Dance
Sprinkling the Divinity of Kuchipudi with Aruna Rekha Varanasy
An interview with Aruna Rekha Varanasy on her spiritual journey with Kuchipudi, and the importance of art forms in our lives.

Kuchipudi dancer Aruna Rekha Varanasy took us back to the beginning of her wonderful and inspirational journey of the classical art forms, and Kuchipudi. A moment of time rewind for her while an eye-opening heart enriching experience for us, it was an honour to listen to her about the transcendental magic and calmness of the art form of Kuchipudi. To this day, she owes the gift of this revered art form to her mother for giving her that push to embrace the Indian classical art forms. With an experience and expertise of over 30 years, Aruna Rekha gave us the glimpses of her life when she was a young learning Kuchipudi artist, and how different it was in the 1990s then it might be in the current times.
Early Life
Aruna Rekha Varanasy was born and brought up in Kakinada, Andhra Pradesh. She grew up with 3 sisters alongside her. Her mother, who loved art forms, had put all of her four daughters into some art form, be it the music or the Indian classical dance forms. A young, 9-year-old, Rekha, was encourgaged by her mother to learn Kuchipudi from her Guru Dr.S. Krishna Kumar. As kids, they never put any thought to it, and like every exercise, were obliged to be a part of it. However, as a young girl, the makeup, clothes and jewellery part of Kuchipudi excited and enthralled her. This was all set to change soon.
In 8th grade, when Rekha was 12 years old, she gave her first Kuchipudi performance. The practice in the studios, and the later, thundering applause she received after her performance, strung that chord in her. Since then, there was no looking back. Kuchipudi became that passionate part of her life that she didn’t want to leave. So she continued dancing, along with her higher studies.
During this time period, Rekha was also active in various competitions and performances, like the diploma dance exam and Natya Mayuri Award. She got the state’s first rank in the diploma dance exam. She also won the Natya Mayuri award. Rekha told us that these were not easy days, and she had to prioritise training instead of moving out and having fun like her other sisters. For the Natya Mayuri Award performance, she got ready around 12pm, but her chance came around 11pm. A waiting period of 10 hours, in the attire, makeup, jewellery was uncomfortable. The loos and washrooms there were not kept clean. Especially for girls on their periods, these issues were highly inconvenient and distressing. Even after such distressing situations, she won the Natya Mayuri Award. Rekha made a point to only look towards the brighter side of this entire journey, because it moulded her for the best.
Kuchipudi Through the Lens of Aruna Rekha Varanasy
Rekha ma’am defines Kuchipudi with grace. She says that a dance form like Kuchipudi has a lot of layers to it, which can only be presented on the screen and to the audience through grace. Kuchipudi as a solo dance form shows multiple characters through the dance drama. There are all opposing and similar elements and themes in one dance form, and a single dancer brings it to life. Therefore, the expressions, the grace and the story are very distinct features of Kuchipudi.
Kuchipudi has also been an immensely spiritual journey for her. Family and friends do not compare to the same scale as Kuchipudi for Aruna Rekha Varanasy. She says, “it is not Rekha when I practise, it’s a totally spiritual person connecting to the world”. The emotions which come out during Kuchipudi have elevated her person. In times of anger, Kuchipudi has brought her down as a peaceful Tyagaraja or a peaceful Sita Devi.
When asked about the influence of west on Kuchipudi, Rekha said that, “it is not westernisation but I’d call it globalisation.” Very rightly, she also added that if we want to experience someone’s culture, that doesn’t mean we’re leaving our own culture. She welcomes the elements of west, for instance, choreographing Kuchipudi on an Indian classical fusion with western instrumentals. We must embrace all cultures and take the best from all the worlds.
