social harmony, and nurturing a shared sense of identity among the diverse communities that make up the nation.
Vistas of Bharat : Indian Culture
Tracing Roots: Central Asian and Greco-Bactrian Influences in Gandhara Art
The Gandhara School of Art was one of the most significant art schools in ancient Indian history.
The Gandhara region, situated at the crossroads of ancient civilizations, has a rich and diverse artistic legacy that has long captivated scholars and art enthusiasts. Gandhara art flourished during the early centuries of the Common Era and is renowned for its unique blend of Buddhist iconography and Greco-Roman artistic traditions.
The Gandhara School of Art was one of the most significant art schools in ancient Indian history. Although Indian history integrates it, scholars distinctly associate it with the Greco-Bactrian art style. Greco-Bactrian art thrived primarily in Afghanistan and present-day northwestern India, with prominent centers including Taxila, Peshawar, Begram, and Bamiyan. Experts generally consider the Gandhara school of art to have flourished from the 1st century BCE to the 4th century CE.
Origin and Historical Evidence
According to historian Abdur Rasool, the region that is now Pakistan was the origin of the Gandhara Civilization, which emerged shortly after Alexander the Great’s arrival in 325 BC. This area also witnessed Alexander’s first military defeat at the hands of Raja Porus of Jhelum. Over the years, Gandhara underwent several political takeovers by Persian and Greek powers.
Various Power Structures
After Alexander the Great’s death in 323 BC, his vast empire fell apart quickly. This allowed Indian princes to regain their independence. During this turbulent period, Chandragupta Maurya, from the Magadha royal family, seized control of a large part of northwest India. Over time, he overthrew the Nanda dynasty in Magadha and became the ruler of Hindustan. Chandragupta reigned for 25 years before passing the throne to his son Bindusara in 298 BC. Like his father, Bindusara maintained friendly relations with the Greek rulers of the West, including the Seleucid dynasty, cemented through a marriage alliance after Chandragupta’s victory over the Greeks in battle.
People consider Ashoka, Chandragupta’s grandson, who became king in 272 BC, to be one of ancient India’s most capable and enlightened rulers. After witnessing the horrors of war, Ashoka embraced Buddhism and made it the state religion, even though the people were reluctant. However, Ashoka’s death marked the beginning of the Mauryan Empire’s decline.
As historian V. Smith explains, the Indus Valley then came under the rule of the Greek rulers of Bactria, though they struggled to maintain control of the region. In the mid-2nd century AD, a new powerful group emerged in Central Asia—the Yuezhi, a nomadic and warlike people. They rapidly expanded westward, ending the Greek Kingdom of Bactria that had existed since Alexander the Great’s conquests.
This marked another pivotal moment in the region’s history, underscoring the fluid and shifting power structures that characterized ancient Central and South Asia.
Credits: Asia Society
The map shows the area covered by the Gandhara Civilisation. It includes present day Pakistan, Northeast of Afghanistan and Southwest of China.
Greek Influences
Gandharan art can be traced to the 1st century BCE and includes painting, sculpture, coins, pottery, and all the associated elements of an artistic tradition. It took flight during the Kushan era especially under King Kanishka in the 1st century CE, who deified the Buddha and arguably introduced the Buddha image.
John Boardman characterizes Gandhara art as the culmination of Greek artistic traditions, particularly those of Classical and Hellenistic Greece. The artistic traditions of northwest India, which was successively ruled by the Seleucids, Bactrians, Parthians, Scythians, and Indo-Greeks, were deeply influenced by these Greek styles. The Indo-Greeks were influenced by the Greeks since they were exposed to so much of their culture, philosophy, art, and architecture. The artists that worked in Bactria also worked in Gandhara as well. We can see the influence of Greek artists on Indian sculptures in that region. As a result, Buddhist sculptors were either Greeks or learned from the Greeks. The same people worked in Bactria and Gandhara and we can see that by comparing the art on the coins because both places had the same Indo-Greek monarch.
Introduction to Gandharan Art
Gandharan art emerged around the 1st century BCE, combining diverse cultural influences from the region. This artistic style encompassed a range of mediums, including painting, sculpture, coins, and pottery, reflecting the area’s cultural diversity. The art form, particularly thrived during the Kushan era, especially under the reign of King Kanishka in the 1st century CE. Kanishka played a crucial role in deifying the Buddha and is believed to have introduced the first iconic representations of the Buddha.
