Dance
The Tales That Come From Our Yesterdays: Eshani Sathe
Meet Eshani Sathe, an incredibly talented Kathak dancer who is weaving her art into a language that you can understand.
There is a sense of eloquence in the manner in which she speaks. That same eloquence, that same dignity, is evident in her work. Eshani Kiran Sathe, then, truly stands as not just an incredibly talented Kathak dancer but also as an artist who has a deep understanding on how to translate her art, her roots, into a language easily understood by others. After all, there is no greater achievement for an artist than the satisfaction that comes with their art being accepted by the rest of the world.
Born and raised in Akola, Maharashtra, Sathe stepped into the world of classical dance at the tender age of three. The daughter of a classically trained Kathak dancer, Sathe, initially, did not plan on forging a career in Kathak. At the beginning of it all, Kathak, as a dance form, was something she just grew up with. It ran in her blood and she loved it, sure. However, it did not become a part of who she is until much later.
When we talk about her formative years, Sathe reveals her enduring love for English Literature. She reaffirms it, at a later point, quite unequivocally, and quite unintentionally, when she talks about her love for Enid Blyton as a child. For Sathe, it was an engaging childhood, to say the least. She spent her childhood engrossed in her education and her love for English Literature while also balancing her classical dance training. To be frank, Sathe’s career path could have been a matter of circumstance. I have a sneaking suspicion that she could have been as good of an established writer as she is a Kathak dancer. And that says a lot by itself.
Now, as she looks back on it, Sathe admits that, in hindsight, juggling all her responsibilities, at that age, may seem like a lot. However, at the time, she didn’t think much of it. It was simply the way things were. And, to be frank, those very things went on to define the person Sathe is today.
If you head on over to her YouTube channel, which, by the way, is home to a wonderful curation of videos, you would probably come across a project of her’s, titled ‘Shakti’. When we discuss the project itself, Sathe elaborates further on the manner in which she approaches any project that she is a part of. At the beginning of it all, Sathe fixes herself on what she truly wants to explore with any given concept or project. In the case of ‘Shakti’, Sathe reveals that the track used for the project is tied to her on a deeply personal level. In fact, the track used for ‘Shakti’ is one that Sathe recalls as being one of the first tracks that she saw her mother perform to. Now, when she intended to use the track for her project, it carried, with it, a fusion of her own self-beliefs and her own connection to her feminine energy.
I am glad we got to talking about the projects that she is a part of. You see, one of Sathe’s primary responsibilities, as the curator at Kathak Nritya Mandir, is the creation of classical content for digital platforms. One of the first things she learnt in her journey of creating digital content is the fact that there are multiple competing avenues of content available for the audience of today. The only question, then, that remained to be asked, was what truly entices an audience to consume your content? For Sathe, the answer was simple and lay in the foundations of who she is as an artist. The basic principle was to translate her art, of Kathak, in a manner that was faithful to its roots, while, simultaneously, making it accessible to those who may not be as well-versed as others in regards to classical dance.
Today, as Sathe goes on, there is this need, for your art, to be incredibly accessible and consistently engaging to an audience. At the same time, there is also this desire, on the part of the artist, to be faithful to their roots. For Sathe, it isn’t always about just following the emerging trends. And, to be honest, it can never be about that. That route, as Sathe affirms, of warping your own creative piece or your art to fit in with a trend, will never be sustainable.
Now comes the part of the conversation where Sathe, and you must forgive my lack of vocabulary here, absolutely schools me on the nature of dance as an art form. There is this perception, one that I was inclined to as well, of dance either being a medium of popular entertainment or a medium for the perpetuation of culture. For a lot of people, dance always had to be one or the other. It could never be both.
That, Sathe explicitly states, is absolutely wrong.
Classical dance forms, though erroneously seen solely as a medium of cultural perpetuation, began as channels for storytelling. If we look at Kathak, it all began with storytellers. Kathak, as a dance form, was never just about solely being an avenue for imparting a historical legacy. It was as much a tool for entertaining an audience as it was a tool for leaving behind a cultural legacy. Classical or Cultural art forms, then, all fuse into being a medium of self-expression, education, entertainment and storytelling.
“Kathak can be a medium of expression for the artist and it can also be a medium of entertainment for the audience without necessarily having to be a route to some divine self-realization or cultural perpetuation.”
Eshani Sathe
As of now, Sathe is looking forward to hosting a series of programmes in the near future. Sathe, on the behalf of Kathak Nritya Mandir, is in the midst of organizing a programme that brings the choreography of multiple artists, including her mentor and tutor, Pandit Rajendra Gangani, in January of 2022, in the format of a live show. On a personal front, she is now cataloging a series of digital productions that she is going to put out soon.