Failures, Stepping Stones, and Achievements
Aruna Rekha Varanasy wouldn’t be here without her share of hardships and failures. She calls these failures as stepping stones. Along the journey, she learnt various lessons. She shared one of these with us. During her teen years, because of her fine Kuchipudi performances, Aruna made it to the newspapers. Since it was a small town, she got attention from most town people. Pride and extreme confidence charged her up. During that time she was also practising for an upcoming important show, but her recent pride told her she was going to be able to do it. She didn’t practice and prepare for it as much as she had to. That show turned out to be a disaster. Her Guru was very upset with her. She learnt the biggest lesson in her life: never be too proud of what you’re doing and don’t take everything for granted.
Just before the lockdown in India, Aruna Rekha Varanasy was one of the instructors at the largest Kuchipudi dance lesson. There were approximately 1,200 kids. All the kids came dressed up in their attires. The kids were sent a video piece, and they all learnt it enthusiastically, with all their dedication. This was also recorded in the Guinness Book of World Records. So, this is also proof that Indian culture is very much embraced by the young generation, and the west cannot inherently uproot its origin, it can only be added as an element.
Throughout this journey, two people have inspired Rekha a lot. One of them is Dr. Shobha Naidu and the other one is her guru, Natyachariya S. Krishna Kumar. She is no longer training under her guru now, but before any travel or performance, she always calls her Guru, and takes his advice and blessings.
Message for the Young People
Aruna Rekha Varanasy asks all the young people to sign in for some or the art forms, and give it at least 3-4 years. She says that it is through these art forms that you can find that space of calmness for yourself. Parents should also try to urge their kids to take up some art form. Secondly, she asks them to practise, and practise. Practising any art form will transform you as a person.
Confluentia of Talent
Dancing Through the Feed- Instagram Dancers You Must Visit
Where dancing meets rhythm, classical roots and digital revolutions. Movements of memory, heritage, and the joy of simply being present.

She didn’t mean to stop. She was just passing time, tapping through stories, half-watching, half-daydreaming. But then the screen stilled. There was a dancer in a yellow kurta, twirling under a terrace sky. No filters, no flashy transitions. Just feet against concrete, a soft expression, and music that tugged at something old inside her. It was thirty seconds of movement, but it felt like a memory. It reminded her of childhood, watching her grandmother hum to a ghazal, of school day performances, of the way her body used to move before she grew too self-conscious. A reel. That’s all it took. Social media can be noisy, but sometimes, a dancer’s page becomes a sanctuary. Somewhere in the infinite scroll, you stumble upon rhythm, emotion, and the stories of artists who’ve turned their screens into stages.
This piece is a tribute to six such creators, each distinct in form and flavour, from classical to contemporary, from Bharatnatyam to hip-hop. Their art isn’t just visual, it’s visceral. And you don’t have to be a dancer to feel it. You just have to pause.
@dancewithanchita – Storytelling Through Mudras
Anchita Singh’s page feels like a warm cuppa on a rainy day. A trained Kathak dancer with an eye for detail and heart for storytelling, she creates workshops and reels that feel less like lessons and more like invitations. Her “Hand Dance” and “Sitting Dance” sessions are beginner-friendly and emotionally rich, guiding participants to feel their movements, not just execute them. Anchita isn’t trying to impress, she’s trying to connect. Whether it’s “Ae Ri Sakhi” or “Piyu Bole,” her choreographies carry the nostalgia of Hindustani melodies and the elegance of classical form. Each post is personal, making you feel like a part of her little dance universe.
@ishani.nag – The Fusion Force
Ishani Nag, one of the top 6 finalists of India’s Best Dancer Season 4, brings fire to your feed. She isn’t afraid to blend street styles with Indian semi-classical foundations, turning choreography into something almost cinematic. Her recent piece to “Ore Piya” is a beautiful example soft, deliberate, and haunting. Based in Mumbai but dancing across cities and even internationally, with a Dubai workshop, Ishani is all about expansion of style, emotion, and stage presence. There’s a magnetic unpredictability to her that keeps followers coming back. Her account is for the dancer who wants to break rules without losing rhythm.
