Connect with us


Stepping Through One Song And Many Beats: Ankit Sati

A passionate dancer and actor, Ankit Sati talks about the incredible circumstances that he has had to navigate in his journey so far.



Ankit Sati

When we begin our conversation, he immediately makes it a point to keep the conversation as casual and comfortable as possible. That, at the very outset, tells me that Ankit Sati is an individual who is more about people than anything else. As he talks about his journey so far, there is almost always a slight chuckle as he finishes his sentences. You see, Sati can initially come off as a person who just has this aura of being friendly and laid back. However, as he talks more, I realise that there are layers to this man. And dance, perhaps, is amongst the most prominent one of them.

Raised in Delhi, Sati states that dance was, initially, just a hobby. Growing up, he remembers the numerous shows on television and, perhaps, it was that certain allure of watching people match their steps to a single beat that drew him to the art form of dance. When he finished his secondary education, he pursued dance, not professionally, but just as something that he was passionate about. Some time later, unfortunately, Sati’s father passed away. At that point in time, he was faced with the idea of having to contribute, in some way, to his family’s financial needs. Tearing himself away from what he loved, he started working in sales. It was only when a teacher, at the institute he learnt dance in, offered him a teaching position that he saw an opportunity to be reacquainted with something that he loved doing. Even so, that period of time was an incredibly difficult time for him. He would have to not only manage his own passion for dance and earn a living from it but also work towards helping his family recover from the financial distress that they were in at the time.

Credit: YouTube (Ankit Sati)

Sati has been a part of many different collaborative projects. When talking where his initial interests lay, in the context of dance, Sati reveals that he was drawn to contemporary and jazz dance forms. Being part of a collaborative body and larger projects is always engaging, however, in the conversation, Sati talks about where he puts his focus on. To him, creating and conceptualizing his own choreographed sets and routines has always been a major draw for him. Having creative control over where he can take a certain set or routine is something that not only is more aligned with his artistic goals but also allows him to experiment with what he has learned so far. 

Sure, his time working with others and participating in previous competitions are important. However, what is most important to realise is that he sees those as building blocks to his journey. There is so much scope to what he can do with dance as an art form and as a commercial venture. He understands this on a more personal level and wishes to create a body of work, his current work notwithstanding, that is aimed not only at fulfilling his own creative agency but also in providing a sense of entertainment for the audience.

Credit: YouTube (Ankit Sati)

On the topic of providing a sense of entertainment to his audience, Sati speaks about where he sees himself in the future. Pleasantly surprising me, Sati reveals that he is a trained actor. Something that has always drawn him is the idea of broadway musical productions, where the performers sing, dance and act on their own. There is no concept of separate performers in that space of creativity. That is something that he wants to explore but in a manner that makes it more accessible to a more general audience. In his words, I sense an individual who is constantly looking to do more, not just in terms of the just one form he is a part of but also in other creative fields that he is willing to learn.

When I ask him about acting, he reveals that he has always been a Bollywood kid. Although, he is not particularly sure about acting, but if given a great opportunity, he would love to try it. A professional dancer and a trained actor, he is also in the process of becoming a rapper, singer and music producer. He aspires to present himself as a complete performer. But despite all his gifts, he currently focuses on dancing and wishes to perform on his own songs and create content with artistic freedom.

Credit: YouTube (Ankit Sati)

Perhaps, I assume too much. However, Sati’s journey has, in a way, moulded him into an individual who is consistently pushing forward. That is not to say that he does not care for his previous accomplishments. That is far from the truth. In point of fact, when he talks about some of the hardships that he and his family had to face, after his father’s demise, he states that he is incredibly grateful to be where he is at. Looking back at how far he has come, he realises that, while there is always more that could be done, his present achievements and body of work is something that has taken a lot of work and consistent effort to bring into being.