It is truly amazing when we really get to mapping out her life so far. I said, earlier, that it may have been a matter of circumstance that Sathe chose to become a Kathak dancer instead of a writer. When I look back to that statement, I am not entirely sure anymore. With guiding figures such as her mother, Radhika Sathe, and her mentor, Pandit Rajendra Gangani, I don’t think Sathe could have gone on to being anything other than the wonderfully talented dancer that she is. Kathak called to her in a way that nothing else ever did. And, Eshani Sathe couldn’t help but answer.
Dance
Enthralling Dance Performances Amidst the Nature Unfurling Serenity
The beautiful coalesce of dance , lyrics and scenic setting creates an art leaving the viewers completely enraptured .
Youtube has managed to garner a large audience appreciating dance performances. Significant pouring support from the masses is an encouraging sign for dancers to excel in their choreography and further elevate the songs they choose to perform. A collaboration of dance and music together magnifies the essence of songs and graceful moves the dancers sway, in the process creating a greatly soothing and appealing video production setting the standards of performative art so high. The expressions and dance styles delivered by the dancers make you groove to the rhythm and beats and lose yourself in their fascinating world.
Here are some amazing dancers who have definitely made their presence known on Youtube.
Neel Digante – Sreetama Baidya
Sreetama gracefully delivers a Holi special with colours smeared across her face complementing the elaborate facial expressions in contrast to a dim white scenic setting. Swaying to Shreya Ghosal’s Neel Digante from the Gotro Album, she presents an immaculate performance elevating the lyrical beauty of the song through her elegant moves. Dancers like Sreetama never fail to channel the inner poise and captivate the viewers.
Mohe Rang Do Laal – Neelam Patel
Neelam Patel’s dance cover on Mohe Rang Do Laal is a phenomenal presentation of semi-classical dance immersed in the music. Her dance moves mould and flow so well according to the rhythm making her choreography so flawlessly put together and doing justice to the music. Throughout the dance, there is a lurking presence of ease and an inviting aura that you can feel. Energetic delivery by Neelam to show her potential and collect viewers’ love. As it turns out to be an apt source of entertainment derived from indulging in this beautiful portrayal of art.
Ek Dil Ek Jaan – Sadhwi Majumde
The raw portrayal of emotions and lyrics through her expressions creates a dynamic hard to ignore. In other words, dynamic forcing viewers to dwell more on the essence of the song emphasised by Sadhwi’s striking moves. Sadhwi Majumde, a well-known figure in Indian dance realities show states the difficulty of shooting the dance in one shot because of the gravity the lyrics hold and the courage she had to muster. The effort to do justice and express the wrenching lyrics is clearly visible in this dance cover. Sole focus on her with the black background does not fail to capture viewers’ thoughts and make them exposed to what she wants to convey.
Manike Mage Hithe – Sreetma Baidya
Sreetma Baidya inclines towards a folk dancing style keeping with the cover of popular Manike Mage Hithe folk mashup by Anirban Sur. Her delicate moves with neat hand gesture midst the pale green field and run-down building gives the video a rustic element as she moves with the flow. The video cinematography is so well done further adding and accentuating her dancing skills. In addition, to uplift the video her traditional attire change accompanied by her bold clear expression easily lures the viewers providing serenity.
Dance
Going Back To Our Roots: Indian Folk Dance Covers
Here are some folk dance covers that give us a glimpse of the values, customs and traditions of different parts of our culture-rich country.
India is home to diverse cultures. From these diverse cultures are born the rich art forms that define our nation’s cultural heritage. Indian folk dance is one such art form that reflects the culture of a region. Like every other art form, folk dance also conveys the vigor and energy of our culture. Today, we live in a globalized world where Western ideas take the center stage. In such a world, we sometimes yearn to taste our culture. We can never completely forget the roots that tie us to our homeland. Even when we forget, we have our very own art forms that remind us of our roots. The diversity of our country has gifted us with many art forms that will never lose their luster. Here we bring you Indian folk dance covers from different parts of India.
Bidipta Sharma
Bidipta Sharma taps her feet to the song ‘Monta Re’ from the movie Lootera. This baul-inspired song is composed by Amit Trivedi. It captures the soul of Bengali folk music. Bidipta’s dance cover is a feast to one’s eyes. Her movements and expressions will make you watch the video without taking a glance off the screen. This dance cover video captures her flowy movements against an excellent backdrop. The cinematography of this video also deserves appreciation.
Ankita Pradhan
Ankita Pradhan brings us a Bengali folk dance cover of the song ‘Tapa Tini’ from the movie Belashuru. There are many remarkable elements in Ankita’s performance. The primary one is her flexible movements to the song. Ankita choreographed this lovely performance herself. Folk dances often repeat the same couple of steps innumerable times. But, Ankita gives a set of dynamic steps that are far away from monotonous folk dance routines. She gives a twist to her performance by bringing in her own unique elements to it.
