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Feel the Music and Let the Beats Guide You: Abhishek Vernekar

Dancer and Choreographer, Abhishek Vernekar discusses his passion for the performance-art and what it means to him.



Abhishek Vernakar

Rhythm has not escaped anyone. Even as feet tap to the beats of music while sitting in the metro, or hands try to learn that one trendy step from a recent popular Bollywood song. Dance as a form of art, culturally, has been one of the most prevalent forms of expression. We dance to celebrate, in joy and in excitement. This movement to rhythm is away from a critique based on techniques and does not run after perfectionism. It is very much a part of everyday life, and by virtue of that, awards freedom for anyone to indulge in it. This freedom may be one of the reasons why we have so many self-trained dancers who reach great heights, solely because they find their passion in these general rhythmic movements and practice to perfect it. They learn and they polish themselves as artists to make it their profession. 

Such is also the story of Abhishek Vernekar, a self-trained and self-made dancer and choreographer, whose persistence to find his true potential resulted in his success story. 

Abhishek’s first performance on stage happened when he was nine years old. It was enough to make him realise that dance made him happy. Plus, he adds, Bollywood also played a part in making him discover his passion for the art form. Having never gotten the opportunity to learn from a professional, Youtube videos came to his rescue. He recalls that initially when he would attend workshops led by various artists, he would feel embarrassed of not knowing dance terminologies that other participants did. However, he would always do an internet search of the moves that were taught and learn them properly. He mentions a notebook in which he would note them down, a habit that he still maintains. 

“My journey has helped me shape my character and become the person I am now.”

Things did not work themselves out for him on their own, but it was his firm decision and dedication that led to where he is now. It was while he was interning in Bangalore, a few years back, when he decided to take a break from pursuing MBA. He quit all of it to focus on dancing to build his career because it was the only thing that made him happy. He believes in the force of persistence, something that has driven his journey. Talent, he believes, can be acquired through long hours of practice and hard work. According to him, it is the only way to discover the true potential one is capable of. 

“Practice makes a man perfect, however cliche this may sound, it is the only mantra every dancer should apply in their life.”

And now, as his decisions have led to professional fulfillment, he offers his advice to young dancers. “You have to give your best and put your heart and soul into anything you do. Feel the music and let the beats guide you.”, he says. Drawn from his own experiences, he has an understanding of the struggles that every amateur artist would face. Having never gotten the chance to be trained professionally, he has made it a point to train and share his knowledge with those interested to make their journey easier than it was for him. 

Dance for him has been like meditation. He explains that it helps him gather his thoughts and achieve a sense of inner peace. More than that, however, dance offers to him a way to deal with the problems and pressures of life, as well as providing an escape from its mundanity.

“’Best’ is a label. It’s something someone else decides for you. ‘Better’ is more personal.”

Everybody strives to become the best at what they do. Often, running after that goal makes you lose track of your own progress. While ‘best’ is a measurement criterion that concerns others, Abhishek believes in focusing on your own progress as a measure of your growth. To young dreamers out there, he suggests this very piece of advice. That is, to not dilute your goal simply to become the best. Work hard and tackle challenges with perseverance and self-confidence as you embark on the journey of your passion. As he combines passion and hard work to emphasize the importance of both, he points out that remaining true to yourself and to your art is of utmost importance. And like everybody, Abhishek too has pondered upon the importance of dreaming. He sums his understanding in eight words alone when he says:

“The more you dream, the more you work.”

Credits: YouTube (Abhishek Vernekar)
Credits: YouTube (Abhishek Vernekar)
Credits: YouTube (Abhishek Vernekar)
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Following the Taal and Rhythm: Presenting Surreal Dance Performers

These diverse set of dancers, through their adept dance performances, covers and different dance forms, make the beat follow them.



Dance Cover

When American Dancer Martha Graham said, “Dance is the hidden language of the soul”, she applied the truest definition to this art form. Human beings have invented numerous dance forms, each having its own specialty. Dance becomes one’s own personal claimed language. The chaotic energised dance performances in an Indian Baraat, the excelling dance performances on stages, dance covers posted online, in all these cases function as an expression of one’s feelings. Dance is always about celebration and merriment. It doesn’t have to be perfect all the time. Surely, some people are born with dexterous body movements. With grace, charm and energy, dancers add more serenity to the music they perform on. An enjoyable moment for some, and cathartic for others, nobody can ever deny an appealing dance performance. So here we offer you some magnificent, energetic and graceful dancers and. 

