Medieval India holds a special place in Indian cultural history due to the extensive impact it had on society. This included architecture, literature, music, social engagements, etc. As for architecture, temples across the Indian subcontinent saw a massive change due to Bhakti. Initial simple rock-cut cave shrines gave way to vast, elaborate temples that spanned the Indian subcontinent and beyond as Hindu architecture developed over the ages. This design is now followed in contemporary Hindu temples all over the world. 

When we look at the detailed intricate carvings and magnificent sculptures that adorn the medieval temples of India, a colourful tapestry of society unfolds before our eyes. These temples are visual storytellers that have captured the essence of the society that birthed them. Indian Temple Sculptures intertwine art, history and culture, calling us to delve deeper into their symbolic language.  Let’s explore the impact medieval temples had on society and culture in India.

Indian Temple Structures

The Emergence of Indian Temple Sculptures

For us to truly understand and appreciate the societal reflections in Temple Sculptures, we have to first understand their historical evolution. The Gupta period which lasted from the 4th – 6th century CE marked the beginning of temple sculptures in India. During this time, spiritual devotion and artistic mastery came together, resulting in sculptures that radiate grace and divinity. Depictions of deities and celestial beings were the prime focus of the art of this time, which highlighted the religious and spiritual inclination of the Gupta society.

One can find such sculptures in the Dasavatara temple at Deogarh, Uttar Pradesh. It is the first North Indian temple to have a shikhara, though now part of it has disappeared and curtailed. Originally, people stated that the shikhara was around 40 feet. The temple depicts the ten avatars of Vishnu.

Transitional Phase

Spanning from the 6th to the 8th century, Indian Temple Sculptures witnessed a mix of fusion of local and foreign influences. The Pallavas and Chalukyas have marked their legacy not just through their glorious reign but also through their extraordinary art and architecture. The Pallavas, currently a part of Tamil Nadu, are considered the pioneers of Southern Indian Architecture, as they gave us the single rock temples in Mahabalipuram and Kanchipuram. The Chalukyas gave us the “Chalukyan Architecture ” or “Karnataka Dravida Architecture ”, in the form of the rock-cut temples of Pattadakal, a UNESCO World Heritage Site.

Their sculptures blended local elements with foreign influences which resulted in a unique visual language. They often were expressions of royal patronage and regional pride that showed the interconnectedness of art and power.

Such a stunning visual of that era can be found in Mahabalipuram, also known as Mamallapuram, in the Kancheepuram district of Tamil Nadu. The Chariot or Ratha Style temples there are a UNESCO site and are one of the oldest monolithic rock-cut structures. The Pallava kings constructed 5 of these marvels, each cut from a single stone. One of them is “Arjuna’s Penance” or “Decent of the Ganges” which is at a height of 96 feet and 43 feet long.

Mature Phase

During the reigns of the Cholas and the Hoysalas, from the 9th to the 13th century CE, the mature phase of the Indian Temple Sculptures unfolded. The Chola temple sculptures distinguish themselves through their grandeur and intricacy, presenting a rich canvas of mythological stories and religious symbolism. They were also the ones to pioneer the art of bronze sculptures, whose narrative style captured the viewers’ imagination. The Hoysala introduced distinctive decoration and intricate detailing in their sculptures which highlighted their artistic finesse.

One can witness a marvel created during this time at Modhera, Gujrat. The Sun Temple there, dating back to the early 11th century, was constructed by Raja Bhimdev I of the Solanki Dynasty. The massive rectangular stepped tank called the “Surya Kund” in front of this temple is the captivating aspect, where each year, at the time of the equinoxes, the sun shines directly into the “Surya Kund.”

Emergence of Bhakti and its Effects on Medieval Indian Temples

As the Bhakti movement had a great impact on Indian society, it also affected their ways of worship. People had replaced traditional and old Vedic gods with popular deities like Shiva, Vishnu, Krishna, Brahma and Devi. People made temples dedicated to each deity. These temples included various sculptures influenced by mythological happenings and adventures of their time. There were also specific places for activities such as devadasis dancing, performing various rituals and bathing. 

The temples were considered the home of a particular god, and therefore, its maintenance held utmost importance. For this, priests looked after temples, ensuring their condition. The maintenance of temples was ensured by land offerings and contributions from the ruling elite because, as many temple inscriptions indicate, they were the centerpiece of a community.

History of The Architecture of Medieval Indian Temples 

Indian temples saw a significant aesthetic and structural transformation during the medieval period, combining innovative architectural styles with symbolic religious symbols. This change is a direct result of early Buddhist buildings like stupas, which had a profound influence on the evolution of Hindu temples. In the Indian subcontinent, temples were originally carved out of ancient caves. 

