Vistas of Bharat : Indian Culture
Shadow Puppets: An Exploration of a Timeless Performing Art
Shadow puppetry is an ancient art form of storytelling. It uses flat articulated cut-out figures called shadow puppets.
Asia, although highly neglected by Western conformities, has always had a rich heritage of art and literature. This is majorly evident in the folktales that have managed their way into contemporary art. Shadow puppetry is one such ancient art form of storytelling. It uses flat articulated cut-out figures called shadow puppets. These puppets are held between a source of light and a translucent color screen. It has been an ancient art and a living folk tradition in China, India, Iran Nepal, Indonesia, Malaysia, Thailand, Cambodia and many more.
According to historians, the shadow puppets of southern India enjoyed the patronage of several dynasties, such as the Rashtrakutas, Pallavas, Kadambas, Chalukyas and Hoysalas, as well as the support of the rulers of Vijayanagara and Mysore. Imperial patronage was also extended to the Killekyata community, the traditional performers of the puppetry form. Records of this are found via an award granted to them in 1520 AD in the Bijapur Sultanate.
Tholu Bommalata from Andhra Pradesh
Tholu Bommalata is the ancient traditional shadow theater of Andhra Pradesh. Literally, “atta” translates to “dance” and “Tholu Bommalu” refers to “leather puppets”. According to historical literature and records, the use of these puppets dates back to 200 B.C. under the Satavahana dynasty. The major works that fall under this storytelling tradition are the epics Ramayana and Mahabharata. Additionally, other sacred Hindu texts that are no longer commonly narrated in contemporary times. These old texts have been replaced by more relevant social and environmental themes, such as reforestation or the domestic lives of ordinary people. While anyone can manipulate the puppets, only a skilled sutradhar can bring them to life. Traditionally, the sutradhar is the head of the family, with each member performing a specific role: dancer, singer, narrator, and actor.
Tholu Bommalu are the largest shadow puppets in India. The puppets are made of leather, and the origin of the leather holds significant importance. Previously, deer leather represented gods, goat leather for saints or common people, and buffalo leather for demons. Today, however, goat skin is the primary material used. Considering the spiritual value attached to the gods and the impure means of sourcing the leather, numerous rituals are performed to purify the puppets before they are used to represent the spiritual deities. The puppets are highly regarded, and a proper funeral is conducted, where they are released into the waters of the Ganga River. Unfortunately, Tholu Bommalata is a dying art form. Only 9 active troupes today, compared to over 180 troupes active in 30 different Indian districts just fifty years ago.
Togalu Gombeyaata from Karnataka
Togalu Gombeyaata is a form of shadow puppetry practiced in Karnataka. It draws on epics, folktales, coarse humor, and high drama, as well as song and prose in its puppet plays performed through the night. Togalu Gombeyaata also shares historical and communal roots with Tholu Bommalata.
The Killekyata community derives its name from the eponymous character of a Togalu Gombeyaata performance, who provides an element of coarse comedy during a play. The community’s roots are traced to the present-day region of southern Maharashtra, from where groups of performers migrated to Karnataka, Andhra Pradesh, and Tamil Nadu.
The Togalu Gombeyaata figures are made of cattle skin and cast shadows on the screen during a play. Once the hide has been cleaned and tanned, it is chiseled along the outline of characters to create individual and composite puppets with rich details. A bamboo split, attached vertically along the center of the puppet, is used for manipulation. Traditional puppets, made of a single piece of deerskin, did not have articulated parts, demanding more skill and imagination from the puppeteer, which influenced the performance; the introduction of a principal character was accompanied by a detailed narration describing its physical features and attributes.
The repertory of Togalu Gombeyaata draws on the epics Ramayana and Mahabharata, the Puranas, and local folktales called Janapada Kathegalu. A performance is held between 10 pm and dawn of the following morning, beginning with an invocation to Ganesha and Saraswati. Songs and dialogues, often witty, are used alternatively, and musicians accompany the puppeteers on the flute, dhol, cymbals, mukhavina, pungi, and ektari. An overnight Togalu Gombeyaata performance requires at least fifty puppets, including figures depicting birds, animals, and scenes.
Togalu Gombeyaata, like other puppet art forms, is in decline. The number of active troupes has decreased, and the tradition is being preserved by a few generational puppeteers. T Hombaiah, Bellagallu Veeranna, and Gunduraju are master puppeteers who have performed nationally and internationally and received recognition from central and state organizations. Veeranna, who also practiced the folk theater form of Bayalata, has expanded the repertoire of Togalu Gombeyaata while maintaining the traditional aesthetic. He has introduced themes based on social issues, India’s independence struggle, and biographical plays on figures like Mahatma Gandhi and Shivaji Bhonsle I. Gunduraju, whose family has a 200-year legacy in Togalu Gombeyaata, has established a research and training center to preserve the related shadow puppet forms in Karnataka, Telangana, and Andhra Pradesh.
Tholpavakoothu from Kerala
Tholpavakoothu is a traditional shadow puppet play performed in Bhadrakali temples across the Palakkad, Malappuram, and Thrissur districts of Kerala. This art form, which originated in the 18th century, is also known as Pavakoothu or Nizhalattam. The performances take place on a special stage called a Koothumadam, located within the temple courtyard. The Tholpavakoothu art utilizes puppets crafted from deer skin to depict characters from the Kamba Ramayana. The show begins late at night and continues until daybreak, narrating the events from Lord Rama’s birth to his coronation as the King of Ayodhya. The language used is a blend of Malayalam and Tamil dialects.