And, it is exactly that thought that he would want to leave you with. A sense of honest reflection in all the efforts and the work that you put in. Hard work and perseverance are important, of course. However, he stresses on the importance of being smart in your efforts. Branching from that same train of thought, he explains how it is important to realise the importance of your audience in determining the success of your work. There is this idea of disregarding what others say about you, and while that may seem to be something that is beneficial to do, it is also equally to take into context what the general perception of the world around you is like. All of this comes from his own experiences. And, you can be absolutely sure, that Ankit Sati, regardless of how far he has come, will never disregard the lessons that his experiences have taught him.

Credit: YouTube (Ankit Sati)

Continue Reading


The Tales That Come From Our Yesterdays: Eshani Sathe

Meet Eshani Sathe, an incredibly talented Kathak dancer who is weaving her art into a language that you can understand.



Eshani Sathe

There is a sense of eloquence in the manner in which she speaks. That same eloquence, that same dignity, is evident in her work. Eshani Kiran Sathe, then, truly stands as not just an incredibly talented Kathak dancer but also as an artist who has a deep understanding on how to translate her art, her roots, into a language easily understood by others. After all, there is no greater achievement for an artist than the satisfaction that comes with their art being accepted by the rest of the world. 

Born and raised in Akola, Maharashtra, Sathe stepped into the world of classical dance at the tender age of three. The daughter of a classically trained Kathak dancer, Sathe, initially, did not plan on forging a career in Kathak. At the beginning of it all, Kathak, as a dance form, was something she just grew up with. It ran in her blood and she loved it, sure. However, it did not become a part of who she is until much later. 

When we talk about her formative years, Sathe reveals her enduring love for English Literature. She reaffirms it, at a later point, quite unequivocally, and quite unintentionally, when she talks about her love for Enid Blyton as a child. For Sathe, it was an engaging childhood, to say the least. She spent her childhood engrossed in her education and her love for English Literature while also balancing her classical dance training. To be frank, Sathe’s career path could have been a matter of circumstance. I have a sneaking suspicion that she could have been as good of an established writer as she is a Kathak dancer. And that says a lot by itself. 

Credit: YouTube (Eshani Sathe)

Now, as she looks back on it, Sathe admits that, in hindsight, juggling all her responsibilities, at that age, may seem like a lot. However, at the time, she didn’t think much of it. It was simply the way things were. And, to be frank, those very things went on to define the person Sathe is today.

If you head on over to her YouTube channel, which, by the way, is home to a wonderful curation of videos, you would probably come across a project of her’s, titled ‘Shakti’. When we discuss the project itself, Sathe elaborates further on the manner in which she approaches any project that she is a part of. At the beginning of it all, Sathe fixes herself on what she truly wants to explore with any given concept or project. In the case of ‘Shakti’, Sathe reveals that the track used for the project is tied to her on a deeply personal level. In fact, the track used for ‘Shakti’ is one that Sathe recalls as being one of the first tracks that she saw her mother perform to. Now, when she intended to use the track for her project, it carried, with it, a fusion of her own self-beliefs and her own connection to her feminine energy.

I am glad we got to talking about the projects that she is a part of. You see, one of Sathe’s primary responsibilities, as the curator at Kathak Nritya Mandir, is the creation of classical content for digital platforms. One of the first things she learnt in her journey of creating digital content is the fact that there are multiple competing avenues of content available for the audience of today. The only question, then, that remained to be asked, was what truly entices an audience to consume your content? For Sathe, the answer was simple and lay in the foundations of who she is as an artist. The basic principle was to translate her art, of Kathak, in a manner that was faithful to its roots, while, simultaneously, making it accessible to those who may not be as well-versed as others in regards to classical dance.

Credit: YouTube (Eshani Sathe)

Today, as Sathe goes on, there is this need, for your art, to be incredibly accessible and consistently engaging to an audience. At the same time, there is also this desire, on the part of the artist, to be faithful to their roots. For Sathe, it isn’t always about just following the emerging trends. And, to be honest, it can never be about that. That route, as Sathe affirms, of warping your own creative piece or your art to fit in with a trend, will never be sustainable.

Now comes the part of the conversation where Sathe, and you must forgive my lack of vocabulary here, absolutely schools me on the nature of dance as an art form. There is this perception, one that I was inclined to as well, of dance either being a medium of popular entertainment or a medium for the perpetuation of culture. For a lot of people, dance always had to be one or the other. It could never be both.

