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These Storytellers Will Warm Your Heart With Their Performances

Tape A Tale once again brings us some gems and the message they convey might be the need of the hour for you.

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Storytelling

The art of storytelling is not easy. To be able to deliver the content in a way that is impressive, heart-warming and should justify the subject matter of the story is commendable. “To ho sakta hai tum galat ho” is something we all have heard at least once- be you a fan of storytelling or not. It’s quite a task to be able to move the audience with mere words and it’s an achievement to be remembered. We bring you two performances that will settle in your heart and move you with the message they convey.

First is Gunjan Saini with her performance “Pyaar ya Self-respect”. Falling in love and falling apart is a common process most of us have been through at least once. Love makes us do a lot of things as they say “love is blind”; losing self-respect is another thing people often do when in love. Gunjan narrates her story of how she too was in love once and she also faced heartbreak. Like any human she also had a hard time accepting and dealing with it. Her way of narrating the story is beaded with appropriate emotions and it’s a heartwarming treat. Does despite the hurdles she has her epiphany?

Credits: YouTube (Tape A Tale)

Another soul-stirring story we have is from Divya Chaudhary. In her standup “Kitno Ko Khush Karoge” she vocalizes the message using a very common scenario. Growing up as a girl in a society like India bounds you with expectations of many to fulfilled. Or even in general- we expect humans to fulfill expectations of many; sometimes even at the cost of comprising with oneself. Divya’s narration is simple and laced with beauty and an important message. The use of simple language is also a highlight of this standup. With the use of a very common situation which many of us might have experienced, she puts up a beautiful performance which is celebratory. Check out the performance to know how she turns a common scenario into a heart-warming story.

Credits: YouTube (Tape A Tale)
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STANDUP

Don’t Mind Me, I Am Just Being My Perfect Self: Mansi Mehra

A stand-up comedian, with an adventurous spirit and a general sense of swagger, Mansi Mehra has quite a story to tell.

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Mansi Mehra

I had been watching small snippets of her stand-up shows on YouTube for an hour before I sat down to write this. From beatboxing to rapping to making you choke on your coffee as you laugh, Mansi Mehra is one of those rare people who make you question whether you are really doing enough. And, as if that wasn’t enough, she is a seasoned traveller, having spent several days cruising around in her car as she travelled, on her own, to multiple States in the US.

Born in Madhya Pradesh, but raised all over the country, Mansi Mehra’s educational qualifications, at first glance, wouldn’t suggest a career in stand-up comedy. With a Bachelor’s degree in Electronic and Communication Engineering and a Master’s in Science, Mehra, initially, did not envision a career on stage. In fact, it was a break-up that inspired her to pursue comedy.

Formerly in a relationship with a fellow comedian, Mehra realised that one aspect of the relationship that she missed the most was the stand-up shows that her former boyfriend’s performed at. Everything that went into making people laugh, the backstage preparations, the refinement of the material being performed, fascinated her. One day, she decided to just go for it. She enrolled herself in an online class, wrote her own material and went to perform it in an open mic. On that very show, a producer happened to notice her and Mehra found herself being booked for her show. From then on, there was no looking back. Through word of mouth, Mehra’s performances garnered the recognition she deserved and she went from one show to another. Funnily enough, Mehra recalls sharing the stage with her former boyfriend on her 99th performance.

Credit: YouTube (Mansi Mehra)

Comedy, however, isn’t always as light-hearted as it is made out to be. There is an immense amount of work that goes into it. Mehra, herself, is an individual who is consistently looking for a new experience. Starting from radio to filmmaking to hosting massive shows, she has built up a world of experience that she draws from. And, that, she says, is critical to individual growth.

Take, for example, the manner in which she goes about refining her material. As mentioned earlier, Mehra, initially, draws from her own experiences and then proceeds to write down the entire story before she begins to filter the funny bits from it. Still, that’s just not enough. Then, she has to perform that material in front of an audience and, based on the reaction she gets, she has to work out the kinks in the manner in which she delivers it.

Of course, it’s not always about relying solely on personal experience. There are some things that you cannot learn from anywhere else but the greatest influences in your preferred field. From Jerry Seinfeld to Taylor Tomlinson, Mehra always finds something to take away from the sets of the people she looks up to. It’s not always about the joke, however. Sometimes, it’s about the manner in which they deliver a certain bit or, perhaps, it’s about the general theme of the entire set.

Credit: YouTube (Mansi Mehra)

By now, it is pretty evident that Mehra looks to continuously absorb and improve. And, it’s immensely fortunate that she is wired that way because her starting days, like all budding artists, were not the easiest of times. 