The puppets, representing both noble and evil characters, are meticulously manipulated behind a white curtain lit by wick lamps. The chief puppeteer, known as the ‘Pulavan,’ leads the captivating performance. Today, Tholpavakoothu is primarily confined to the Ottapalam and Kavalappara regions of the Palakkad district.
Kerala’s rich cultural heritage is beautifully reflected in this art form, which seamlessly integrates Aryan and Dravidian cultural elements. Tholpavakoothu, performed along the banks of the river Nila, utilizes approximately 160 puppets for a full performance, which can last between 7 and 71 days, depending on the temple’s traditions. The puppeteers, often led by a Pulavar, undergo intensive training in both puppetry and the languages involved. The art form is preserved and promoted by dedicated troupes. Koonathara, founded by the renowned Tolpava Koothu artist, the late Guru Krishnan Kutty Pulavar is one such art form.
Chamdyacha Bahulya from Maharashtra
Chamdyacha Bahulya is a classic shadow puppet theater art from Maharashtra, India. In the local Marathi language, “bahulya” means “figure” and “chamdyacha” means “leather.” The village of Pinguli, where this art thrives, is known for its skilled puppeteers from the Thakur/Thakar Adivasi community. These folks are mostly fishermen and farmers by trade. Each puppet show involves a puppeteer-storyteller, an assistant, and two musicians playing the dholak and pakawatch, as well as the jodiwala and wata, while also providing vocals.
The full puppet set has 65 figures carved from colorful buffalo leather. These figures typically lack moving parts, except sometimes having a single movable arm attached by a leather pin. The puppeteer controls the figures by manipulating a wooden or bamboo rod running through them. The characters, like kings and gods, are depicted in the Mughal artistic style, with features like mustaches, beards, and baggy pants.
Performances start with a dancer figure at the court of the god Indra. This is followed by the storyteller Haridas who begins the tale in Marathi. The main puppeteer sings scenes from the Ramayana, Panchavati, and Ravana Badha in Tamil or Kannada. The musicians provide the spoken dialogue. These puppet shows take place on a permanent stage in the village, expanded around temples or sacred sites during religious festivals or major fishing/harvest events. Today, troupes and traditional families in Pinguli continue this Chamdyacha Bahulya art. Some master puppeteers are recognized for their important contributions both locally and nationally.
Ravanachhaya from Odisha
In the Indian state of Odisha, there exists a unique shadow puppet tradition called Ravanachhaya. As the name suggests, it tells stories from the Ramayana epic. This tradition was especially popular in the Dhenkanal and Talcher regions during the 19th and early 20th centuries. It even enjoyed the support of the local royal family. The origins of Ravanachhaya are somewhat mysterious. Some scholars believe it dates back to the 3rd century BCE. On the other hand, some link it to the Indonesian wayang kulit tradition, which is even older. There is also speculation that the name might reflect influences from Jain and Buddhist texts, which sometimes portray the villain Ravana in a more sympathetic light. However, the puppeteers themselves say the name was chosen because the hero Rama is believed not to cast a shadow. Even though earlier regional texts do not explicitly mention Ravanachhaya, they do refer to shadow puppetry more broadly.
Traditionally, Ravanachhaya was performed by the nomadic Charan people, who were traveling performers entertaining wealthy families. Despite its religious themes, it was not confined to temples and was a popular folk theater style. In the 20th century, the Vichitra Ramayana by Odia poet Vishwanath Kunthia became the main source text for Ravanachhaya performances. This blended classical and folk music. There is limited information prior to this record. A typical Ravanachhaya show might feature many different puppet characters, scenes, animals, and composite figures. It may go up to 700 puppets to tell the entire Ramayana story.
Vistas of Bharat : Indian Culture
Continuity and Preservation: The Enduring Legacy of Ancient Indian Civilization
The ancient world gave birth to several extraordinary civilizations, such as those of India, Egypt, Mesopotamia and Greece. While all of these cultures made significant contributions to human advancement, their trajectories over time have been remarkably different. Among them, the Indian civilization stands out for its unmatched continuity and preservation of cultural and spiritual traditions.
Ancient Indian Civilization
Civilizations often pass their cultural, philosophical, and societal values from one generation to the next, a process known as continuity. Meanwhile, preservation involves safeguarding the physical artifacts, language, and traditions that define a culture’s identity. Many civilizations have faced disruptions to this continuity due to conquests, migration, or changes in political and religious beliefs. Yet, intangible aspects like spirituality and community values frequently outlast physical structures and written documents.
The Indian civilization stands out for its impressive continuity, with both material and intangible aspects persisting over time. Ancient scriptures like the Vedas, systems of governance rooted in dharma, and artistic traditions have endured alongside modern innovations. In contrast, Egypt, Mesopotamia, and Greece experienced significant disruptions in their language, religion, and governance, leading to more substantial cultural transformations over the course of history.