@thearshiyasharma – Grace Beyond Her Years
Arshiya Sharma may be young, but she dances with the maturity and polish of a seasoned performer. From Super Dancer Season 4 to AGT 19, Arshiya has taken her talent on global level. On screen, she’s a powerhouse. On Instagram, she’s just as engaging, showing snippets of her TV performances, acting reels from Mangal Lakshmi (where she stars), and glimpses of life as a child artist. There’s something rare about Arshiya, she carries herself like a performer born for the spotlight, yet never loses her spark of playfulness. She reminds you that age is never a barrier to excellence.
@vaishnavi__shekhawat – Golden Legs of India
Vaishnavi Shekhawat brings contemporary dance into full throttle. Dubbed “Golden Legs of India” on Dhee 14, and a featured artist on India’s Best Dancer Season 4, Vaishnavi combines strength and elegance in perfect balance. Her dance is powerful and emotive, filled with gravity-defying moves that still retain deep expression. Her account doesn’t just showcase performances it shows preparation, behind-the-scenes snapshots, and her evolving identity as a performer. Whether she’s on stage or off, she carries her dance like armour, vulnerable yet unbreakable.
@_mokshanasanjeev – The Science Dancer
Mokshana Sanjeev is the rare hybrid, part dancer, part scientist, fully human. Based in Bengaluru, she documents her journey as a dancer alongside her academic path, showing how movement and method can coexist beautifully. Her page is filled with reels that combine grace with grounded storytelling. Mokshana’s dance feels personal, almost like she’s talking to the camera in gestures instead of words. It’s not just about technique for her, it’s about authenticity. Her vibe is chill, relatable, and quietly profound, making her an epitome in the performative pressure of Instagram’s dance scene.
@dancer_avijit_ – Rooted in Tradition
Avijit Kundu is a Bharatanatyam performer and founder of Nrityadhee Dance Academy in Yelahanka, Bengaluru. A graded Doordarshan artist and Ministry of Culture scholarship holder, he brings rich classical heritage to the digital space. His performances, like the recent tribute “Tisra Allaripu,” are deeply meditative, paying homage to his gurus and the tradition that shaped him. Collaborations with seasoned musicians and fellow dancers add depth to his posts, making them more than visual art, they are cultural preservation in motion. If you’re looking for content that honours the classical without diluting its essence, Avijit’s page is a must-follow.
Where to Find Them?
You could find these dancers on Instagram and even reach out, for workshops. These six artists don’t just use Instagram, they transform it. Their profiles are digital stages where rhythm meets story, where modern hustle dances with ancient roots. They prove that performance isn’t limited to physical space; it thrives wherever it’s received with openness. Whether you’re watching Arshiya light up international screens, Anchita teach a sitting dance from her laptop, or Ishani shake up fusion from India to Dubai, you’re witnessing something larger than choreography.
So, the next time you scroll, pause. Tap. Watch. Maybe even dance a little yourself. Which of these artists would you love to learn from, and what would your first move be?
Dance
Lively Dance Compilation: International Dance Day
This International Dance Day, let’s explore different dancers and dance forms across India and groove to them.

Dance is a language that brings people together regardless of their varying cultural backgrounds. With its many forms and variations, this form of art is highly expressive and holds the power to convey the stories and emotions of the dancer without conveying them in words. This International Dance Day, let’s look at a few Indian dancers to celebrate their art form.
Teri Baaton Mein Aisa Uljha Jiya Dance Cover by Nivi and Ishanvi, Laasya
Niveditha and Ishanvi Hegde are a mom-and-daughter dancing duo with moves that are a sight to behold. They’ve done dance covers of multiple trendy songs that you can learn for your next sangeet performance or simply watch for an upbeat mood. In this dance cover of the latest song, Teri Baaton Mein Aisa Uljha Jiya by Asees Kaur, Raghav featuring Nelly, and Tanishk Bagchi, the duo shows off their expressive and playful moves.