That, Sathe explicitly states, is absolutely wrong.

Classical dance forms, though erroneously seen solely as a medium of cultural perpetuation, began as channels for storytelling. If we look at Kathak, it all began with storytellers. Kathak, as a dance form, was never just about solely being an avenue for imparting a historical legacy. It was as much a tool for entertaining an audience as it was a tool for leaving behind a cultural legacy. Classical or Cultural art forms, then, all fuse into being a medium of self-expression, education, entertainment and storytelling.

“Kathak can be a medium of expression for the artist and it can also be a medium of entertainment for the audience without necessarily having to be a route to some divine self-realization or cultural perpetuation.”

Eshani Sathe

As of now, Sathe is looking forward to hosting a series of programmes in the near future. Sathe, on the behalf of Kathak Nritya Mandir, is in the midst of organizing a programme that brings the choreography of multiple artists, including her mentor and tutor, Pandit Rajendra Gangani, in January of 2022, in the format of a live show. On a personal front, she is now cataloging a series of digital productions that she is going to put out soon.

It is truly amazing when we really get to mapping out her life so far. I said, earlier, that it may have been a matter of circumstance that Sathe chose to become a Kathak dancer instead of a writer. When I look back to that statement, I am not entirely sure anymore. With guiding figures such as her mother, Radhika Sathe, and her mentor, Pandit Rajendra Gangani, I don’t think Sathe could have gone on to being anything other than the wonderfully talented dancer that she is. Kathak called to her in a way that nothing else ever did. And, Eshani Sathe couldn’t help but answer.

Credit: YouTube (Eshani Sathe)
Continue Reading


From Semi-Classical To Fun, Modern Moves: These Covers Have It All

Take a breather and look at these fun self-choreographed dance performances by some talented dancing feet.



Dance Covers

When dancing feet move, they are possessed by the character they portray when onstage. To be able to express and make a flawless delivery of the borne emotions, a dancer is said to have mastered the art of dancing. When the performance speaks to the audience, the performance becomes art. We bring you 4 such dance pieces that not only speak to the viewer, but also are a clear reflection of the talent of the performer, and the flawless execution that you’d not want to miss out!

Starting off with Naina Batra; the talented performer self-choreographed and performed this dance piece on the song ‘Mehboob Mere’. For a song that is bold in terms of expression, it required equally bold performance to match. Naina not only choreographed awe-inspiring dance moves but also performed them with equal boldness which is reflected through her expressions in the cover. The trio dance to the beats of the song with dripping confidence that serves as a highlight to the performance. The combination of the flawless execution of the choreography by the Lehanga donned trio, the aesthetically pleasing set and the perfect camerawork makes the cover a must-watch!

[Credits: YouTube(Naina Batra)]

Up next we have another self-choreographed performance by Kartik Raja, featuring Akash Thapa. The dance cover of ‘Abhi Kuch Dino se’ is fun to watch with the clean and swift execution of the moves and the great editing of the video. The dancers not only have synced moves but also wear on-point facial expressions that serve as an expression element besides the dance moves. The overall cover is short yet wouldn’t fail to bring a smile to your face. Check it out here:

[Credits: YouTube(kartik Raja)]

‘Chura ke dil mera’ is a classic, upon listening to which, no feet can resist movement. Neerav Bavlecha and the team have choreographed the song and it’s a sight to behold. With an aesthetically pleasing set and great coordination between the dancer duo, the cover came out smoothly. The cover features Srishty Rode in a gorgeous lehenga, dancing beside her partner. Overall, the cover is a beautiful watch and deserves more hype. Check it out here!

Credits: YouTube(Neerav Balecha Dance Dilse)

At the end, Arpit, in collaboration with Vijetha has choreographed and covered the Akshay Kumar classic and we absolutely love it! The cool funky vibe that the entire cover gives off makes you want to replay it over and over. The perfect synchronization between the two dancers makes the video a worthy sight. The white aesthetics gives the video a fresh, cool feeling to it which you definitely don’t want to miss out. Check it out here:

[Credits: YouTube(Arpit Goyal)]

Continue Reading


“Be your own saviour, Be your own hero” and many other lessons with Odissi Dancer Laavanya Ghosh

In a conversation with Odissi specialist Laavanya Ghosh, we discovered what it takes to unlock the purity of art.