However, the introduction of Gupta architecture in the 4th or 5th century CE was the turning point. It was around this time that the first Hindu temples to stand alone developed. The Dashavatara temple in Deogarh, dedicated to Lord Vishnu, is a notable example of this era. Cave temples were important architectural and religious marvels during the Middle Ages. One such example is the Udaigiri cave temple in Malwa, which dates to the fifth century CE. 

The temples were built around the garbhagriha, also known as the womb-chamber. This closed chamber, with no windows, held an emblem or picture of a particular god. The garbhagriha was thought by devotees to exude a strong energy that had an all-encompassing effect on the surrounding architectural features. The architecture of the temple often featured blind entrances on three sides to represent this flow of divine energy, letting the deity’s power expand symbolically.

The garbhagriha was the main element of the early temples. But by the 10th century CE, new architectural features like the sikhara, mandapa, and ardhamandapa had been added. The temples were changed and given a more intricate structure by these modifications. Many temples look like silhouettes of mountains from a distance, especially when seen from above because of their many towers. Notable examples of these temple constructions are the 11th-century Kandariya Mahadeva temple in Khajuraho and the 12th-century Rajarani temple in Bhubaneswar.

Temple architecture evolved regionally, as seen by the various features of temples in Orissa, Kashmir, and Bengal. Nevertheless, people widely acknowledge the Nagara and Dravida architectural styles as the two main architectural forms.

What Do Medieval Indian Temples Depict?

Depiction of Society in Temple Sculptures

Temple sculptures give us a visual representation of the socio-political hierarchies in medieval Indian Society.Royalties wear regal attire and strike sophisticated poses that symbolize their authority. The courtiers and nobility assume poses that demonstrate their homage or assistance to the royalties.

The clothes worn by them further depict the hierarchies. The ruling class adorned themselves with elaborate clothing and heavily detailed jewelry that set them apart from the rest of society. With close examination of these sculptures, we gain insights into the divisions of power, privilege, and status that shaped medieval Indian society. We get a visual understanding of social fabrics and hierarchies that were present at that time.

Representation of Daily Life

Temple sculptures give us a look into the routine and occupations of people during medieval India. Artisans, farmers, traders, and other members of society actively engage in their roles and responsibilities to the community. These sculptures capture not only the aspects of daily life but also the essence of the norms, gender roles, and cultural practices. From depictions of agricultural labour to busy bazaars, the sculptures bring to life the everyday existence of medieval India.

Religious and Mythological Narratives

Temple sculptures are storytellers, presenting religious and mythological stories in a physical form. They depict gods, goddesses, and epic tales from Hindu mythology, giving us a visual representation of the cultural and spiritual traditions of medieval India. Sculpture panels show us the stories of creation, the war between gods and demons, and the victory of good over evil. These stories convey morals, ethics, and philosophical aspects, providing us with lessons and inspiring devotion. These sculptures are not only objects of worship but also powerful conduits for spiritual enlightenment and cultural preservation.

Social and Political Commentary in Sculptural Narratives

Going beyond just religious and mythological stories, Temple sculptures give us a glimpse of social and political commentary. They tell us stories from historical events, legends, and power dynamics. Sculptures show us war, conquests, and political alliances, showing us the bravery of warriors and the ambitions of rulers. They show us the patronage of art by kings, spotlighting their authority and cultural influences. In addition, these sculptures highlight religious and cultural practices such as pilgrimage sites, rituals, and ceremonies. Sculptures further illustrate the diversity of regional customs and distinct traditions and rituals.

Impact of Medieval Indian Temples on Society 

In earlier times, temples were more than simply a place of worship. Education was fundamentally religious, and temples had the primary role in it. People went to temples to learn religious and moral teachings about society and life. They also learnt dance, music, other fine arts and social behaviors at temples. As these temples were central to society’s functioning and sheltered students and scholars, they also acted as a place for the needy. These temples had enormous wealth and it was used to help the society’s betterment in all aspects. As times changed, temples also started garnering medical facilities to help the sick. It also acted as a court of law as people started discussing concerns and conflicts in this central space. 

Eventually, a feudal system became attached to the temples. People began to consider temples the home of their particular deity and started giving their financial offerings and other resources to God instead of the priest. The king of the particular area claimed these offerings, and even the society considered him entitled to this. While Brahmans had their exclusive advantages, they did not appreciate this shift and held deep opposition against this system. However, due to the pressure of kings and local people, the system prevailed. 