Greek Influence on Gandharan Art
According to renowned historian John Boardman, Gandharan art represents the culmination of influential Greek artistic traditions, particularly from the Classical and Hellenistic periods. The region of northwest India, which was successively governed by the Seleucids, Bactrians, Parthians, Scythians, and Indo-Greeks, absorbed substantial Greek influences in art and culture. The Indo-Greeks, having been exposed to Greek culture, philosophy, art, and architecture, brought these elements to Gandhara. Furthermore, artists from the region of Bactria also contributed to the art of Gandhara, infusing it with Greek aesthetics, which can be seen in the area’s Buddhist sculptures.
Mythological Representations and Artistic Techniques
Gandharan art repeatedly showcases figures from Greek mythology, like the iconic Trojan Horse and the mighty Heracles. A defining feature of Classical Greek sculpture is its lifelike depiction of the human form, often intertwined with divine elements. As the scholar Ridgeway observed, “the driving force behind Greek monumental stone sculpture was essentially religious in nature.” This religious and artistic approach, when blended with Indian cultural themes, heavily shaped the evolution of Buddhist iconography, particularly through the emergence of humanlike portrayals of the Buddha. The fusion of Greek artistic principles with Indian religious imagery resulted in a unique style that left a lasting mark on regional artistic traditions.
Hellenistic Features in Gandharan Art
Gandharan art clearly shows the influence of Hellenistic styles. The figures are inspired by Greek models, with wavy hair and tight, pleated clothing.
Credits: The Metropolitan Museum of Art
The ideal Hellenistic physique – slender and muscular, like a Greek athlete – was used for Buddha and Bodhisattva sculptures. Even the ushnisha on the Buddha’s head was based on Hellenistic hairstyles. And the nimbus or halo around the Buddha’s head is reminiscent of the imagery used for Greek sun gods, like Apollo.
Credits: The Metropolitan Museum of Art
The Bodhisattva in Gandharan Art
In addition to representations of the Buddha, the Bodhisattva is a crucial part of Gandharan art. It symbolizes the Buddha before reaching enlightenment. Various Bodhisattvas from the Buddha’s past lives, like Avalokiteshvara, Maitreya, Padmapani, and Manjushri, are prominently featured in this artistic tradition. Unlike the simplicity of Buddha images, Bodhisattva sculptures and depictions are elaborately adorned, with jewelry, headdresses, robes, and footwear. This helps distinguish the different incarnations by their attire, postures, and symbolic mudras.
Credits: The Metropolitan Museum of Art
Evolution into a Hybrid Style
At first, Gandharan art was heavily influenced by the Hellenistic style. However, over time it blended with Indian visual elements, crafting a unique hybrid style known as the Gandhara style. While Greek artistic influence didn’t spread across all of India, it clearly had a significant impact on regional sculpture. Back in the 3rd century BCE, Buddhist sculptures didn’t depict the Buddha as a human. Rather, they used symbols like the Dharma Chakra, thrones, footprints, or the Bodhi tree. It was only later, during the Hellenistic period, that the Buddha started being represented in an iconic human form.
Bactrian Influence on Gandharan Art
Bactria’s influence on Gandharan art is pretty clear. Archaeologist J. Hackin shed light on how important Bactria was. However, its role wasn’t fully appreciated until later excavations uncovered a major Graeco-Iranian artistic tradition there. The stucco heads from Gandhara are super diverse and complex – some were molded, others sculpted freehand. They show a mix of styles, with a realistic, individualized touch that traces back to Hellenistic terracottas and Greek art. These stuccos, found in places like Hadda and Taxila, often depict minor gods, demons, and patrons, highlighting the artistic connections between the regions.
Even though we don’t have tons of Graeco-Bactrian art and the timelines are murky, it’s obvious Bactria and Gandhara were closely linked. Some Bactrian sculptures act as a vital bridge between late Hellenistic art and Gandharan sculpture. They prove how intertwined these traditions were. Gandharan art blended Greek, Roman, Parthian, and Bactrian influences to create a unique style that still captivated scholars.
Important Archaeological Sites of Gandhara
Taxila: A World Heritage Site and Cultural Treasure
Taxila, located in Pakistan’s Punjab province, is a UNESCO World Heritage site that’s famous for its rich history. This old city is filled with all kinds of historic buildings, fortified towns, stupas, and monasteries. These display a mix of foreign influences in their art and architecture. From the 2nd century BCE to the 5th century CE, Taxila was an important hub for Buddhist education. It attracted scholars and monks from around the region to study Buddhist education. Many of the iconic Gandharan sculptures and artifacts have been discovered here over the years.