Laavanya GhoshLaavanya Ghosh

Scholars and practitioners of the great dance Odissi would tell you about how it’s one of the oldest dances birthed from this great land. And it has evolved immensely as time has gone by. They will also tell you that while some things have changed, the intense bhakti bhava (the feeling of devotion and surrender) which ripples through each movement has been present throughout. Just as the art has grown, so has the artist.

All dancers make their own way through the walk of life, they find different parts of the art they love and end up revolutionising it. But at the core of it, no matter what the challenges, the love persists and this makes the pursuit of art so noble. Odissi is an old classical dance form, the centre of which is largely considered to be the towns of Puri, Bhubhaneshwar, Cuttack and Konark. Laavanya Ghosh is an Empanelled artiste at Doordarshan Kendra Kolkata. She is also the recipient of many national-level awards such as the Gopikrishna Award and the Bal Kala Award. And her story shows perhaps just as much evolution as the dance itself.

Credits: YouTube (Laavanya Ghosh)

Early Life and Challenges

Born in Kolkata, she moved to Bhubaneshwar where her path in Odissi commenced. Her mother whom she calls her only positive critic was her initial source of inspiration that pushed her to start learning Odissi. Due to personal reasons, her mother couldn’t pursue the dance herself, so she made sure her daughter got classically trained. And naturally, she went to a class near her house and wrote the first chapter of her career. She looks up to Guru Smt Sujata Mahapatra and also to Madhuri Dixit.

Almost instantly, Laavanya fell in love with the beauty of the movement and as the days went on she admired the wonderful depth of the history of Odissi. Dance in the mainstream is thought of very subjectively—some may like the way one person expresses dance and some may not. There is no objective truth here but the criticism can often get extremely hurtful. For Ghosh, she fell into a period of depression and hurt because of society’s perception of a ‘pretty dancer’. Clearly, her beautiful performances have shut all the critics down. It is important to understand that physical traits really don’t have any correlation with one’s dancing ability. So this is a call to you dear reader, get dancing!

Credits: YouTube (Laavanya Ghosh)

Lessons and Message

Laavanya’s character is amongst her strongest characteristics. Constantly looking to improve and challenge herself, she has learnt how to prioritise the right things in life. She recalled how once she had to decline to participate in social gatherings as it interfered with her practice and rehearsals. When it comes to finding the right balance in life, she has done that from the very beginning. Even as a young kid, she danced her best before an important exam and aced the exam too! As an introvert, she has taken huge steps to improve her interpretation and expression. Always improving, always shining.

Dance taught Laavanya the importance of the 3Ds: Dedication, Determination and Discipline. The discipline itself is a major component of the lifestyle of a classical dancer. Laavanya tells us that dancers must remember that classical dance is a form of worship. One must conquer the basic techniques while also following a proper diet (yes and that means you need to advise junk food)

Laavanya’s parting message is one filled with strength and grace, just like the glorious tradition of Odissi. Every person has the potential for doing something great. Be true to your inner artistic self. Her life’s motto is simple

Be your own saviour. Be your own hero. 

Credits: YouTube (Laavanya Ghosh)
Continue Reading


Rhythm Divine: These Semi-Classical Dance Performances are a Sight to Behold

We bring to you some mesmerising semi-classical dance performances of utter perfection and beauty.



Classical Dance

They are here to mesmerise you with their movements and leave you gaping at how beautifully they execute them. These women piece together semi-classical dance performances that are flawless in all aspects possible. From expressions to aesthetics, professional skills, and artistry, they give their all to the choreographies and own them. So, get ready to be charmed by these awe-inspiring performances! 

Mahima Khanum’s performance of Odissi dance is actually her practice routine, but in no way would one find that believable. Because her skills, steps, and execution are so on point that it leaves you captivated and wanting for more. While the video shot in Venice offers a beautiful background, Mahima’s amazing moves of the classical dance and attire are the worthy highlight of the whole video.