Indian civilization traces its roots to the advanced urban planning and trade networks of the ancient Indian civilization like the Indus Valley Civilization. Following the decline of this early phase, the Vedic Age laid the foundation for enduring religious, linguistic, and societal traditions. The Mauryan and Gupta Empires later marked golden ages of political unity and cultural flourishing, leaving behind texts, art, and philosophical schools that continue to resonate through Hinduism, Buddhism and Jainism. Despite facing foreign invasions and colonial rule, India adapted while preserving its core values, serving as a living thread connecting its ancient and modern eras.
Egypt
Egypt’s Pharaonic era had remarkable continuity over 3,000 years. However, invasions by Persians, Greeks, and Romans weakened its traditional identity. The rise of Christianity led to a decline in native polytheistic practices and hieroglyphic writing, though monumental architecture like pyramids and temples survived as reminders of the past. Egypt’s influence endures through its art and symbols, but its religious and linguistic identity underwent major changes.
Mesopotamia
Mesopotamia, the cradle of civilization, was home to successive cultures such as the Sumerians, Akkadians, Babylonians, and Assyrians. Mesopotamia’s fragmented political structure, despite its pioneering advancements in writing, law, and urbanization, left it vulnerable to invasions. Unlike India, Mesopotamia’s languages, scripts, and religious beliefs were largely replaced by those of its conquerors, leading to more discontinuity in its cultural legacy. By the time of the Persian and Hellenistic periods, Mesopotamian languages like Sumerian had disappeared, and its cultural identity was largely absorbed into broader empires. However, much of Mesopotamia’s legacy lives on through archaeological finds and historical texts, even if its traditions did not endure in the same way as those of other ancient civilizations.
Greece
Greece’s ancient culture thrived during the Classical and Hellenistic eras, significantly shaping Western philosophy, art, and governance. However, invasions by Rome and the rise of Christianity resulted in the decline of Greek polytheistic rituals and many classical customs. Although Greek literature and concepts inspired later generations, much of its ancient identity exists more as a source of inspiration than as a continuous lineage.
Geographic and Climatic Stability
The geographic features of India, including the protective Himalayan mountains to the north and the surrounding oceans, offered a natural barrier against many external threats. The subcontinent’s diverse yet stable climate enabled agricultural communities to thrive, sustaining population hubs and cultural traditions. In contrast with the Nile and Tigris-Euphrates regions, which experienced periodic environmental stresses, India’s resource stability facilitated continuous development.
Spiritual and Philosophical Framework
Indian civilization’s spiritual ethos, centered on timeless principles like Dharma and Karma, created a flexible cultural framework. Unlike rigid dogmas, Indian spirituality adapted to changing circumstances, absorbing influences from Buddhism, Jainism, Islam, and Christianity while retaining its essence. Philosophical traditions like Vedanta and Yoga continue to resonate globally.
Linguistic and Scriptural Tradition
Ancient texts like the Vedas, Upanishads, and epics such as the Mahabharata were preserved, ensuring the continuity of knowledge. Sanskrit, revered as a sacred language, influenced regional languages and laid the groundwork for cultural preservation. Even when written records were scarce, oral traditions safeguarded knowledge.
Social Systems
Indian society’s resilience is rooted in its tight-knit community structures and strong focus on family relationships. Traditions like festivals, rituals, and Ayurvedic practices continue to thrive, seamlessly blending ancient wisdom with contemporary life. While the caste system has faced criticism, it has also helped maintain occupational and cultural identities over many generations.
Lessons from the Comparisons
India’s flexible approach of preserving its core identity while adapting to external influences offers valuable insights. India’s flexible spiritual framework enabled it to assimilate new ideas without losing its distinctive character. In contrast, the more rigid systems of Egypt and Mesopotamia made them more vulnerable to disruption. While Greece was highly influential, its continuity was fragmented by the shift to monotheism and external domination.
Modern societies can learn from India’s example by nurturing cultural pride alongside openness to innovation. The resilience of traditions depends not on resisting change, but on their ability to evolve while upholding their fundamental values.
Conclusion
Ancient Indian civilization has maintained a remarkable continuity and preservation of its legacy, in contrast to the more fragmented histories of Egypt, Mesopotamia, and Greece. India’s favorable geography, climate, and philosophical foundations, along with its linguistic and social structures, have enabled it to sustain a dynamic and adaptable culture over millennia. While other ancient civilizations faced disruptions from invasions, religious shifts, and political changes, India has demonstrated extraordinary resilience, embracing new influences while safeguarding its core identity. This has allowed Indian traditions, from spirituality to the arts, to thrive and evolve in a continuous manner, making it a unique example of enduring cultural legacy in the ancient world.
Vistas of Bharat : Indian Culture
Why Panipat Became the Epicenter of Empire-Shaking Battles in Indian History
Panipat, a small town in the northern Indian state of Haryana, has etched its name in the annals of history as the site of three monumental battles that have shaped the destiny of the Indian subcontinent. These three battles – the First, Second, and Third Battles of Panipat – were pivotal events that significantly impacted the course of Indian history.
The First Battle of Panipat, fought near a small village, marked the beginning of the Mughal Empire’s rise in India. The Second and Third Battles of Panipat were equally influential, as they witnessed the rise and fall of the Maratha Empire, a major power in the 18th century. The Third Battle of Panipat, fought on January 14, 1761, was a confrontation between the Maratha Empire and the forces of Ahmad Shah Abdali, the Afghan ruler. Each of these battles left an indelible mark on the political landscape of the Indian subcontinent, with the outcomes shaping the balance of power and the trajectory of the region’s history.