Madhushmitha Paul
Madhushmitha Paul mesmerizes us with her Bihu dance performance to the song ‘Porbote Porbote’. Madhushmitha’s folk dance cover captures the soul of Assam. Dressed in traditional Bihu dance attire, she presents a spectacular performance. Set against the scenic beauty of Assam, this Bihu performance is a slice of Assam’s culture. Madhushmitha’s smiling face throughout the dance performance is striking. She is able to bring a smile to the viewer’s face as well through her performance.
Nrityaa
Nrityaa choreography presents a beautiful Rajasthani folk dance cover. Riya Kushwah and Amrita Singh give a dazzling performance in eye-catching traditional Rajasthani attire. This dance cover is a noteworthy folk dance version of the song ‘Choudhary’. Adding to the vibrancy of the whole video is the location of the performance. The video is shot in what looks like the inside of a fort or palace. The dance, the song, the attire and the location brings you a piece of Rajasthan through this folk dance cover.
Chennai Beats
Chennai Beats bring you a Tamil folk dance cover of the song ‘Mannarkudi Kalakalakka’. Choreographed by Valli Prabhu, this folk dance cover would make you want to dance as well. The movements of both the performers keep up with the peppy beat of the song. The best element in this folk dance video is the energy level of the performers, Valli Prabhu and Shanthi Manchi. Another factor is the absolute sync in their movements. The dynamic choreography coupled with the unmatchable energy of the dancers and the vibrant song makes this folk dance cover a worthy watch.
Indian classical dances are often praised and loved for their graceful and poise movements. Accompanied with gestures, details, and accuracy, the Indian classical dances have maintained their own stance and aura in the field of dances. Many of these classical dances are usually performed on certain curated and produced beats from instruments like tabla, sitar, sarangi and more. However, classical dances are also choreographed on Bollywood songs and other music.
We’ve some extraordinary classical performances on some of the most iconic and popular songs.
O Re Piya – Shades of Kathak
Rahat Fateh Ali Khan doesn’t have a single skip in his discography. O Re Piya has reigned hearts since its release, and it’ll continue to stay everyone’s favourite. Shades of Kathak, which features Vaidehi Lachheta, Nandini Goyal, and Uditi Singhal, perform a delightful Kathak choreography on this song. In beautiful attires, the trio matched each rhythm and symphony, leaving the viewers mesmerised.
Aaoge Jab Tum – Sukruti Airi
Sukruti Airi choreographed and performed a sitting classical dance cover on the song, ‘Aaoge Jab Tum.’ A sitting choreography means only the upper part of the body dances or moves. Sukruti Airi’s body control and soft movements are beautiful! Each gesture and each expression are done delicately, as if narrating a story. An effortless dance cover, it also seemed to have therapeutic qualities to it. Surely, the art which Sukruti has delivered is one to hold close to yourself.
Srivalli – Team Nrityam
Team Nrityam featuring the talented performers, Shristi Maharjan, Arsia Manandhar, and Riyana Manandhar, deliver a Kathak dance cover on the song Srivalli. The trio excelled at the coordination and the energy throughout is stupefying. Grace and elegance dripped dance cover, Team Nrityam again raises the bar!
Mere Dholna – Nidhi and Neha
‘Mere Dholna’ of ‘Bhool Bhulaiya’ is a well-known song, and was used in one of the most crucial scenes in the movie. Vidya Balan gives a classical dance performance on this song. Since then several choreographies have been curated on this song. Nidhi and Neha choreographed a semi classical Bharatanatyam dance cover. Brimmed with enthusiasm and glimmer, the duo pour their heart into this dance cover.
Lagan Laagi Re – Vishaka Saraf
Vishaka Sarraf choreographed and performed a dance cover on one of Amit Trivedi’s most iconic songs, Lagan Laagi Re. A fusion of freestyle and Kathak, Vishaka Sarraf, shows the creativity of her choreography. The dance cover is shot beautifully, with some mesmerising shots and elements. The videography captures Indian culture in its entirety—Vishika’s dance and the architecture she’s surrounded by.
Dance
Semi Classical Dance Covers Sprinkling Elegance and Grace
Presenting elegant semi classical dance covers which will lift up your spirits and replenish your admiration for the Indian dances and arts.
From music, melodies, and songs to history, dances and attires, India has a whole diverse collection of it. The rich and enthusing plethora of cultures, traditions and arts of India is a moment of exhilaration and pride. Semi-Classical Dance combines the Indian classical and contemprorary dances, bringing unique dance steps and beautiful formations. The Semi Classical dance form is not as intricate as the classical dance form, but nevertheless it has its own charm and grace, and one of the products of Indian arts and cultures.
Here are some must watch beautiful, semi classical dance covers.