Credit: YouTube (Mahima Khanum)

Shreewarna Rawat, a trained Kathak artist, renders a performance to the title track of Mahabharta. The choreography is set to the words of the song, while her movements and expression let the story come alive. With her body language and the routine being powerful and spot-on, Shreewarna delivers the piece with perfection. 

Credit: YouTube (Shreewarna Rawat)

Saandra Salim’s Bharatanatyam choreography is set to Amit Trivedi’s song, ‘Namo Namo Ji Shankara’. More striking than her smooth execution of the dance routine are the expressions that she accompanies them with. The whole performance, even with the technicalities of the steps, is done with an air of effortlessness. It is magnificent to watch Saandra perform, from the start till the end. 

Credit: YouTube (Saandra Salim)

Shades of Kathak presents a performance by Vaidehi Lachheta, Nandini Goyal, and Uditi Singhal on Rahat Fateh Ali Khan’s ‘O Re Piya’. It is a very pretty, creative, and awe-striking deliverance. The trio moves to the song beautifully, with their synchronization, costumes, location, and overall graceful movements making it a delight to watch!

Credit: YouTube (Shades of Kathak)

Continue Reading


Of Graceful Movements and Flawless Execution: Exciting Dance Covers

We bring to you a selection of recently released covers of wonderful, entertaining dance choreographies delivered with perfection!




Dance performances, when executed with perfection, enrapture the viewer with all the emotions and feelings of the dancer, who manages to depict them with only movements and expressions. We bring to you covers that do exactly that and more! These performances are a perfect blend of talent and passion with the dancers’ excellent execution of graceful, technical-yet-fun choreographies.

Tejas Dhoke & Ishpreet Dang 

Ishpreet and Tejas give a perfect modern touch to the 2000s-famed Bollywood song, ‘Chunari Chunari’ in their freestyle choreography. Adding to it a touch of their own unique style and delivering it with boatloads of energy and expression, their rendition of the song is as fun to watch as it must have been to perform! 

Credit: Youtube (Dancefit Live)

Jainil Mehta

Jainil Mehta in this performance makes A R Rahman’s beautiful song ‘Arziyan’ come alive. The semi-classical choreography is brilliantly performed, coupled with the perfect costume and lovely backgrounds. The technicality of the steps is simplified in their effortless execution by Jainil in the video. It oozes with elegance and fits the song flawlessly in all measures! 

Credit: Youtube (Jainil Mehta)

Team Naach 

This pretty little dance cover by Team Naach is on Dhvani Bhanushali’s ‘Nayan’. The trio looks stunning as they dance, perfectly synchronised to the catchy and fun beats of the song. All their movements and expressions are clad in a graceful style that hallmarks the cover as a very pleasing performance. 

Credit: Youtube (Team Naach)

Natya Social 

Vinayak Ghoshal and Chinmay Khedekar reach for a goal beyond dance in this sitting-choreography on Alka Yagnik and Arijit Singh’s ‘Agar Tum Saath Ho’. Beautifully conceptualised and delivered, they capture the rhythm of the lovely song by the movements of their hands and the expressions of their faces. A feat in itself, it is meant to be a very moving performance!

Credit: Youtube (Natya Social)
Continue Reading
Ankita Impressions
ART & CRAFT2 days ago

Intricacies of Illustrating Reality with Blends of Colour: Ankita’s Art and Career

SHORT FILMS3 days ago

That Friend Beyond The Concrete Wall: Watch ‘Compound’

Ramdhari Singh Dinkar
EDITOR'S PICK4 days ago

Celebrating Rashtrakavi Ramdhari Singh Dinkar’s 113th Birth Anniversary

ART & CRAFT5 days ago

If Multi-Talented Had a Name, Then It’s Vrushali!