Geographical Advantage of Panipat
The town of Panipat holds a unique geographic position, situated along the ancient trade route connecting Delhi to the Northwest frontier. This unique geographical characteristics made it a prime location for decisive battles that shaped the course of Indian history. Its flat terrain provided open plains that allowed for the large-scale deployment and maneuvering of armies. These being war essentials ensured effective battle strategies and troop movements.
This openness also made Panipat particularly suitable for artillery. This was first seen in the First Battle of Panipat in 1526 when Babur famously leveraged his artillery to overpower Ibrahim Lodi’s forces. Moreover, Panipat’s proximity to Delhi, just 90 kilometers away, made it a logical choice for any force attempting to seize or defend the capital. Control of Panipat often meant a direct pathway to the seat of power in Delhi, giving any battle fought here immense political significance. Victory in Panipat could determine the control of northern India, making it a frequent site for empire-shaping confrontations.
Panipat as a Gateway to Northern India
Panipat’s strategic location extended beyond its immediate proximity to Delhi. Situated along age-old trade and military routes between the heart of India and Central Asia, Panipat naturally became a gateway for invading forces. Historically, those entering from the northwest passed through Panipat on their way to the Indian heartland, making it a place where rulers frequently sought to intercept or defend against advancing invaders.
Panipat’s geographic position along these critical trade and military corridors connecting India to Central Asia gave it immense strategic significance. It served as a natural passageway for armies and caravans traveling between the subcontinent and regions to the northwest. This made Panipat a highly valuable asset for any power seeking to control or defend against incursions into northern India. The town’s location along these well-established routes meant it was a common site for confrontations, as rulers sought to assert their authority by dominating this strategic gateway.
For example, in 1761, Ahmad Shah Abdali chose Panipat to engage the Maratha forces, understanding its strategic significance as a key point to assert dominance in northern India. This location advantage made Panipat not only a battleground but also a checkpoint for any power hoping to establish or maintain control over the subcontinent’s northern region.
Political Context: Contests for Control of India
Panipat’s role as a battleground often coincided with times of transition and upheaval in Indian politics. During periods of power shifts, such as the decline of the Mughal Empire, various factions vied for supremacy, using Panipat as the proving ground for their ambitions. The Second Battle of Panipat in 1556 saw Akbar’s forces face off against Hemu’s army. Akbar’s victory here solidified Mughal dominance, allowing him to consolidate his rule over a fragmented and contested region.
As the Mughals weakened, the importance of Panipat only grew, symbolizing the struggle for control among regional powers. The Marathas, Rajputs, and even Afghan forces recognized that holding Panipat could mean controlling India’s political heart, and each sought to make their mark through decisive battles here.
Military Strategies and Tactics Played Out in Panipat
Panipat’s historical significance as a battleground often coincided with periods of political transition and upheaval in India. During times of power shifts, such as the decline of the Mughal Empire, various factions vied for supremacy, using Panipat as the arena to assert their ambitions. The Second Battle of Panipat in 1556 saw Akbar’s forces emerge victorious against Hemu’s army, solidifying Mughal dominance and allowing Akbar to consolidate his rule over a fragmented and contested region.
As the Mughal influence waned, Panipat’s importance only grew, becoming a symbol of the struggle for control among regional powers. The Marathas, Rajputs, and even Afghan forces recognized that claiming Panipat could mean controlling the political heart of India, and each sought to leave their mark through decisive battles fought on this historic ground. These military engagements in Panipat demonstrated the importance of terrain in battle. They also showcased the evolving tactics of warfare on the subcontinent, with Panipat serving as a proving ground for these strategic advancements.
The Consequences of the Third Battle of Panipat (1761)
The Third Battle of Panipat in 1761 was a catastrophic event, marked by immense bloodshed and long-lasting consequences. The Maratha Empire had expanded its influence into northern India. However, they suffered a devastating defeat at the hands of Ahmad Shah Abdali’s forces. This defeat effectively curbed Maratha expansion in the region. It left a political void that the British Empire would later capitalize on.
With Indian powers significantly weakened, the British East India Company found it easier to establish and expand their influence across the Indian subcontinent. Panipat’s legacy thus encompasses not only the immediate outcomes of each battle, but also its broader impact on India’s colonial history, as the battles ultimately weakened Indian rulers and paved the way for British dominance.
Conclusion: Panipat’s Enduring Legacy
Panipat is a place that has left a lasting mark on India’s history, a site where ambitions clashed, and new empires emerged. Its strategic location made it a crucial gateway and stronghold for the northern region, and the battles fought here have significantly shaped the country’s history. Panipat has witnessed the ebb and flow of power, where victors solidified their place in history, while the defeated saw their imperial dreams crumble. Even today, Panipat stands as a testament to the fierce and transformative battles that have molded India’s destiny.
Vistas of Bharat : Indian Culture
Exploring the Main Features of Vedic Society and Religion: Their Continuities and Influence on Modern Indian Society
Introduction
The Vedic period or Vedic age was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was composed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period.