Conclusion

As we end our journey through the corridors of time, we must appreciate and preserve these cultural treasures. Medieval Indian temples witnessed a considerable architectural shift, becoming hubs for social services, education and culture. As a reflection of shifting social and religious forces, they were crucial in forming Indian society and culture. Temples developed from simple rock-cut caves to elaborate buildings. Their impact went beyond religious practices to include the arts, education, social services and even the legal system. This historical heritage, which still has an impact on modern India, exemplifies the complex interplay of medieval culture, architecture and religion.

The legacy of medieval Indian Temple sculptures continues to inspire and captivate. When we delve into their beauty and deep symbolism, we create a deeper connection to our heritage and get an understanding of the vibrant tapestry that is Indian society. It gives us a larger picture of the complexities of Indian society and the forces that have shaped it over the course of time and influenced by various reigns and dynasties.

There are three very visible markers of any place that defines it. First is language, second is their clothes and third is their food. Among these three, it’s clothes that are most easily adopted by people from different cultures as they often add more vibrancy and life to one’s look without giving their taste buds the sometimes unpleasant aftertaste or their brain a numbing pain from remembering the word structure and formation in another language. In India, cloth has been a symbol of freedom and resistance since colonial times and today it stands the testament of time and is the face of our national heritage. The different handloom technique that is used is one way to distinguish the different textiles in India. The different prints and printing technique is also a major distinguishing element. Let’s take a look at some of the most popular Indian textile prints:    

Ikkat

Popular in Odisha, Gujrat and Andhra Pradesh, this print is surely an acquired taste. Made by tying and dyeing sections of the yarn before weaving the fabric which leads to the iconic blurring effect. The symmetry and beauty of this print are bound to leave you spellbound. It is common to find motifs of flowers and animals like fish, parrots, etc. in this design.

Bandhani

Started by the Khatri community of Gujarat, it is known for its different dot-sized prints on a colourful backdrop. Created using a tie-dye technique wherein the cloth is tied in several tight small knots with a sealed thread and then dyed. If you’re a lover of bright colours this print is for you.

Dabu

Another popular print from Western India, Dabu follows a hand-block printing technique. In this a mud-resisting agent primarily made up of calcium hydroxide or chuna, naturally pounded wheat chaff (beedan) and gum (gond) is used to apply it on the fabric before and during an indigo bath. After the indigo bath, the cloth is washed to remove the mud and it leaves behind the beautiful motifs of flowers and plants. Getting its name from ‘dabana’ meaning ‘to press’, this technique creates beautiful patterns that have re-emerged as a trendy pattern in the fashion scene today.

Batik

Using a wax resistance dying technique Batik is a very intricate design technique which involves covering certain areas of clothing with bits of wax and then dyeing the cloth. This leads to the formation of patterns in those areas where the bits of wax were originally laid. This creates an intricate and repetitive pattern consisting of motifs which may be floral or ornamental.

Ajrakh

Very popular in Sindh, Pakistan; Kutch, Gujarat; and Barmer, Rajasthan in India, Ajrakh follows a hand-block printing technique that gives it its rich and vibrant look. Using only natural dyes design stamps are created which are then applied to a piece of clothing to create the design. The print usually uses indigo or deep red colours and white or black outlines to define the design. It consists of symmetrical geometric elements that give it its intricate look.

Kalamkari

Heavily inspired by Hindu mythology, and using motifs from Ramayana and Mahabharata it uses block or hand printing to achieve the famous intricate design. Kalamkari literally means “pen art”. In earlier days poets and singers used to paint Hindu mythology characters and their tales which ultimately led to the generation of textile printing Kalamkari.  

Leheriya

Leheriya is another traditional tie-dye technique that hails from Rajasthan. It is a rather simple technique that uses resist-dyeing to create the signature flickering wave-like patterns. In Rajasthan, waves are called “Leheriya”, and hence the technique is named after the pattern it creates. Printed on bright-coloured fabric, this print will surely add colourful zest to your wardrobe.   

These are just a few prints among the array of prints that give Indian textiles their unique flair! 

India’s pride and joy which makes it stand out on the global stage is indefinitely its handloom. Indian handloom has been around for centuries. But how well do we know about its existence? Has its history always been rich and colourful? Or have there been specks of black and grey that adds a tone of melancholy to this vibrant sector? Let’s dig deep into this so that we can understand its true value by the end of this article at the very least.  