Short Film
SHORT FILMS1 week ago

Growing Pains Settled With Cups Of Tea: Watch ‘Kakka’

MS Shubhalakshmi
EDITOR'S PICK2 weeks ago

Celebrating the face of Carnatic Music for over 70 years: M.S Subbulakshmi

Musical Covers
MUSIC2 weeks ago

Pitch Perfect: Popular Covers to Win Your Hearts

Short Film
SHORT FILMS2 weeks ago

All The Acts That We Seemingly Hide: Watch ‘Chi Chi’

Vikram Batra
EDITOR'S PICK3 weeks ago

Of Courage, Valor And Selflessness: Vikram Batra

Piano Cover
MUSIC3 weeks ago

Breathing New Life Into Iconic Musical Pieces: Piano Covers

Saara Art
ART & CRAFT3 weeks ago

From Saara’s Art Desk: Endearing Portraits and Illustrations

Sanjana Devarajan
MUSIC3 weeks ago

The Gentle Rise And Fall Of The Sea: ‘Leher’ by Sanjana Devarajan

tokoyo paralympics
EDITOR'S PICK3 weeks ago

No Small Steps: India At The Tokyo Paralympics

Hargun Kaur
MUSIC3 weeks ago

On Growth And Hitting The Highest Of Notes: Hargun Kaur

Piping Pot Curry

The Lingering Taste From Our Homes: Meeta Arora

Sadhana Shivdasani
EDITOR'S PICK4 weeks ago

Filmography and Fashion: The Life of Actress Sadhana Shivdasani

Ishaan Nigam
MUSIC4 weeks ago

Speaking With Ishaan Nigam About Passion and Playback Singing

Mahalakshmi Anantharaman
ART & CRAFT4 weeks ago

Painting Dreams with Graphic Designer Mahalaksmi Anantharaman

Dipti Patel
ART & CRAFT4 weeks ago

Authenticity in the Age of Trends: Dipti Patel’s Illustrations

National Sports Day
EDITOR'S PICK4 weeks ago

The Men And Women Of Tomorrow: National Sports Day

Madhav Khanna
MUSIC1 month ago

To Making It Beautiful: ‘Milon’ by Madhav Khanna X Sahaj Chawla

Short Film Rent
SHORT FILMS1 month ago

The People We Reduce To Mere Paper: Watch ‘Rent’

Mansi Mehra
STANDUP1 month ago

Don’t Mind Me, I Am Just Being My Perfect Self: Mansi Mehra

Subodh Kerkar
EDITOR'S PICK1 month ago

Subodh Kerkar: Goan Painter and Installation Artist

Stuti Srivastava

Breaking Through The New Normal: Stuti Srivastava

Girish Nakod
MUSIC1 month ago

A Single Moment In Time: ‘Ek Dafa’ By Girish Nakod X The Dexter

Watercolour Paintings
ART & CRAFT1 month ago

Lone Ships, Cramped Streets And Grand Spires: Watercolour Paintings

Mountain Photography
PHOTOGRAPHY1 month ago

When The Mountains Come Calling, These Photographers Listen

Women Creators
CREATORS1 month ago

Age No Bar: Female Creators Pushing Against Norms

Name Plate
SHORT FILMS1 month ago

Men, Women And All The Other Drivel: Watch ‘Name Plate’