The word Veda is derived from the origin of the vid which means ‘to know’. The word veda refers to the sacred information contained in the texts known as the Vedic text. Two sections of the text are included in the Vedic text. These are Mantra and Brahmana. The Mantra section forms the core of the Vedic texts and has fourth different collections. These are Rigveda, Samaveda, Yajurveda, and Atharvaveda. Brahmans are prose texts containing the meanings of words and sacrificial rituals. The Aranyakas and the Upanishads are additions to the Brahmanas. These are also known as Vedanta and contain philosophical discourses.
The Vedic period laid the foundations for the religious practices that continue in modern India. The sacred scriptures composed during this time formed the basis of Hinduism. The principles of Vedic religions were established by the priestly class, the highest in society. They performed rituals, chanted hymns, and read holy texts in temples and ceremonies. The texts in the Vedas were believed to have divine power and had to be recited precisely with the right tone, pronunciation, and emphasis to be fully effective.
Social Structure of Vedic Society
Caste System
Social interdependence is a hallmark of traditional Indian society, where people are born into families, clans, sub-castes, castes, and religious communities, and feel deeply tied to these groups. Another key feature is the social hierarchy evident in the caste system, which influences individuals, families, and kinship networks. The origins of the varna system in Vedic society are rooted in the Sanskrit word ‘vri’, which means “choice based on inherent traits.” The term ‘varna’ literally translates to ‘color’, though this was likely a way to classify people.
According to the ‘karma theory’, the varna system emerged due to professional differences. The Shanti Parva suggests that all people were originally Brahmanas but later divided into different varnas based on their work. Conversely, the Manusmriti indicates that all people were originally Shudras, before finding themselves in four distinct varnas through their professions. Similarly, Herbert Hope Risley’s transplantation theory indicates that the varna system was initially based on the color of the Aryan settlers. Thus, the system became known as the ‘varna system’.
Varna System
The varna system in Vedic society originally divided people into two main groups – the fair-skinned Aryans and the dark-skinned non-Aryans. The Aryans were then further divided into three varnas: Brahmana, Kshatriya, and Vaishya. The non-Aryans were termed Shudras and assigned physical labor. In the post-Vedic period, the practice of untouchability became deeply rooted. Certain groups were associated with occupations considered polluting, such as handling animals, waste, hides, and dead bodies. These people were seen as outside the varna system but still formed an integral part of it. As a result, the Chaturvarna model was expanded to include a fifth hereditary occupational group, known as the Panchama Varna.
In the Hindu varna system, each person is governed by their own duties and responsibilities according to their nature. Brahmanas provide education and spiritual leadership, shaping the vision and values of society. Kshatriyas protect society and are expected to show strength of body and character. Vaishyas are the productive class. Shudras are the only group that accepts employment from the other varnas, who are self-sufficient in their occupations and finances.
Impacts of Modernization
Colonialism and modernization have transformed the understanding of jāti and varna in India. Colonial rulers often misunderstood and oversimplified the caste system, worsening existing inequalities. However, the Indian reform movement of the 19th and 20th centuries, along with the efforts of social reformers like Raja Ram Mohan Roy and B.R. Ambedkar sought to challenge caste-based discrimination and promote social justice. Relationships between castes have become more relaxed today.
A major change in India has been the diversification of occupations. Earlier, most people followed caste-linked professions, but now many have taken up new occupations unrelated to their caste. The idea that lower castes cause impurity and pollution has also diminished, though traditional purification rituals are still observed in private and ceremonial settings. Endogamy is still practiced, but not as strictly as before. A woman’s status remains tied to the male, but awareness of gender equality has spread widely. In rural areas, lower castes still face challenges in accessing resources and moving beyond caste-based occupations, but in urban India, caste is less significant in daily life. While caste discrimination is outlawed, caste has become a means to compete for resources and opportunities, such as education and employment, in modern India.
Patriarchal System in India
From the very beginning the social structure has been shaped according to the male philosophy. This patriarchal system in the society separated the values of men and women in the society. In the Indian patriarchal system, the life and the identity of a woman are decided by the society before she takes birth. Women have always been oppressed under male dominance. It is the women who perform many rituals for the wellness of the family such as fasting for the long life and safety of their husband and she performs many religious tasks for the prosperity of her family.
The females suffer and their pain is sanctified by the rule of Indian traditions and mainly that of a patriarchal society. All of them have confined themselves to the traditional role assigned to them. As a result, they become agents of patriarchal values. In a patriarchal society, men are the main source of income of the family and have been given the dominating positions and women have been enslaved in the family.
Patriarchal System in Modern India
Gender biases in modern India are deeply rooted in the country’s patriarchal structure, which continues to influence social norms, traditions, and daily life. Despite significant legal and societal advancements, women often face disparities in education, employment, and personal autonomy. The patriarchal mindset manifests in subtle ways, such as the preference for male children, expectations of women to prioritize family over careers, and the normalization of gender-based violence. This system not only restricts opportunities for women but also reinforces stereotypes that limit both genders. The slow dismantling of patriarchy requires continued efforts through education, policy reforms, and shifting cultural attitudes to create a more equitable society.
In recent years, India has witnessed a significant shift towards gender equality, driven by the rise of feminism, improved access to education for women, and increased female participation in public life. Feminist movements have gained momentum, challenging traditional gender roles and advocating for women’s rights across diverse spheres. With better access to education, women are now more empowered, making strides in careers that were once dominated by men. In politics, the representation of women is gradually improving, with prominent female leaders at both state and national levels playing crucial roles in decision-making. These changes reflect a growing recognition of women’s contributions and potential, marking a crucial step toward a more inclusive and progressive society.