Malhar Jam Dance Cover
Devi Nair and Rachna Jayachandran are classical Kathak dancers from Kerala. They portray the traditional and classical dance styles and values of Indian culture. This dance cover of Malhar Jam by Coke Studio India is a self-choreographed dance. Their mesmerising moves and expressions make it perfect for any classical dance lover.
Cheraw Dance at Anthurium Festival 2013
India is the world’s largest and most diverse nation, making it extremely rich in cultures. While many cultures have travelled borders and reached worldwide audiences, many remain exotic, even to Indians, due to minority sections in the country. One such dance is the Cheraw dance. The Cheraw dance is the exotic traditional mass bamboo folk dance of Mizoram. This dance is performed at the Anthurium Festival every year, which the state government of Mizoram organises to encourage Anthurium cultivation.
Garba Fusion by Kathak Rockers
With the growing modernisation and experimentalism, many dance forms also modernise themselves for a more relatable touch. This is popularly known as a fusion dance. In this dance cover by Kathak Rockers, Sushil Patil’s choreography is traditional Gujrati Garba with a Bollywood touch and Kathak. You can get some moves from this fantastic dance group for your next Garba night and show them to your friends and family.
Barso Re Dance Cover by Nritya Troops Nepal
Barso Re is a famous Bollywood song by A. R. Rahman, Shreya Ghoshal, and Uday Mazumdar from the movie Guru. It is a perfect song for those monsoon days, and what makes it even better is this dance cover by the Nepalese dance group Nritya Troops Nepal. Their moves are energetic and enthusiastic, with a slight touch of Indian classical dances. The dance and their colourful outfits also share a remarkable resemblance with Bollywood dancers.
O Re Piya Dance Cover by Alisa Gurova
Self-choreographed dance by Alisa Gurova, this dance cover of Rahat Fateh Ali Khan’s O Re Piya is a beautiful sight to please anyone. Alisa, in her dance, beautifully incorporates belly dance in tribal Indian dance form, making it a mesmerising fusion for the audience. It also shows her creativity, vision, and versatility as a dancer and a choreographer. What adds more to the eye-pleasing value is Katya Rybka’s majestic location and directionfor this performance of O Re Piya.
Kashmir Folk Dance in Sydney
Kashmir is located in the northernmost part of India and is often considered to be paradise on earth due to the breathtaking beauty of its luscious valleys, lakes, and landscapes. Recently, during the visit of Narendra Modi, the prime minister of India, the community reception in Sydney, Australia presented a beautiful dance performance by Kashmiris. It is a Kashmiri folk dance showcasing their traditions and cultures.
Dalkhai, The Folk Dance of Odisha by Gunjan
Dalkhai is the traditional folk dance of Odisha. This dance performance is from Odia Parba Nuakhai or Navakhai, an agricultural festival. It is mainly celebrated in Western Odisha and Southern Chhattisgarh to welcome the new crops and rice of the season. This dance by Gunjan Dance Academy perfectly represents traditional Odisha and its culture.
Dance
Male Indian Classical Dancers: Time To Break The Stigma
Putting an end to the ridicule & humiliation here is our list of male Indian classical dancers who are ready to break the stigma around them.

Classical dance is always associated with femininity and women. Whenever male dancers get on stage to do their classical pieces they are ridiculed to no end. Putting an end to this ridicule and humiliation here is our list of male Indian classical dancers who are ready to break the stigma around male Indian classical dancers and show the world how they too can be graceful and still be a man.
Kathak Rockers by Kumar Sharma
Combining yin and yang energy and exuding elegance with each step, Kumar Sharma’s performance is bound to leave you in awe. The simple costume helps the viewers to focus more on his expressions and mudras. Never missing a beat, Kumar Sharma’s YouTube page is a must-view page for any Kathak lovers. This male Indian classical dancer breaks the stigma against male classical dancers by not shying away from letting himself shine on stage.