Debolinaa Nandy

Indian Classical Dance is the quintessence of beauty, power and grace. It is brimmed with tranquility and elegance. Debolinaa Nandy with Prity Biswas dance to the evergreen song ‘Taal se Taal Mila’, and leave our hearts calm and composed. The excellent videography amidst the green lush background increases its serenity. Debolinaa and Prity dance with fluency and naturalness which completes the entire performance.

Credits: YouTube Debolinaa Nandy Production

Jainil Mehta ft. Evan Matthew Stewart

Garba, the dance soul of Gujarat, is hailed as symbolic to feminine divinity. Jainil and Evan’s coordinated garba performance is loud with passion and perfection. Styling in the traditional Ghagra, each twirl and turn is perfect. The coordination between their footwork and the cooperation between the versatile flexible movements between them is fulfilling.

Credits: YouTube Jainil Mehta

Sneha Kapoor Gothi 

Dedicated Dancer, Sneha Kapoor, choreographed and performed a semi classical dance cover on the song, ‘Tum Tak’. The sheer poise in each step leaves the spectator in awe. The choreography is exceptionally beautiful and detailed. Every beat of the song is captured by Sneha through dance. There are some simple slow steps, and some other really quick and hard steps. The choreography is the work of a true dancer. A must watch semi classical dance cover it is! 

Credits: YouTube Sneha Kapoor

Damnfam Diwali Special 

Damnfam performed an energetic and fun group Diwali dance performance. Power packed, not misplacing a single step, they showed the dance’s true spirit that is enjoyment. Like the ever glowing Diwali days, Damnfam’s dance is glowing on their faces as well. Performing to Bollywood hits, they don’t miss a beat or an expression. Dance on Diwali days are exuberant, filled with thrill, and this dance performance crosses that standard. 

Credits: YouTube DamnFam!

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Tanishq Joshi: Blending The Best Of Bollywood With Hip-Hop

Crossing all the hurdles life threw at him, dancer Tanishq Joshi is an inspiration to all young artists who wish to pursue their dreams




Tanishq Joshi

Tanishq Joshi is a name quite familiar to all dance enthusiasts and aspiring hip-hop dancers. Hailing from Indore, he started dancing as a hobby while in school from a very young age. Watching Hrithik Roshan and Ganesh Hegde on TV, he quickly took an interest in it. He performed in school functions without any formal training. Though Joshi wanted to be a soccer player while in school, life had different plans for him. 

While he was in tenth grade,a car ran over him. This accident turned things around in his life. When doctors suggested physical activity for proper recovery he did not have to think twice about joining dance classes. That was the beginning point of his dance journey. The accident broke his left tibia, but not his spirit! He advanced very quickly through different levels in the dance class within a very short span. 


He moved to the US at the age of 17 to pursue his studies in Finance. But he did not give up his passion for dance. The perseverance he has is worth a mention. He took a number of classes at the university while working as a barista at Starbucks.

He describes the hectic schedule he had to follow for a few years during which he had to tackle 6-7 classes, work till 10 pm and had to do all the academic work by midnight. But even with such a tight schedule, he did not forget to find time for dance. He recalls going out to the streets at night after a long day “to freestyle, to learn, to choreograph”.

His dedication to dance started finding results soon. He was picked directly from his dance class, without an audition, by the dance crew Creative Reaction. This required him to take weekend classes in New York. He had to spend the weekdays working and studying and the weekends training. As part of Creative Reaction, he was able to showcase his talent to a wide audience. It was a boost to his confidence when the team choreographed by him won second place at World of Dance, New Jersey.

Talking about his founding influences, he mentions how dancer Matt Steffanina was a game-changer as he posted class videos on YouTube for free, which inspired him to take more classes and learn choreography. Dinita Clark and Kyle Clark, he said, have helped him realize that dance is not just a career, but a lifestyle. 