Religion and Ritual Practices
Hinduism, which has its roots in Vedic religion, has significantly influenced Indian society. Hindus greatly value the practice of Yajna. Both physical and spiritual Yajna is central to Hindu dharma and can be seen in daily life and sacred texts. Yajna means worship, offerings, or sacrifices, and it is considered mandatory because nature and all its elements are created and sustained by it. It is not just material but also non-material or spiritual. It can be performed sincerely, even without physical offerings, such as helping injured animals, praying, or worshiping God in one’s own way.
In Hinduism, fire is seen as a purifier and a symbol of the divine. Known as Agni, it is believed to cleanse and sanctify, removing impurities during religious ceremonies. In rituals like havans or yajnas, offerings are made to the fire, which is considered the intermediary between humans and the gods. The fire continues to influence modern Hindu ceremonies like weddings and festivals. Fire’s role in polytheistic and nature worship reflects its embodiment of natural forces and deities. As one of the five elements, fire is revered as a bridge between humans and the divine, highlighting our relationship with nature and the cosmos.
Conclusion
The Vedic era laid the foundation for many aspects of Indian society, culture, and religion. They continue to be influential today. The reverence for nature, the concept of an interconnected universe, and the centrality of ritual practices like yajña and fire worship remain deeply ingrained in Hindu beliefs and traditions. Some traditional practices and gender norms have evolved. However, the underlying worldview of the Vedas continues to shape the Indian ethos. These shape environmental ethics, social structures, and spiritual life.
References:
Vistas of Bharat : Indian Culture
The Symbolism of Lion and Bull in Indian Mythology, Art and Architecture
Every civilization has its unique perspective on animals. Their art and literature portrayed this. Indians viewed animals as companions.
Every civilization has its unique perspective on animals. They portrayed them through folktales, art, literature and sculptures, often as emblems of power and wisdom. For instance, the Romans saw animals as fierce creatures that needed to be killed or controlled for human survival, while the Greeks viewed them as symbols of power existing in a separate world. In contrast, ancient Indians viewed animals in a more positive light, as companions. Historically, Indians have believed that animals and humans can coexist, harmoniously. They are revered and respected, contributing to various aspects such as food, entertainment, trade, clothing and ecological balance. Therefore, animals became important symbols in Indian mythology and art, representing the powers and duties of deities. Specific animals like the lion and cow were closely associated with important figures such as Durga and Krishna. Archaeologists have studied these animal depictions to learn about the historical context of the sculptures.
Lion (Simha) in Indian Mythology, Art and Architecture
Mythological Significance
In Indian religious architecture and literature, the lion has occupied a prominent position since the sixth century BCE. The Puranas tell the story of Narasimha, which is full of deep religious and philosophical meaning. The story says that the god Vishnu took the form of a half-man, half-lion to save Prahlāda and kill the demon Hiranyakaśipu. Narasimha is the most important animal deity in Hinduism. Temples honoring Narasimha are common in southern and central India. The most basic account of Narasimha’s incarnation is found in the Mahābhārata.
The early depictions of the lion in pre-Aryan Indian religious art portray the lion and goddess Durga together as an almost unstoppable force that even the gods feared. The iconic image of Durga riding a lion and defeating enemies is a common symbol in Vedic texts. This connects the realms of gods and humans in an ancient worldview.
The symbolism of the lion in Buddhist tradition has roots in ancient Mesopotamian civilization. Though traditionally linked to royalty, power and the sun, within Buddhism the lion is reimagined as a protector of peaceful teachings, even though it was historically associated with humans’ warlike domination of nature.
Artistic and Architectural Significance
The lion in Indian art often represents the male principle and the sun, symbolizing both royalty and the divine. The Sarnath Lion Capital, one of the Ashokan pillars, features four lions standing on a drum, each facing a different direction. This lion motif references the Buddha and symbolizes the royalty, leadership, power and sovereignty of King Ashoka. The lion is traditionally seen as the king of the forest, the most powerful and majestic of all animals, holding great significance in early Buddhist tradition. Lion figures can also be found guarding the entrances of Indian temples, signifying protection from evil and a welcoming of divine presence, as seen in many Shiva temples across Bengal.
Symbolism in Indian Art
Artists depict the lion as an ornamental feature and architectural element in Indian art and architecture. Researchers have conducted extensive studies on the various aspects of the goddess Durga in Indian mythology and religion, with scholars well-documenting her visual representations in Indian art and sculpture. Writers often associate the lion with her in Indian literature, art, and sculpture. Similarly, devotees consider Narasimha, the half-man, half-lion deity, one of the ten avatars or incarnations of Lord Vishnu. Historians trace the origins of Narasimha worship back to the ancient practice of lion worship in India. Archaeologists have found the oldest known representation of Narasimha in a panel at Kondamotu village, in the Guntur district of Andhra Pradesh.