One of the most remarkable sites in Taxila is the Dharamrajika Stupa. People say that it contained the Buddha’s original relics. This place is full of Buddhist art, with loads of stone and stucco statues of the Buddha. Plus, the stupa has panels showing important moments from the Buddha’s life. So, it’s a crucial spot for learning about how Buddhism spread through the region.
Chakdara: A Historical Site
Chakdara, a site with a multi-millennial history, is another significant location near Taxila. It is dotted with archaeological remains from the Gandhara burial culture, Buddhist structures, and Hindu Shahi fortifications. This highlights its enduring importance within the regional historical narrative. Chakdara’s archaeological abundance offers invaluable insights into the diverse cultural and religious forces that have shaped the area over the course of centuries.
Charsadda: The Capital of Ancient Gandhara
Charsadda, the former capital of the Kingdom of Gandhara, was a historically significant city. Around 516 BCE, Gandhara was incorporated into the seventh satrapy, or province, of the Achaemenid Persian Empire, and its people paid tribute to Darius the Great. This status persisted until the region was conquered by Alexander the Great in the 4th century BCE. This marked another pivotal chapter in Gandhara’s rich and diverse history. As the capital city, Charsadda’s historical importance and connections to major ancient empires underscore its central role in ancient Gandhara.
Conclusion
Today, Gandhara sculptures are not limited to Pakistan’s national and local museums. They are prominently displayed in prominent international art institutions across the Far East, Australia, Europe, and North America. Musée Guimet, the Berlin Museum, the Victoria and Albert Museum, the British Museum, the MET, and the Oriental Institute all house exceptional examples of Gandhara art. This widespread global interest is a testament to the authentic beauty and enduring appeal of Gandhara sculpture. It captivates art enthusiasts worldwide much like the renowned pottery of ancient Greece and the art of ancient Egypt.
Initiatives
Stupa-Art: Visual Poetry of Buddhist Ideals in Stone
Discover Stupa Art, stone structures, symbols of Buddhist teachings, spirituality, and the egalitarian spirit of early Buddhism.
Historically, Indian art is marked by wealthy patrons and monarchs who built grand monuments for fame and religious merit. In contrast, during the early Buddhist period, ordinary people such as housewives, fishermen, gardeners, merchants, and bankers were central to constructing monuments called “stupas”. The term “stupa” is derived from Sanskrit, meaning “to gather” and “to add.” It can also refer to a lock of hair, the top of the head, a wreath of flowers, or a stack or pile of soil or bricks. The stupas were significant because they were the first major Indian artworks constructed using durable stone rather than more short-lived materials. Ordinary people drove this major innovation by collectively donating to build Buddhist stupas and early cave monasteries.
Origin and Historical Context
The origins of the stupa can be traced back to ancient India. Initially, they served as simple burial mounds or reliquaries for the remains of the Buddha and other revered figures. Over time, the stupa evolved into a complex symbol imbued with deep religious significance. The most famous example is the Great Stupa at Sanchi, commissioned by Emperor Ashoka in the 3rd century BCE. It remains a beacon of Buddhist art and architecture even today.
Stupas have since spread across Asia, from the towering structures of Borobudur in Indonesia to the ornate stupas of Tibet and the minimalist forms in Japan. Each region has adapted the stupa to match its own artistic and cultural traditions. However, the core symbolism – representing the Buddha’s enlightened state – has remained unchanged.
These structures not only served as significant religious markers but also functioned as focal points for communal worship and pilgrimage. They reflect the collective devotion and egalitarian spirit of the early Buddhist laity, who resisted hierarchy and sought to uphold the Buddha’s original egalitarian vision.
At first, stupas were just places to enshrine the Buddha’s relics. Over time, they also became shrines for the remains of the Buddha’s followers. Eventually, the stupas themselves became objects of worship. Before Ashoka’s reign, people had already built eight stupas dedicated to the Buddha at different sites. Each of them connected to a significant moment in his life. Some stupas, like the Great Stupa in Sanchi, India, or the intricately designed Boudhanath Stupa in Kathmandu, Nepal, are grand and lavish, while others are simpler and understated.
Symbolism
By studying the Sanchi Buddhist temple, historians have uncovered the deep symbolism and significance of early Buddhist art. The artistic expressions of these early devotees showcased their commitment to Buddhism’s central tenets and captured the Buddha’s dual nature – both human and divine.