Ardhanarishvara Ashtakam by Vinay Tiwari
Vinay Tiwari perfectly executed a Bharatnatyam number that relies heavily on slow movements. Broadcasted on DD Bharati this dance captured the attention of millions because of Tiwari’s perfectly timed expressions. The costumes and the makeup add a layer of drama to the performance. This male Indian classical dancer breaks the stigma against male classical dancers by not being afraid to slow down and take his time to highlight each move at a time rather than rushing through it.
Ami Je Tomar by Rohit Gijare
Who said Manjulika can be the only one to rock a pair of ghungroos and sway to “Ami Je Tomar”? Many female dancers recreated this iconic dance number from the film Bhool Bhooliya so it was about time a male Indian classical dancer gave his take on the same. And Rohit Gijare does exactly that. Never missing a beat or an expression he manages to keep the viewer’s attention till the last minute. This male Indian classical dancer breaks the stigma against male classical dancers by not being afraid to give his take on the classical Bollywood number.
Bharatnatyam Jathi by Ananda Natanam
A cheerful classical Bharatnatyam performance is all you need on a gloomy day to lift your spirits. And Ananda Natanam delivers exactly that. The bubbly steps accompanied by his cute smile are bound to make even non-dancers sway with joy. The costume is kept simple to ensure the audience can focus on the dancer’s movements and relish the pure joy that Natanam exudes with each step. This male Indian classical dancer breaks the stigma against male classical dancers by truly enjoying his art form.
Tryambakam by Sutra Foundation
The Tryambakam, (Odissi) is an invocatory homage to Siva, the triple-eyed Lord, Nourisher and Liberator of souls from the bondage of pull of opposites. This masterpiece by the Sutra Foundation brings to light the pure joy of dancing that was experienced by the Lord of Dance, Shiva who is often depicted as half man and half woman. The dancers beautifully capture the Lord’s ever-famous Tandav dance which is bound to energise any wandering soul with its perfect rhythmic movements and passion. These male Indian classical dancers break the stigma against male classical dancers by invoking the divine and transcending societal gender norms with their performance.
Do check out these dancers to truly appreciate the essence of their performance.
Confluentia of Talent
Footprints of Expression: A Dance Compilation
Exploring Elegance through Four Semi-Classical Dance Performances : Through the Graceful Blend of Tradition and Innovation

Enter into a world of dance, where tradition meets innovation, semi-classical and classical performances are always the beacon of unique niche. A blend of grace and vivacity of contemporary expressions, these performances captivate audiences with their seamless moves and styles. Let us take a journey through the graceful blend of tradition and innovation.
Tere Naina by Dance Choreography :
Tere Naina Choreography unfolds on stage like a delicate poem, each movement a brushstroke on the canvas of emotion. With her impeccable footwork and expressive gestures, Patel effortlessly navigates the realms of love and vivacity. The performance is set to the beautiful song of “Tere Naina” from My Name Is Khan, fused with the traditional moves by our artist which has the audience grooving long after the performance is over.
Gulabi Sharara
Gulabi Sharara is a vibrant performance of music and movement, blending traditional moves with a contemporary flair. The peppy number adds to the rhythmic precision of the footwork to the fluidity of his gestures. The mastery of the craft was evident throughout the performance. With each sequence, they have transported the audience on a journey through time and tradition, merging it with contemporary magic.
Ranjan Gawala Mahaganpati – Dance cover
Ranjan Gawala Mahaganpati – Dance cover, challenged traditional boundaries, offering a fresh perspective on classical dance. Through innovative choreography and evocative storytelling, perspective on classical dance. She breathes life into old classical dances, infusing them with modern relevance. Her seamless integration of traditional moves and contemporary elements sparked conversations and ignited imaginations reminding us that art knows no bounds.