Subhadra Kumari Chauhan
EDITOR'S PICK1 month ago

The Progressive Poet of the Freedom Movement: Subhadra Kumari Chauhan

ART & CRAFT1 month ago

An Assortment of Colours: Some Emerging Artists to Check Out

Illustrator Vaishnavi
ART & CRAFT6 months ago

Meticulously Illustrating Her Way Through Life: Vaishnavi Giri

Sanya Jain
ART & CRAFT3 months ago

With a Pot Full of Colourful Imagination: Illustrator-Artist Sanya Jain

Classical Dance
DANCE3 months ago

Rhythm Divine: These Semi-Classical Dance Performances are a Sight to Behold

Ente Narayanikku
SHORT FILMS6 months ago

‘Ente Nairaynikku’: Looking At the Impact of Human Connections In Our Lives

Shweta Singh
ART & CRAFT4 months ago

Of Shoes, Paper And The Wildest Colours: Shweta Singh Baidya

TVF Aspirants

TVF’s Aspirants: A Larger Tale Of What It Means To Be Human

ART & CRAFT6 months ago

In Pursuit of Passion: Naysha Satyarthi’s Journey of Making Art

Tanya Singh
THEATRE & DRAMA6 months ago

Wishing Upon Shampoo Bottles And Mirrors: Tanya Singh

Vanika Sangtani
STANDUP6 months ago

A Few Hushed Tales From Yesterday: Vanika Sangtani

Lovely Sharma
POETRY5 months ago

Lovely Sharma on the Craft of Writing and Performing Poetry

Sangeeta Prayaga
ART & CRAFT4 months ago

On Making Art Your Superpower: Sangeeta Prayaga

Kamiya Jani

The Bells Ringing Beyond The Horizon: Kamiya Jani

Vinayak Ghoshal
DANCE6 months ago

The Journey Of A Thousand Pattering Feet: Vinayak Ghoshal

Twin Me Not
DANCE6 months ago

Dancing To A Single Beat: Aanchal and Antra Chandna

Arunima Dey
DANCE5 months ago

Looking Beyond That One Single Beat: Arunima Dey

Bhavya Desai
ART & CRAFT5 months ago

Sketching A Life On A Sheet Of Paper: Bhavya Desai

Ishpreet Dang
DANCE3 months ago

Dancing A Way Into A World Of Her Own: Ishpreet Dang

Pranita Art
ART & CRAFT6 months ago

Living Through The Little Sights: Pranita Kocharekar

Sunayna Dey
ART & CRAFT4 months ago

The Things That Can Come From The Ordinary: Sunayna Dey

Bhavya Doshi
ART & CRAFT6 months ago

Putting the Do in Doodle: The Bhavya Doshi Story

ART & CRAFT6 months ago

Doodle Me A Little Bit Of That: Artwork For The Slower Days

ART & CRAFT3 months ago

‘Dee for Drawing’: Dejeshwini’s Digital Art and Illustrations

Stuti Srivastava

Breaking Through The New Normal: Stuti Srivastava

Environmenal Art
ART & CRAFT4 months ago

Environmental Art: Synergy of Utility and Aestheticism

Prasad Bhat

Would You Let Me Level With You, Please: Prasad Bhat

Jaya Dourbi
ART & CRAFT3 months ago

Of Distant Mountains, Rivers And Lone Hills: Jaya Dourbi

Eshani Sathe
DANCE2 months ago

The Tales That Come From Our Yesterdays: Eshani Sathe

Trigger short film
SHORT FILMS4 months ago

Mothers, Fathers And Their Children: Watch ‘Trigger’

Dance Covers
DANCE6 months ago

Dancers Whose Performances Are A Perfect Blend Of Enrapture and Talent

Pranesh Walawalkar
ART & CRAFT3 months ago

Diving In The World of An Art Prodigy: Pranesh Walawalkar

Gururaj Bhandari
ART & CRAFT5 months ago

Amazing Journey of Artist-Illustrator: Gururaj Bhandari

Rushabh Jain
MUSIC6 months ago

Wishing Through The Silence Of Night: Rushabh Jain

Ankit Kawatra

The Inspiring Journey Of Feeding India’s Ankit Kawatra

The Untold
SHORT FILMS2 years ago

“The Untold” Words In A Love Story Of Two Best Friends

Whistling Woods International, Doliyaan, Preksha Agarwal, Trimala Adhikari, Seema Azmi
SHORT FILMS2 years ago

A Whistling Woods International Production: Doliyaan

Raat Baaki Baat Baaki, Jackie Shroff, Divyansh Pandit, Wild Buffaloes Entertainment, Filmfare
SHORT FILMS2 years ago

Raat Baaki Baat Baaki with Jackie Shroff and Divyansh Pandit

Ami Mishra, Mohammed Rafi, Ehsaan Tera, Unplugged Cover, Anchal Singh

Ehsaan Tera : Unplugged Cover by Ami Mishra Ft. Anchal Singh

Plus Minus, Baba Harbajan Singh, Bhuvan Bam, Divya Dutta, Sikhya Entertainment
SHORT FILMS3 years ago