Indian Handloom: A Brief History

Having a vibrant and diverse history, Indian handloom has been around for a really long time. Some say it dates back to the Indus Valley Civilisation. There was a time in ancient India wherein every village had their own community of weavers. And these weavers ensured that all the clothing needs of each respective town were met. Because of the existence of many weaver communities that were scattered throughout India catering to a very diverse population and having different access to resources, different forms and styles of weaving on different kinds of materials came into existence.

Considered a high-standard occupation, weavers were of immense importance to the Vedics. The settlement of Aryan ensured weaving as a craft was honoured and efforts were made to develop it further. The era of the Mughals was considered the golden age for Indian craftsmanship. During their rule, handloom sarees like Sambalpuri, Banarasi, Jamawar, Maheshwari, Nuapatna Khandua, Mulmul, etc. took centre stage. 

With the colonial invasion and the usage of industrial looms, the handloom sector in India saw a decline. As the British officials forced the weavers to use synthetic yarn, it led to a loss of livelihood for the spinners. And gradually weavers who were unable to afford these industrial looms lost their livelihood as well. Fortunately, this trend was reversed by Swadeshi movement. As people went back to using Khadi, there was a revival of the Indian handloom sector.

Sadly this revival was quashed once again with India’s entry into the global market. On one end India opened its door to globalisation in the 1990s and made it easier for private companies to grow. And on the other end, many traditional weavers closed their shops as they were unable to keep up with the cheap and mass-produced goods.  

Significance

Due to continued efforts by the government, such as The rural employment guarantee act (MGNREGA) of 2006, the National Handloom Policy of 2007, etc. weavers’ livelihoods are protected to some extent. The handloom sector not only holds cultural significance to the country but has also made India the 3rd largest exporter of Textiles & Apparel in the world. It is one of the sectors that promoted women’s employment as over 70% of the weavers are women.

Because of its huge significance in helping our country gain freedom and ensuring that our culture is immortalized, the government of India has designated 7th August as National Handloom Day, as on that particular day in 1905 the Swadeshi Movement was launched. It celebrates the historic call to promote indigenous products during the Swadeshi movement. Spearheaded by visionary leaders like Bal Gangadhar Tilak, Bipin Chandra Pal, and Lala Lajpat Rai, this movement held a special significance in encouraging the use of handloom and local craftsmanship, while the Indian handloom played a very integral part in deciding the fate of India’s freedom.

Nestled in the lush green hills in the north of India lays Jammu and Kashmir. A beautiful land with breathtaking landscapes that are bound to rest every restless soul. But every beauty comes with a price. And the same is true for Kashmir. Although its beauty remains unparalleled, its geophysical setting makes it highly prone to earthquakes. On top of that, the beautiful city of Srinagar is actually in a very high-risk earthquake zone. And as the saying goes, ‘Earthquakes don’t kill people-buildings do’, it is the need of the hour for people there to come up with highly innovative construction ideas to survive this natural disaster.   

Taq Construction

Considered one of the oldest systems of construction which was once very common in Srinagar, Kashmir. Taq construction was famous for its ability to withstand earthquake shock. Made out of wood and masonry a taq building can be several floors high yet still withstand the test of time because of its strong structure. The Kashmiri construction of Taq walls typically involves a combination of brick and rubble stone or sun-dried bricks, which were laid in thick mud mortar. These walls were then reinforced with load-bearing piers placed at regular intervals. 

A distinctive characteristic of Taq walls is that the infill masonry panels are not rigidly connected to the piers. This design feature enables the building to accommodate and adjust to differential settlements, which are common on the soft soil found in Srinagar. By allowing flexibility between the infill panels and the piers, Taq walls are better able to handle variations in the ground settlement, thus enhancing the structural stability of the buildings constructed on such soil. 

The flexibility provided by the wooden lacings at the slab and lintel level along with the configuration of interior partitions allows the building to move along with the seismic wave during an earthquake. This is the secret to how the Taq building survives through earthquakes. Built in the 19th century, Jalali House still stands tall and serves as one of the prime examples of 19th-century Taq architecture. 

Dhajji Dewari Construction

Another common construction technique that is used in Kashmir is Dhajji Dewari. Dhajji is a Persian word that translates to quilt patchwork in the ancient language of carpet weavers. Combined with the word Dewari which means wall, Dhajji Dewari construction is named so because it gives the appearance of patchwork art on the wall. 

During the 2005 earthquake that hit Kashmir, Dhajji Dewari construction became the underdog that saved many lives because of its unique design. Unlike traditional masonry-bearing wall construction, it consists of a braced timber-framed structure with masonry infills. A strong foundation is laid with stone and cement mortar and the plinth beam which is made out of timber is anchored well into it. The timber posts which make up the braced timber frame are of different sizes and are combined together to form a basic structure. The roof is often a flat mud or timber roof or a pitched roof of metal sheeting/ timber. 