Credits: YouTube (Tanishq Joshi)

Embracing His Roots

The unique element in Joshi’s choreography style is the blending of Western dance with Bollywood songs. He did not plan to do this from the beginning of his dance journey. This happened out of his desire to own the culture he belongs to.

During his time in LA, he realized that what makes one unique is his/her self. This includes one’s “culture, background, country, family”, which Joshi very frankly admits were things he wanted to hide about himself. The stereotyping experiences, like being called “a good dancer for an Indian”, made him move further away from his identity during his freshman year.

Through his experiences of auditioning for multiple agencies and failing to get into any, he learned that it was not about skill, but about “type”. He shares how he was not picked up because he didn’t fit the “6”1, muscular, black” category. That is when he decided to truly own his “type” and started dancing to Bollywood songs. It was the dance that made him embrace himself and his identity as an Indian that he tried to conceal. He began to train heavily and took part in camps, classes and workshops all over New York, LA and Philadelphia. 

Credits: YouTube (Tanishq Joshi)

Making His Mark

During the pandemic, he started blending his dance with Bollywood tracks to come up with a style completely of his own.

This new fusion of Bollywood flavour with what Joshi calls a “LA/New York/ Philadelphia/ Atlanta style” of dance garnered him a lot of appreciation. Soon, Snowglobe Perspective and TMilly TV Studio picked him to train classes. Thus, making him the first South Asian to teach at these studios.

This is an accomplishment that opens gates for others who wish to venture into this field. He noted how there is a lack of Indian industry leaders (except for Shivani Bhagwan and Chaaya Kumar, who run B-Funk, which is a huge brand in the US) and Indian hip-hop role models to look up to. He describes the hard times he had to face trying to get noticed in the industry in the initial period and wishes that he had a community backing him up in his struggles instead of having to fight his battles alone. The truly great achievement of Joshi is the path he has paved for aspiring passionate dancers. He hopes that upcoming Indian dancers get a chance to move out to places like LA where they could get better training. 

What Tanishq wishes to pass on to someone who is starting in their field of passion is to be consistent and to graph their growth. He firmly believes in the mantra that if one puts hard work into something, results would gradually, but surely, follow. To the aspiring dancers, his advice is to take at least three classes in one day and stay consistent to see the results. Consistency, he believes, is the key to success in every field. 

A Word Of Advice

Dance, for Joshi, is something that plasters to mind and body. He also urges artists to not stop learning or exploring fields outside their niche. He calls on dancers to explore and experiment with different choreography, try out cinematography, sound production, lighting or any other aspect that could enhance their skills. 

From dance being a mere hobby to realizing it is his true calling, Tanishq Joshi has come a long way. At such a young age, he has been able to make his mark in the dance industry as well as be a trailblazer for young, upcoming artists. 

Credits: YouTube (Tanishq Joshi)

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Exquisite Movements Filled With Grace: These Dance Performances Will Enrapture You

We bring you a selection of mesmerizing dance performances which will leave you smiling all
day long!



Dance Performances

Gifted and skillful, these dancers have not only mastered their style of dance – movement and expression but also are brilliant performers. The aesthetics of the set, costume and videography is as glorious as their technical skills. The amalgamation of these has taken the form of these delightful dance performances.  

We have hand-picked a selection of talented dancers who will charm your socks off with their graceful movements!

Nivi and Ishnavi

Niveditha And Ishanvi Hegde make up an adorable mother-daughter dancing duo under the channel name Laasya. Their Bollywood fusion choreography is set to the ‘Shershaah’ film song, Raatan Lambiyan. The transitions between the contrasting sets, along with their smooth movements and expressions, makes the dance performance an absolute delight to watch. And let’s not forget the cuteness overload with the matching outfits and big smiles!

Credits: YouTube (Laasya)


Ritu Hariyani choreographed this beautiful routine for the song, Ranjhaa from the film ‘Shershaah’, which is now uploaded on her YouTube Channel, Burritu. With her stunning expressions and elegant moves, she truly delivers a flawless performance. 

Credits: YouTube (Burritu)


This channel showcases the immense talent of Mohana Meem and Eshapriya Das. This particular choreography is a Kathak-Contemporary fusion on Ed Dil Ek Jaan from the film Padmavaat. Mohana Meem’s dance performance here is bound to leave you awestruck! It’s the lush greenery surrounding her, the gorgeous outfit and her skilful yet effortless movements that, when put together, are truly dazzling.  