An immigrant in the US, Mehra found that there was a massive difference in the way humour is perceived abroad. After all, humour is about relatability. Navigating that difference, let alone the stereotyping and the denial of certain opportunities and avenues, on account of her not being a US citizen, was a challenge in itself. In point of fact, there have been times where Mehra cleared an audition but missed out on the role merely because she wasn’t a US citizen.

“I wanted to connect more to the audience but, sometimes, language barriers, references or accents would create a challenge. But, now that I know some of their terms, references and have learnt their style of speaking, I feel like I am getting there gradually.”

Mansi Mehra

Still, moving to the US, as Mehra states, was one of the bravest things she could have done. From working at an established MNC, in India, to working at an on-campus job, when pursuing her Master’s degree in the US, to help with daily expenses, Mehra has come a long way. Now, she sits at over two hundred performances, having shared the stage with some of the biggest names in stand-up comedy, such as Margaret Cho, Maz Jobrani, Monali Thakur and Zakir Khan.

It’s important that you understand the trajectory Mehra has been on. Becoming the stand-up comic that she is today has, by no means, been an easy journey. There is probably a whole side of blood, sweat and tears that she doesn’t even remember about when she talks about the larger scope of her journey. That is why when she says that consistent work, regardless of the existence of latent talent, is more important, it holds special weightage. Things will fall into place only once you decide to commit to the path you have chosen. 

That’s Mansi Mehra for you. The person who almost ran out of gas in the middle of the desert and went ‘This is fine.’ If that isn’t grit, I don’t know what is.

Credit: YouTube (Mansi Mehra)
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Of Hope in Despair: Heartfelt Spoken-Word Performances

Watch these beautiful, emotive performances that find and render hope into words of compelling comfort!

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Poetry

Poetry and stories are meant to provide you comfort in the dark. Watch Simar Singh and Vanika Sangtani get real, as they deliver performances drawn from their own experiences which are speckled with hope, even as they revolve around those universal feelings of solitude and sadness. 

“Loneliness is a Bad Thing” – Simar Singh & Hasan

“In every breath, there’s life Simar Singh quotes a lyric from a lovely song by the Bahamas, as he writes his own song, both an ode and antidote to the much universal feeling of loneliness. There’s a lot of musicality running in Singh’s tender, compassionate creation, with Hasan’s guitar strums and vocals reminding a little something of the band Radiohead. 

Simar Singh renders the ugly, the sad, the beautiful, and the hopeful side to the heavy burden of loneliness within this poem of powerful and moving sentiments. “I did not know the value of this poem, till I almost lost it. I did not know the value of my words, till I was silent,” he says. And you will find the value of his poem and his words too and would be glad he attempted to treasure it with this performance. 

Credit: YouTube (UnErase Poetry)

“Mujhe Mera Rahul Mil Gaya” – Vanika Sangtani

Fictional happy endings give hope, proves Vanika Sangtani with her very real story which is told with such genuineness of emotions that it is hard not to smile when she smiles, and feel tearful when she cries. “Ek si hokar bhi, har kirdaar ki kahaani alag hoti hai” she says, as she narrates a beautiful story drawn from her life. Of how she both lost and found hope when she went to live in the city of Mumbai. 

Inspired by Aisha from the film Wake Up Sid, Vanika’s dreamy expectations were met with a different reality in the city. In the story you find her sharing the piece of hope that she later found when she met Rahul and not Sid, and how her faith in the fantasies of fictional stories was revived again. Among the numbered kirdars (actors) of Vanika’s story, you will find yourself counting her innocent, warm smile too!

Credit: YouTube (Spill Poetry)

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From One ‘Besharam Ladki’ To Another: Kopal Khanna

Kopal Khanna, in a riveting performance, talks about labels, societal expectations and what being a Besharam Ladki is truly like.

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Kopal KhannaKopal Khanna

There is a pitch, as Kopal Khanna states, that we are all sold from a very early point in our lives. The words may differ, the manner in which it is put forward may be disguised as something else, however, the underlying foundation of it remains the same: ‘Live your life in the way we envision it.’ 

‘Besharam Ladki’, by Kopal Khanna, then, serves as a canvas for sketching out the fallacy that lies in projecting the idea of individual growth as something that needs to be structured or curated. After all, society does seem to have a vested interest in the lives of those that are completely unrelated to them.