Nagavalli Semi Classical Dance Cover – Keerthy Ghevarghese
Keerthy Ghevarghese, dancing against a beautiful scenery of drizzling sky, delivers a mesmerising nagavalli semi classical dance cover. Bagging all the right textures of expressions and dance steps, Keerthy Ghevarghese does justice to the song and the dance form. Sprinkling more beauty on the dance cover is the exceptional cinematography and the editing, which complements with Keerthy’s graceful stature and rhythm.
Shyama Meghame Nee – Ghungro Groves Choreography
The magnificent duo dances on the classic Shyama Meghame Nee. Attired in the traditional saree and hair adorned in a gajra, the duo deliver an experience of bliss and elegance. From the coordination to the graceful steps, the dance cover is a work of art. The Ghungro Groves duo self choreographed it and gave the song, shyama meghame nee, new colours.
Saiyaan Semi Classical Dance Cover – Mansi and Nidhi
Kailash Kher has gifted us with so many beautiful and soulful songs. These songs will truly always stay legendary and evergreen. The talented duo, Mansi and Nidhi, perform a graceful semi classical dance cover on one of the most cherished and loved songs of Kailash Kher’s Saiyaan. The Indian classical fused with folk is executed perfectly, and the duo give due respect and justification to Kher’s vocals and India’s classical dance.
Madhura Murati Semi Classical Dance Cover – Santasree and Jagyandatta
Talking about a wholesome, complete, and a mesmerising performance, the duo Santasree and Jagyandatta perform an enigmatic semi classical dance cover on the song Madhura Murati. The coordination and synchronisation by Santasree and Jagyandatta elevates the deep melodies of Madhura Murati itself. The background, the editing, and the videography are the cherries on top.
Dance
Some Mesmerising Dance Covers That Rules Reels And Videos
Through dance covers, old songs regain power and to songs in repeat mode people fall for it again. Dance covers rules YouTube by viewers.
YouTube has become a talent with dance and music videos. The latest trend being dance covers. The large sum of people has been engaged in these art forms. This recovers dance as an art form and even our Indian songs could be watched by many abroad widening the scope of Indian art and culture.
Priyanka Mulchandani
Dholida song, has never stayed away from the limelight since its release. Peacock Culture famous for its beautiful choreography is here to enchant the viewers with their grace. The energetic Garba song is met with energetic dance. There is pure ecstacsy in the face of the dancers that they give out the right expressions and emotions during the performance. Inspired from Gangubai, a role played by Alia Bhatt in Gangubhai Kathiawadi-a role that gave her more fame and admiration from the fans, dance videos with the similar Gangubhai attire and dance steps rules the YouTube. Priyanka Mulchandani, who did the choreography and Kajol Malekar are performing to this beautiful song. Peacock Culture represents a team of dancers headed by Priyanka Mulchandani who is also the choreographer. They love Dancing and can make different dance covers in different styles including Bollywood, Hip Hop, Sei Classical, Fusion. Peacock Culture take dance classes in Mumbai and Sangeet Projects around the world.
Arunima Dey
Arunima Dey had started making YouTube Videos from 2012. She has made reels and videos of dance performances. Most of them are loved by many and the viewers are hiking day by day. The current trend is Yaar Ki Mehfil, lyrics and music been made by Kunaal Verma. Arunima uses Contemporary style to meet with the agony in the song. Every minute step are taken in detail. She has also done Dholida song which has been a hit in YouTube. Arunima never fails to amaze the viewers. She brings every song to an upgraded level with her brilliant dance steps. Sometimes she presents with a team.
Nupur James Choreography
Raanjhana Hua from Benaras movie starring Tamil actor Dhanush and Hindi actress Sonam Kapoor was always a heart-warming song for many music lovers. Its covers are coming up with amazing dance performances. Nupur James has choreographed and presented one of the best dance performances for this song. Since 2010 she has been different kind of dance videos in YouTube. She usually goes outdoors to shoot these videos. Her attractive attires are also mind-blowing. Nupur
Himanshu Dulani
Himanshu Dulani- a channel in YouTube is loved by a lot of viewers. A trio comprising 3 boys- Himanshu Dulani, Aashish Lama, Hardik Bhutani wins hearts these days. Subhanallah song is an all time favorite for all the Yeh Jawaaani Hai Deewani movie fans. Himanshu Dulani does the choreo and the video is taken by Gaurav Visuals. The performance is done at a Mediterranean background. The contemporary style dance is done with perfection. Their masterpiece video is Tere Liye. Every moves are graceful as anything and viewers are going crazy about their style of dancing. Some of them say U.S have Matt Steffanina and Indians have Himanshu. ‘Pee Loon’ song from Once Upon a Time in Mumbai shows their passion for dance. One cant resist the charm that their dance synchrony radiates.
In the busy world today, these music and dance covers help people refresh themselves from the chaos. Entertainment industry is truly focusing on its purpose, to entertain the ever stressed minds.
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