Apsara Ali remix dance choreography – Poonam and Priyanka Dance
Apsara Ali remix dance choreography by Poonam and Priyanka was a celebration of joy, unity and the universal language of dance. Through synchronized movements and shared expressions Poonam and Priyanka brought transition and fusion in harmony. The dynamic performance captivated audiences and left us uplifted and groovy.
After The Curtain Call
Innovation thrives alongside tradition, creating a rich tapestry of expression and creativity. The performances showcased the boundless talent and passion of their creators, leaving an indelible impression on all those who witnessed them. As we applaud the artists for their dedication and vision, let us continue to support and celebrate the transformative power of dance in all its forms.
Dance
Phenomenal Performances by Young Semi Classical Dancers
Wondering what a blend of modern and classical dance would look like? Here’s presenting some phenomenal semi classical dance performances

Dance is the voice of the soul and the language of the heart. Be it modern or classical, dance has always intrigued a curiosity and fascination for people. In the GenZ era with new trends popping up daily, semi-classical dance is something that carved its niche way beyond time. Here’s presenting some amazing dancers with a passion to mix and match to create wonders. Watching them you are sure to shout ‘Taal se Taal Mila’ to your buddy.
Susmita Chakraborthy
Born with her left limb shorter than the right one, Susmita Chakraborthy is changing mindsets with her determination and will power. She is a dancer and choreographer who aces every move with perfection with her prosthetic leg. The grace she depicts in her recent performance is beyond words. Performing a semi classical solo on the soulful song ‘Ishq Karu’ from the movie ‘Sita Raman’, Susmita puts forth an epitome of elegance. Her flawless movements and synchronization are what makes her a perfect dancer. Surely, Susmita can leave Sita and Ram wondering about the unexplored beauty of the song her performance discovered. Find her on Instagram.
Richa Tiwari
Hailing from Lucknow, the city that personifies ‘nazakat’, Richa Tiwari is a choreographer with a style of her own. Being a semi-classical dancer, Richa loves to present a blend of modern and classical forms like Bharatnatyam and Kathak. Her performance on the gem song ‘Ek dil hai ek jaan hai’ by Shivam Pathak from the 2018 movie Padmaavat is worth an applause. The smoothness in her moves puts up a perfect show of magnificence. Richa justified her choice of choreographing her dance on the song from the Ranvir Singh and Deepika Paducone starrer. Follow Richa’s Beats and Taal here.
Shivani Sharma
Shivani is a Delhi based dancer and choreographer whose soul loves to groove on her favourite music. Recently, Shivani chose Coke Studio Season 9’s hit ‘Afreen Afreen’ to give her soul the perfect kind of satiation it needed. She performed a semi classical dance on the Rahat Fateh Ali Khan and Momina Mustehsan song. Her moves brimmed with charm and presented an unparalleled show of adroitness. This performance by Shivani must have surely pleased Nataraja – the Lord of Dance. Come on y’all and dance with Shivi.
Mehek Tejwani
A dancer and choreographer, Mehek Tejwani loves to perform semi-classical dance. Recently, she choreographed and performed on the song ‘Mast Magan’ from the 2014 film 2 States. Along with her fellow dance enthusiasts, Vaishnavi Kale and Sneha Gujar, Mehek took it on herself to put forth a blend of modern and classical dance. Their movements were poise and elegant. Mehek with her team added a silver thread to the already profound song by Arijit Singh and Chinmayi Sripada. You are sure to fall head over heels for this performance.
Anwesha Bhatia
The teen sensation, Anwesha Bhatia is a renowned contestant of Super Dancer Chapter 3, a reality show that aired in 2018 on Sony Entertainment Television. Anwesha recently presented a semi-classical dance on the Marathi treasured song ‘Apsara Aali’ from the album ‘Natarang’ by Ajay Atul and Bela Shende. Her precise and smooth movements are way beyond her age. Her eyes express her confidence and make her stand apart from the crowd. Anwesha is a spectacular dancer with a dynamic personality. She will amaze you with her passion and skill.
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