Credits: YouTube (NRITYAM – Seeking Steps to Euphoria)

Kashika Sisodia

Dance truly is a medium of storytelling, isn’t it? In her flawless dance performance of the song ‘Ranjha’ from the film, ‘Shershaah’, Kashika does justice to this soulful piece of music. With an incredible outfit change, her graceful movements and apt expressions, she translates every word into a visual emotion and it is absolutely beautiful to watch. 

Credits: YouTube (Kashika Sisodia)
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The Tales That Come From Our Yesterdays: Eshani Sathe

Meet Eshani Sathe, an incredibly talented Kathak dancer who is weaving her art into a language that you can understand.



Eshani Sathe

There is a sense of eloquence in the manner in which she speaks. That same eloquence, that same dignity, is evident in her work. Eshani Kiran Sathe, then, truly stands as not just an incredibly talented Kathak dancer but also as an artist who has a deep understanding on how to translate her art, her roots, into a language easily understood by others. After all, there is no greater achievement for an artist than the satisfaction that comes with their art being accepted by the rest of the world. 

Born and raised in Akola, Maharashtra, Sathe stepped into the world of classical dance at the tender age of three. The daughter of a classically trained Kathak dancer, Sathe, initially, did not plan on forging a career in Kathak. At the beginning of it all, Kathak, as a dance form, was something she just grew up with. It ran in her blood and she loved it, sure. However, it did not become a part of who she is until much later. 

When we talk about her formative years, Sathe reveals her enduring love for English Literature. She reaffirms it, at a later point, quite unequivocally, and quite unintentionally, when she talks about her love for Enid Blyton as a child. For Sathe, it was an engaging childhood, to say the least. She spent her childhood engrossed in her education and her love for English Literature while also balancing her classical dance training. To be frank, Sathe’s career path could have been a matter of circumstance. I have a sneaking suspicion that she could have been as good of an established writer as she is a Kathak dancer. And that says a lot by itself. 

Credit: YouTube (Eshani Sathe)

Now, as she looks back on it, Sathe admits that, in hindsight, juggling all her responsibilities, at that age, may seem like a lot. However, at the time, she didn’t think much of it. It was simply the way things were. And, to be frank, those very things went on to define the person Sathe is today.

If you head on over to her YouTube channel, which, by the way, is home to a wonderful curation of videos, you would probably come across a project of her’s, titled ‘Shakti’. When we discuss the project itself, Sathe elaborates further on the manner in which she approaches any project that she is a part of. At the beginning of it all, Sathe fixes herself on what she truly wants to explore with any given concept or project. In the case of ‘Shakti’, Sathe reveals that the track used for the project is tied to her on a deeply personal level. In fact, the track used for ‘Shakti’ is one that Sathe recalls as being one of the first tracks that she saw her mother perform to. Now, when she intended to use the track for her project, it carried, with it, a fusion of her own self-beliefs and her own connection to her feminine energy.

I am glad we got to talking about the projects that she is a part of. You see, one of Sathe’s primary responsibilities, as the curator at Kathak Nritya Mandir, is the creation of classical content for digital platforms. One of the first things she learnt in her journey of creating digital content is the fact that there are multiple competing avenues of content available for the audience of today. The only question, then, that remained to be asked, was what truly entices an audience to consume your content? For Sathe, the answer was simple and lay in the foundations of who she is as an artist. The basic principle was to translate her art, of Kathak, in a manner that was faithful to its roots, while, simultaneously, making it accessible to those who may not be as well-versed as others in regards to classical dance.

Credit: YouTube (Eshani Sathe)

Today, as Sathe goes on, there is this need, for your art, to be incredibly accessible and consistently engaging to an audience. At the same time, there is also this desire, on the part of the artist, to be faithful to their roots. For Sathe, it isn’t always about just following the emerging trends. And, to be honest, it can never be about that. That route, as Sathe affirms, of warping your own creative piece or your art to fit in with a trend, will never be sustainable.