In Indo-Persian art, the lion is a prominent symbol, depicted as a representation of power, strength, and royal authority. This reflects the cultural influences of both Persia and India. The lion holds an important place in royal imagery, often associated with leadership and bravery. This symbolism manifests in courtly art, with lions appearing in detailed miniature paintings, textile patterns and architectural designs. Additionally, the lion’s presence in Indo-Persian art carries spiritual meanings, symbolizing protective qualities and cosmic forces, particularly in depictions of mythical creatures like the lion-headed Simurgh that blend Persian and Indian artistic traditions.
Bull (Vrishabha/Nandi) in Indian Mythology, Art and Architecture
Mythological Significance
Nandi, the sacred bull, holds a revered place in Hinduism as the devoted vehicle and companion of Lord Shiva. It symbolizes eternal vigilance, meditation and receptivity. In every Shiva temple, one can find a sculpture of Nandi sitting in front of the sanctum sanctorum, facing the Shiva lingam. Though Nandi appears serene, the beliefs hold that he is always in a state of alertness, vitality, and strength, ever meditating.
Artistic and Architectural Significance
In Indian culture, the bull holds immense artistic and architectural significance, symbolizing strength, power and fertility across various historical periods. Nandi is a prominent feature in Shaivite temples, often placed directly facing the sanctum where the Shiva lingam is enshrined. These sculptures, typically large and serene, reflect the spiritual symbolism of Nandi as a loyal guardian and embodiment of Dharma.
Archaeologists trace bull symbolism back to the ancient Indus Valley Civilization, where seals and figurines of bulls, particularly the iconic ‘unicorn bull’ seals found in Harappa and Mohenjo-Daro, highlight the animal’s significance. These artifacts suggest the bull’s important role in agriculture and trade, symbolizing fertility, prosperity and economic strength. The frequent depiction of bulls on these seals indicates their revered status in both sacred and everyday life, making the bull a vital link between the divine and practical realms in early Indian society.
Symbolism in Indian Art
The bull is a prominent motif in traditional Indian art. It appears in both paintings and sculptures beyond just its depiction as Nandi. These representations often emphasize the bull’s muscular physique, symbolizing themes of fertility and agricultural abundance. Paintings of bulls, such as those found in rural folk art or the distinctive Madhubani style, celebrate the bull’s integral role in daily life and its connection to the land’s productivity. Similarly, sculptures of the bull, particularly in regions where agriculture was central, convey the animal’s symbolic status as a representation of prosperity and life-sustaining power.
Comparative Analysis of Lion and Bull Symbolism
The lion and the bull are central symbols in Indian art and culture. Both represent contrasting yet complementary qualities. People traditionally see the lion as a symbol of power, defense and royalty. They often associate it with kingship and divine authority. It represents courage, dominance and regal presence, as evident in depictions of Goddess Durga riding a lion or the lion capital of the Ashoka Pillar, which symbolizes sovereign power and the protection of Dharma.
On the other hand, the bull, particularly the figure of Nandi, symbolizes strength, fertility and religious devotion. Nandi, who is the companion of Lord Shiva, reflects loyalty, endurance and the nurturing aspect of power, closely linked to agricultural life and spiritual dedication.
Despite their contrasting attributes, the lion and bull share common themes in Indian symbolism. People see them both as protectors of Dharma, representing divine connection and cosmic balance. The lion, as a fierce guardian, upholds justice and royal authority, while the bull, as a calm and powerful figure, embodies spiritual strength and moral law. Both animals, in their respective contexts, serve as embodiments of power and protection, bridging the material and divine realms, and reinforcing the moral and spiritual laws that govern life.
Lion and Bull in Modern Indian Culture
In modern India, the lion and bull still remain significant symbols. The modern embodiment of these symbols reflects their enduring cultural and historical importance. The national emblem featuring Ashoka’s four lions represents India’s power, sovereignty and commitment to justice and integrity.
The bull is deeply woven into cultural practices, especially in South India. Festivals like Pongal and Jallikattu celebrate the bull’s agricultural and cultural significance. Pongal honors the bull’s vital role in farming, symbolizing fertility, prosperity, and the bond between people and the land. Jallikattu showcases the strength and bravery of both the bull and the participants, highlighting the animal’s importance in rural and agricultural traditions. Together, the lion and bull symbolize the balance between governance and agriculture, authority and sustenance, in modern Indian culture.
The lion and the bull are deeply rooted, emblematic figures in Indian mythology, art, and architecture. Their symbolic representations reflect the richness of Indian culture, which reveres these animals for their spiritual, regal, and life-sustaining qualities. The lion, as a symbol of power, defense and sovereignty and the bull, as a representation of strength, devotion and fertility, are interwoven into the very fabric of Indian civilization, serving as archetypes that transcend time and space.
References:
Vistas of Bharat : Indian Culture
Role of Rituals and Festivals in Indian Society
India is known as the land of diversity. Many communities live together, each with unique cultural traditions.
India, known as the land of diversity, is home to a multitude of communities, each with unique cultural traditions. This diversity is reflected in the numerous festivals celebrated across the country, honoring the various deities revered by these communities. The methods and practices of celebrating these festivals also vary significantly from one state to another due to India’s cultural heritage. Festivals are an integral part of Indian culture and have been passed down for generations. These festivals help in fostering unity and harmony among the people and are a representation of the long-standing traditions of the country.