The best part about Dhajji Dewari is that it is made up of locally available materials such as timber, stone or brick, mud and metal sheeting. The close arrangement of wooden studs in the structure prevents diagonal shear cracks from spreading within a single section and reduces the chances of thin masonry walls collapsing outwards. Additionally, the timber studs bear the vertical loads and contribute to the required flexibility of the overall structure. 

The mortar and masonry infill panels have the ability to break easily along their plane, which helps them absorb seismic energy by generating friction with the surrounding timber framing and within the cracks of the infill material. And that’s the secret to how the Dhajji Dewari building survives earthquakes.

Afterword

These two unique forms of construction which have been in India for centuries show the foresight of ancient Indian architecture. Sadly nowadays these constructions are being abandoned for more contemporary-looking buildings with less strength. Given the high-risk zone the area of Jammu and Kashmir is in it is important for us to go back to these designs for the future of humanity. Apart from the rustic aesthetic, these buildings stand the test of time because of their progressive construction technique. 

Indian art is a treasure. It is antique and fulfilling in an insanely different sense. It has been an integral aspect of India’s culture since ancient times. The oldest evidence of its significance of in our civilization dates back to as old as 30,000 years old. The Bhimbhetka cave paintings are a wonder in rock art in caves. The miniature paintings of India are one of the world’s most intricate and amazing art forms. Precisely, Art has been a proud thing for India since its inception. But with the onset of British rule in India, it was influenced by western culture. This effect created many masterpieces but also led certain forms to fade.

Indian Oil Paintings

The British brought with them not only their political, economic and social structures, but also their culture, values, and artistic traditions. This led to a gradual assimilation of Western ideas and aesthetics into Indian art, resulting in a unique blend of East and West. Many new techniques of painting emerged as a result of the same. The introduction of oil paintings is linked to the western culture. The oil painting technique gained popularity because it gave artists a new visual language to express themselves. They could not combine perspective, shading and depth into their pieces to create marvels.

Indian Sculptures

Sculptures have been in existence since the times of Indus Valley Civilization of 2500 to 1800 BCE. During that time generally small terracotta figurines were produced. But with the impact of western culture, sculpting developed. Sculptors started using new materials, methods and apparatuses to create larger sculptures. More intricate patterns could now be traced onto the statues. The combination of the East and the West traditions brought out a new wave of creativity.

Indian Architecture

Architecture also witnessed the influence of Western culture. Many British architects were involved in designing and constructing buildings in India during the colonial period. This led to the fusion of Western and Indian architectural styles resulting in buildings with a unique blend of both. The British used a specific style in the architecture of their era in India. The basic structures were developed keeping in mind the Gothic and Neo-classical styles. And the British added Indian features and decoration enhancing the work.

Further Evolution

The impact of Western culture on Indian art is not limited to the colonial period alone. It continued to evolve and grow as India became more open to the world. In the 20th century, Indian artists began to experiment with new forms and styles of art, including abstract and pop art, and minimalism, which were influenced by Western movements. Also, Western culture impacted the spread and growth of Indian art in the world. It influenced how our art was perceived internationally. Indian artists have achieved global recognition and success by blending Western and Indian styles, resulting in works that are both visually captivating and culturally significant. This amalgamation has broadened the appeal of Indian art, leading to increased participation in cultural exchange programs, exhibitions, and collaborations between Indian and Western artists.

This cross-cultural fertilization has also enabled a better understanding and appreciation of each other’s cultures, enriching the artistic landscape. However, the assimilation of Western art and culture into Indian art has been controversial. Some artists and critics contend that it has resulted in the dilution of traditional Indian art forms and techniques. They maintain that Indian art should be firmly rooted in its own cultural and historical heritage, rather than being influenced by Western concepts.

Nonetheless, Western culture has also been influenced by Indian art in numerous ways, ranging from intricate designs to spiritual themes. One cannot ignore the vibrant colors and patterns of Indian textiles that continue to be cherished in the West. Despite the concerns about the loss of traditional forms, the assimilation of Western ideas has led to the evolution and diversification of Indian art, resulting in a new genre of art that is unique to India. The Western influence on Indian art has been significant and long-lasting, leading to the fusion of Eastern and Western styles. While there may be some reservations about the loss of traditional forms, the assimilation of Western ideas has propelled Indian art to new heights, making it more dynamic and diverse.