Khanna begins her performance by beseeching her audience to keep a secret for her. As she goes on, we learn she is six months away from hitting 30 and is consistently subjected to questions and perceived opinions regarding her marriage. Ah, yes, that sacred institution that binds people together. You see, India has a fascination with marriage that most other countries cannot hope to match. For us, as a people, life has always been a series of steps that you must take. From getting good grades, to getting a job immediately after we graduate college and then, perhaps most importantly, getting married. Of course, having kids is naturally the next step. Somewhere, along the journey of attempting to build a cultural identity, we have, as a collective, begun to see life as a uniform, structured table rather than the exciting, unpredictable experience it actually is.

I digress. However, I only do so based on what Khanna builds up to in her performance. ‘Besharam Ladki’, as a spoken word performance, isn’t just another rail at societal expectations and pressures. It is, rather, a unique insight into how we, as a society, are consistently trying to maneuver the experiences and lives of others according to our expectations. Sometimes, these expectations become shackles for others, holding them back from truly ever being the person they can be.

Of course, there is a sense of acceptance on Khanna’s part. At the end of ‘Besharam Ladki’, Khanna explicitly states that if being an independent woman, in charge of her own life, leads to being viewed as ‘Besharam’, she whole-heartedly accepts the label. The word, itself, only has power due to the misconstrued perceptions that people have. Once those go, the label is just another empty word, devoid of any value other than the syllables it is composed of.

It does get you thinking, however. What about all the women who couldn’t shake off the label as just another word? The women who had to give up their own autonomy to pander to these societal beliefs and expectations. Like it was mentioned earlier, Khanna’s ‘Besharam Ladki’ isn’t just another spoken word performance. It makes you sit and think about what projecting your own expectations on another can lead to, the manner in which it can make them deviate their lives. And, for a country such as ours, that’s an incredibly important thought to be pondering over.

Credit: YouTube (Tape A Tale)
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Telling a Tale: Stories of Unrequited Love

We bring to you some Hindi story-telling performances of the softest kind, narrating the unrequited side of love.

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Storytelling

When you find and lose love, it is a struggle to remain rational as you drown in the complexities of emotions. The only way forward then is found in acceptance of reality as it is. We bring to you performances that are an embodiment of that. These stories of heartbreaks narrate their experience of embracing things as they are, and making the right decisions. 

In a language that is simple and easy, we have two different voices of storytelling that capture the many natures of love and the reconciliation with its loss. 

Aaj Agar Tum Saath Hote – Surbhi Pratap

As universal is the feeling of love, so is the hope and dreams that the feeling comes with. Surbhi Pratap’s story revolves around those dreams that are built with the knowledge that they will not come true. Her story, of love left incomplete, is a reconciliation with reality. That of accepting it as it has to be and moving on. The sombre feeling that it generates might resonate with many and is what Pratap’s story of unrequited love is all about.  

Credit: YouTube (Tape A Tale)

Saalo Baad Uski Call Aayi – Anubhav Agrawal

Love and life come with complexities, the kind that are hard to grasp let alone dealt with. Agrawal narrates a story of a phone call from a long-lost love. This story follows the steps of nostalgia mixed with sensibilities that help him make the right decisions. That of letting go and forgiving, but not welcoming back emotions that would later turn into regrets. Narrated in a language that is simple and relatable to common folks, his tale is that of the struggle that love and relationships come with. 

Credit: YouTube (Anubhav Agrawal)
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She Tells Tales, But Only Beautifully: Rachana Patil

Rachana Patil, an incredibly gifted storyteller and the winner of Steller, 2021, talks about her love for stories and the art of drama.

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Rachana Patil

There is a sense of ease as we begin the conversation. It is not, by any means, because of the questions I pose to her. It is only because Rachana Patil has mastered the art of speaking. There is, in her words, a cadence that exudes charm and a certain sense of happiness, making it impossible for you to not get engrossed in what she is saying. And while that may, sometimes, be difficult to prove in a tangible manner, the only thing I need to substantiate my claim is to point you to her winning Steller, 2021, the nationwide storytelling competition held by Tape A Tale. Storytelling is something that she is wonderful at. And, what better story is there to listen to than her own?

Born and raised in Mumbai, Patil prescribes a lot of significance to her childhood. There is almost a sense of reverence to the way she describes her earliest memories, cherishing them, for all they are worth, for what they have given her. In our conversation, she recalls how the act of speaking and performing held a special place in her formative years, with her being engaged in multiple co-curricular activities. In point of fact, she asserts that she truly enjoyed sharing stories ever since she was a child. It was only later, when she was growing up, that she realized that the act of sharing stories is something that is not only enjoyable but also something that holds immense value and is a craft, in itself.