Historical Overview of Rituals and Festivals
Festivals and rituals are cultural practices that foster social connections and communication. Ancient societies worldwide set aside specific times for public celebrations, attracting large numbers of people. Over time, with the emergence of new religious beliefs and practices, these early festivities underwent significant changes and evolution. The earliest known rituals were those associated with death, as evidenced by the ritual burial practices of early Paleolithic humans and Neanderthals, which suggest their concern for the deceased and the care they provided in their final rites.
The lives of ancient people in India were centered around agriculture and the cycles of nature. Therefore, the earliest festivals and celebrations related to these fundamental aspects of human existence. People eagerly welcomed the coming of spring and the end of winter with joyous celebrations. The planting of new crops was also an important seasonal event. It was celebrated with various rites and rituals. Through these celebrations, people expressed their hopes and prayers for a bountiful harvest.
One such ancient festival still celebrated across India is Makar Sankranti. The festival, observed on January 13-14, goes by various regional names such as Uttarayana, Lohri, Pongal, Bihu, and Khichdi. Farmers and peasants especially celebrate it, marking the newly harvested crops with food rituals. However, it also garners great enthusiasm in towns and cities, reminding everyone of our deep agrarian roots and connection to the land.
Vedic Literature and Rituals and Festivals
The literature of the Vedic period contains numerous references to public events organized to appease and honor gods, ancestors, and the changing seasons. These events were integral to the spiritual and cultural fabric of ancient Indian society. People performed rituals known as Yajnas to offer the gods a share of grain, milk, and ghee. They always dedicated the first oblation to the sacred fire. Even today, many Indian cultures consider fire to be the centrality of the divine in various rituals and ceremonies.
In the subsequent period, people held celebrations through Samajas—gatherings for entertainment and rejoicing. These social events strengthened community bonds and fostered a shared sense of identity. The state organized Utsavas, or festivals, with the intervention of the ruling king. This formalized the celebrations and aligned them with the instructions issued by the king, highlighting the close relationship between religious practice and political authority in ancient India.
Significance of Festivals and Rituals in Indian Society
In India, festivals offer much more than a temporary respite from everyday hustling. These celebrations are imbued with deep inner significance, each being a multifaceted celebration. Every festival celebrated in India draws from a story in the Puranas, offering insight into its deeper spiritual meaning and the foundations of the celebration. These stories are part of common folklore, reaching out to the common people in a way that dry theological facts cannot.
Festivals also become a source of motivation for temporary escape, social interaction, and community bonding for the attendees. Festivals have been viewed as a way to foster geographical connections, a sense of belonging, and adaptability. Though festivals may be rooted in specific religious or cultural beliefs, they are typically open to participation from people of diverse backgrounds. For example, even non-Hindus enthusiastically celebrate Holi, which is predominantly a Hindu festival, in the secular nation of India. People from different countries visit Varanasi in India to participate in the festivities of Holi. Similarly, Eid-ul-Fitr involves numerous iftar feasts for friends and family, of all religions. Such festivals bring the society and community together.
Most Indian festivals place great emphasis on community service. These celebrations often involve fasting, prayer, and observances of social and cultural significance. They may also feature arduous physical exercises, as well as musical, dance, and theatrical performances. Muslims observe numerous festivals. Many of them are connected to the Shia faith. Two such important observances are the Prophet’s birthday and the martyrdom of Imam Husain.
Conclusion
Festivals are a way for communities to express and uphold their shared beliefs, values, and traditions. These celebrations reinforce the cultural identity of the people, creating a sense of belonging and unity. Indigenous communities use festivals to preserve their distinct traditional practices, ensuring the continuation of their legacy. Festivals that focus on cultural or ethnic themes also aim to educate community members about their traditions. Most festivals include elders sharing stories and experiences during these events to foster unity within families. Through the celebrations of various festivals, Indian society has maintained a close relationship with nature and the divine.
Members of society celebrate cultural festivals for many reasons. They pass down the knowledge of rituals, traditions, beliefs, and norms from one generation to the next. However, they also ensure their ongoing preservation and the development of diverse values. These cultural festivals play a vital role in the cultural growth of individuals. They provide them with opportunities for rejuvenation and personal development.
Festivals and rituals have been an integral part of Indian society for centuries. While cultural traditions have evolved over time to reflect their dynamic nature, people still celebrate them with a lively spirit. Festivals and rituals serve multiple roles in Indian society. They help preserve cultural identity, foster community bonding, and connect people with the divine. These celebrations are essential in maintaining the rich cultural history of India, promoting social harmony, and nurturing a shared sense of identity among the diverse communities that make up the nation.
-
HeARTful Living3 weeks ago
The Paradox of Urban Loneliness: Alone Together
-
Knowpaca3 weeks ago
Caste System: A View of Indian Society
-
HeARTful Living2 weeks ago
Fear Not: Strategies for Conquering Failure
-
Editor's Pick2 weeks ago
Chandra Kumar Agarwala: The Romantic for Assamese Literature
-
Short Films2 weeks ago
Pressure Cooker Modak: A Sweet Tale of Generations
-
Editor's Pick2 weeks ago
World AIDS Day and Mental Health
-
Vistas of Bharat : Indian Culture1 week ago
Continuity and Preservation: The Enduring Legacy of Ancient Indian Civilization
-
Interviews3 days ago
A Catchup With Khushboo Khanna of @eatthisdelhi