Art historian J. Irwin explains that early stupas had two main parts: a central pillar rising from the ground and a dome-like roof called the anda or “egg.” These structures formed a Cosmogram, representing the cosmic order, which was imposed on the land where the stupa was built. Irwin emphasizes that the central pillar, known as the yupa or Inda-khila, had deep cosmogonic and religious significance.
Originally made of wood, this pillar symbolized the Axis Mundi. The Axis Mundi connects to the World Tree and World Pillar, symbols that represent the link between heaven and Earth. The orientation of the Axis Mundi to the four cardinal directions symbolised the unity of space and time. This allowed worshippers to align themselves with the cosmic cycle.
Irwin further notes that some stupas were metaphorically surrounded by water, symbolising the Cosmic Waters. The metaphorical symbol reinforces the idea of the stupa as a microcosm—a dynamic representation of the universe’s creation. The ancient Vedic text, the Rigveda, presents the idea that the stupa’s dome represents the Primordial Mound formed from the cosmic waters. In the early days, ordinary people worshipped stupas. After the Buddha’s death, they saw the stupa as a way to honour him and earn good karma since he was no longer physically present. Over time, the stupa became a symbol representing the departed Buddha and Buddhists. It focused on incorporating the Buddha’s physical remains within these structures.
Structure and Meaning
The Buddhist stupa represents the core teachings of Buddhism. It encourages practitioners to understand that life involves suffering. But this can be overcome by changing one’s perspective. By following the Buddha’s teachings, people can gain deeper insight, manage their thoughts and actions better, and find inner peace and harmony. The stupa’s design and purpose help practitioners recognise the impermanent nature of life – that desires, fears, and grief are temporary. This allows them to value these aspects without becoming overly attached. Gathering and focusing their energy at the stupa can help practitioners centre and uplift themselves through rituals.
The stupa’s design is meant to inspire the mind. Its tall spire, called the yasti, represents the axis mundi, the centre of the Earth around which the universe turns. It also symbolises the World Tree, found in many cultures, with roots deep in the Earth and branches reaching up to the sky. Around the yasti stands a square gate known as the harmika, and above it are parasols that symbolise protection, grandeur, and the Buddha himself. The stupa’s large dome rises from the central spire to a square base. This is occasionally enclosed by a wall with four gates facing the cardinal directions. These directions represent four important moments in Buddha’s life:
- East: Buddha’s birth
- South: Buddha’s enlightenment
- West: Buddha’s first teaching
- North: Buddha’s final passing away (Nirvana)
Symbolism of Stupa Architecture
Credits: World History Encyclopaedia
The parts of the stupa’s architecture have deep symbolic meaning. They guide followers toward a spiritual understanding of the universe. This profound Buddhist belief is shown in different aspects of the stupa’s design:
- Anda: The stupa’s dome, or anda, is circular, symbolising infinity and continuity. In Indian art, the circle represents the eternal and divine movement of the heavens. The circular design of the stupa is a metaphor for the endless nature of Nirvana. This idea relates to the Mandala, which represents a sacred space, and the Chakra, which symbolises the divine order of the universe.
- Harmika: The harmika is the square section connecting the stupa’s circular base to its upper levels. In Buddhist art, the harmika symbolises the heavenly realm above the physical world. The square shape represents stability, solidity, and the boundaries of the Earth, while the circle signifies the infinite nature of the universe.
- Yasti: The central axis, known as the yasti, represents the cosmic axis around which the universe revolves. This axis serves as a connection between the Earth and the heavens, symbolising the unity of the cosmos. Additionally, the yasti is associated with the mythology of the cosmic serpent, Ananta, whose infinite nature mirrors the eternal qualities of the universe.
- Chatraveli: The umbrellas, or chatraveli, placed atop the yasti represent respect and safeguarding. These umbrellas, traditionally linked to esteemed individuals, have become symbols of the three core aspects of Buddhism: the Buddha, dharma (the teachings), and sangha (the community).
- Palisades: The fences surrounding the stupa are based on ancient Indian traditions of enclosing sacred spaces. The stone palisades around the Sanchi Stupa drew inspiration from wooden fences that once protected holy sites, evoking the ancient symbol of the swastika and the protective barriers used by farmers to safeguard their livestock.
Conclusion
The Buddhist stupa is a remarkable architectural structure and a piece of art that visually expresses the core principles and beliefs of Buddhism. It captures the essence of Buddhist teachings through symbols in a timeless and accessible form. The stupa serves as a reminder of the path to enlightenment, encouraging practitioners to engage with the Buddha’s teachings through contemplation and ritual practice.
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