Plus Minus: A Tribute To The Unsung Hero Major Harbhajan Singh

Mashaal, The Forgotten Soldiers,The Jokers' Project, Manisha Swarnkar, Independence Day
MUSIC3 years ago

Mashaal : The Forgotten Soldiers By The Jokers’ Project Ft. Manisha Swarnkar

Bhuvan Bam, Safar, Single, Original, Bhuvan Bam Safar, Artist, BB Ki Vines

Safar : An Original Single by Bhuvan Bam Portraying Story of an Artist

Navaldeep Singh, The Red Typewriter, Short Film, Love Story, Touching Story
SHORT FILMS3 years ago

The Red Typewriter : A Touching Love Story by Navaldeep Singh

Dilbaro, Saloni Rai, Cover, Raazi, Alia Bhatt
MUSIC3 years ago

‘Dilbaro’ From ‘Raazi Mellifluously Sung by Saloni Rai

Meri Maa, Musical, Short Film, Tarannum Mallik, Abhinay, Mother's Day
SHORT FILMS3 years ago

‘Meri Maa’ : A Musical Short Film Ft. Tarannum & Abhinay

Meri Maa ki Beti, Niharika Mishra, Poetry, Maa
POETRY3 years ago

‘Meri Maa Ki Beti’ : A Poetic Portrayal by Niharika Mishra

Call Center Ke Call Boy Ki Kahani, Rakesh Tiwari, Tafreeh Peshkash, Poetry
POETRY3 years ago

‘Call Center Ke Call Boy Ki Kahani’ by Rakesh Tiwari

Kajender Srivastava, Jawaab, Poetry, Poem
POETRY3 years ago

‘Jawaab’ : A Poetic Awakening by Kajender Srivastava

Tribute to Avicii, Indian Dancers, Avicii, Amit K Samania, Prakrati Kushwaha
DANCE3 years ago

Tribute to Avicii By Indian Dancers Amit K Samania & Prakrati Kushwaha

Varun Agarwal, Million Dollar Company, Anu Aunty

From Failing in Engineering to Co-Founding a Million-Dollar Company : Varun Agarwal

Dum Dum Dumroo, Sanaya Irani, Anil Charanjeett, Akash Goila
SHORT FILMS3 years ago

Dum Dum Dumroo : Think Before You Judge

Manpreet Toor's Laung Laachi
DANCE3 years ago

Manpreet Toor’s Magnificent Dance on “Laung Laachi” is Mesmerizing

MUSIC4 years ago

Mashup of ‘Treat You Better’ & ‘Mann Bharrya’ in Melodious Voice of Semal and Bharti

Aksh Baghla
MUSIC4 years ago

Dil Diyan Gallan in Euphonious Voice of Akash Baghla

Ankit Kholia

Reminiscing Classics In Ankit Kholia’s Mellifluous Voice

Sang Hoon Tere

Sang Hoon Tere : Bhuvan Bam’s Original Single

Aranya Johar
POETRY4 years ago

“Why be biased to complexions?” Aranya Johar Questions the Society

MUSIC4 years ago

Acoustic Version of Tere Mere Song by Dhvani Bhanushali

SHORT FILMS4 years ago

Tere Jaisa Yaar Kahan : A Tale of Two Best Friends

MUSIC4 years ago

“Naino Se”: An Orginal Composition by Pushpendra Barman

Tere Mere by Saloni Rai
MUSIC4 years ago

‘Tere Mere’ Female Cover by a Young Singer from Haryana, Saloni Rai

Every Skin Glows : Sejal Kumar
EDITOR'S PICK4 years ago

Don’t Judge People on Skin Colour, Every Skin Glows : Sejal Kumar

Knox Artiste
MUSIC4 years ago

14 Songs on 1 Beat Ft. Knox Artiste

EDITOR'S PICK4 years ago

De Taali Nehraji Ft Ashish Nehra: Breakfast With Champions

POETRY4 years ago

To India: With Love by Aranya Johar


Shiamak Davar’s Choreography of Despacito Ft. Justin Bieber