That same realization bore fruit earlier this year, when Patil went on to win the Steller of the Year award, in the national level competition held by Tape A Tale. What a lot of people don’t actually know is the fact that she was actually part of the same competition the year before, in 2020. As a matter of fact, she made it past all the initial stages then, beating out the other competitors in Mumbai before going on to compete with the finalists from the other States. She made it till the final leg of the competition, only missing out in the last stage. 

Narrowly missing out on something stings. However, it stings a lot more when others try to make you feel better about your loss. Sometimes, that loss is worth a little too much to just let go of. Admitting the same, Patil pushed herself to improve, working diligently and striving to perfect her craft. When the competition came around this year, she didn’t waste time hesitating or wallowing in self-doubt. Signing up for it, she geared herself up for the coming selection phases. 

“This year, when the competition came around again, I went for it. I didn’t think twice.”

Rachana Patil

In the conversation, she reveals details about how the initial stages of the competition work. And before we go into that, it is crucial to stress how demanding the competition actually is. Leaving aside the sheer skill that goes into the art of telling a story, there is also the necessity for a dash of mental fortitude. Patil touches on the first stage of the selection process where she and a classmate made it through, after going up against contestants from her college. The second round was a six hour long session where participants, from all over the country, came together to perform their own bits. Interestingly, Patil states that part of the competition was, in fact, her favourite phase, with her being able to witness the stories that others had to tell. 

As she went on to Delhi for the third and final round of the competition, Patil found herself satiating a lifelong curiosity, one which entailed her, as a Mumbaiker, experiencing all that Delhi had to offer for the first time. And, that whole leg of her journey was everything she had hoped it would be. From the night of the event to the other participants sharing their own experiences with each other, everything went the way she had envisioned it. When she goes on to talk about being declared the winner at the end of it all, Patil explores what that experience was truly like. Indeed, as she held the trophy in her hands, she realized that this singular moment was everything falling in place as it should. There were no second guesses about what could have been or how it would have felt to win the previous year. 

“I would not choose to give myself the trophy in 2020. The journey, from 2020 to 2021, has taught me a lot.”

Rachana Patil

When we really explore storytelling, there is so much more to it than just choosing an engaging subject matter. Patil asserts that, when creating the tales she tells, she tries her best to add humour to it. Whether the tales, themselves, are fictional or based on her real life experiences, her stories come from the idea of attributing meaning to the little slices of life. Structure and plot cohesion comes only after the story itself takes a life of its own. Once that happens, everything falls in place naturally. 

As she talks about how she broaches the creation of a story, Patil talks about how storytelling and drama flow into one another. In fact, she doesn’t differentiate between the two. There is this idea of often keeping one separate from the other and, indeed, she has been asked by some why she adds theatrics to her own style of storytelling. She, however, refuses to restrict herself to one. You see, the art of telling a story is not an isolated art. It is, as Patil implies, an art that is infused into every creative effort that we engage in.

I am glad she brought up dramatics in the conversation because it is something that Patil harbours an immense amount of passion for. She touches on how it has always been a dream for her to study acting and drama at the National School of Drama, Delhi. Ever since she was a child, the institute has held a certain allure for her, with it representing, in a manner of speaking, a place where her dreams become reality. 

“Something about NSD has always pulled me. I want to learn, I want to go there. The day I do that, I’ll feel like I have done something good.”

Rachana Patil

And, the manner in which she wants to go about doing this is, like everything she does, untethered and seamless. There is a world of opportunity out there and Patil plans on experiencing everything that it has to offer. The idea of working on creative pieces from her own home fascinates her as much as the idea of going to study dramatics in a more structured manner. Through her words, you sense an individual that wishes, with everything she has, to embrace each and every experience for what it’s worth.

The person she has grown into today didn’t just happen instantaneously. Patil, in fact, attributes it all to her working past her own self-imposed limits. Recalling how she made it a point to go perform at every gig that she was aware of, she adds that the experience of just going for what she wanted and being rewarded for it, be it in the form of a clap or the tiniest smile, has helped her come out of her own shell. 

It takes a lot of self-belief to stand where she stands. The journey hasn’t been easy, of course, even if Patil’s enthusiasm and zeal makes it seem so. And, it is this very thought that she would want you to take from her story. There is this idea of leaving too much at the hands of others, one she says is crucial to shed. Only then, will you truly be able to chase something that you want. And if you take a closer look, Rachana Patil is inches away from getting all that she really wants.

Credit: YouTube (Tape A Tale)
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