Now comes the part of the conversation where Sathe, and you must forgive my lack of vocabulary here, absolutely schools me on the nature of dance as an art form. There is this perception, one that I was inclined to as well, of dance either being a medium of popular entertainment or a medium for the perpetuation of culture. For a lot of people, dance always had to be one or the other. It could never be both.

That, Sathe explicitly states, is absolutely wrong.

Classical dance forms, though erroneously seen solely as a medium of cultural perpetuation, began as channels for storytelling. If we look at Kathak, it all began with storytellers. Kathak, as a dance form, was never just about solely being an avenue for imparting a historical legacy. It was as much a tool for entertaining an audience as it was a tool for leaving behind a cultural legacy. Classical or Cultural art forms, then, all fuse into being a medium of self-expression, education, entertainment and storytelling.

“Kathak can be a medium of expression for the artist and it can also be a medium of entertainment for the audience without necessarily having to be a route to some divine self-realization or cultural perpetuation.”

Eshani Sathe

As of now, Sathe is looking forward to hosting a series of programmes in the near future. Sathe, on the behalf of Kathak Nritya Mandir, is in the midst of organizing a programme that brings the choreography of multiple artists, including her mentor and tutor, Pandit Rajendra Gangani, in January of 2022, in the format of a live show. On a personal front, she is now cataloging a series of digital productions that she is going to put out soon.

It is truly amazing when we really get to mapping out her life so far. I said, earlier, that it may have been a matter of circumstance that Sathe chose to become a Kathak dancer instead of a writer. When I look back to that statement, I am not entirely sure anymore. With guiding figures such as her mother, Radhika Sathe, and her mentor, Pandit Rajendra Gangani, I don’t think Sathe could have gone on to being anything other than the wonderfully talented dancer that she is. Kathak called to her in a way that nothing else ever did. And, Eshani Sathe couldn’t help but answer.

Credit: YouTube (Eshani Sathe)
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From Semi-Classical To Fun, Modern Moves: These Covers Have It All

Take a breather and look at these fun self-choreographed dance performances by some talented dancing feet.



Dance Covers

When dancing feet move, they are possessed by the character they portray when onstage. To be able to express and make a flawless delivery of the borne emotions, a dancer is said to have mastered the art of dancing. When the performance speaks to the audience, the performance becomes art. We bring you 4 such dance pieces that not only speak to the viewer, but also are a clear reflection of the talent of the performer, and the flawless execution that you’d not want to miss out!

Starting off with Naina Batra; the talented performer self-choreographed and performed this dance piece on the song ‘Mehboob Mere’. For a song that is bold in terms of expression, it required equally bold performance to match. Naina not only choreographed awe-inspiring dance moves but also performed them with equal boldness which is reflected through her expressions in the cover. The trio dance to the beats of the song with dripping confidence that serves as a highlight to the performance. The combination of the flawless execution of the choreography by the Lehanga donned trio, the aesthetically pleasing set and the perfect camerawork makes the cover a must-watch!

[Credits: YouTube(Naina Batra)]

Up next we have another self-choreographed performance by Kartik Raja, featuring Akash Thapa. The dance cover of ‘Abhi Kuch Dino se’ is fun to watch with the clean and swift execution of the moves and the great editing of the video. The dancers not only have synced moves but also wear on-point facial expressions that serve as an expression element besides the dance moves. The overall cover is short yet wouldn’t fail to bring a smile to your face. Check it out here:

[Credits: YouTube(kartik Raja)]

‘Chura ke dil mera’ is a classic, upon listening to which, no feet can resist movement. Neerav Bavlecha and the team have choreographed the song and it’s a sight to behold. With an aesthetically pleasing set and great coordination between the dancer duo, the cover came out smoothly. The cover features Srishty Rode in a gorgeous lehenga, dancing beside her partner. Overall, the cover is a beautiful watch and deserves more hype. Check it out here!

Credits: YouTube(Neerav Balecha Dance Dilse)

At the end, Arpit, in collaboration with Vijetha has choreographed and covered the Akshay Kumar classic and we absolutely love it! The cool funky vibe that the entire cover gives off makes you want to replay it over and over. The perfect synchronization between the two dancers makes the video a worthy sight. The white aesthetics gives the video a fresh, cool feeling to it which you definitely don’t want to miss out. Check it out here:

[Credits: YouTube(Arpit Goyal)]

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