EDITOR'S PICK
Throwback Thursday with the Pioneer of Indian Theatre: Prithviraj Kapoor
This Thursday let us reminisce the legendary soul for all his indelible contributions and iconic performances in the Indian film industry.

Often regarded as the Pioneer of Indian Theatre, Privthiraj Kapoor was one of the founding members of IPTA (Indian People’s Theatre Association). Patriarch of the Kapoor family in Hindi Films, four generations of his family have been a major part of the film industry after him.
Born into a middle-classed family in Punjab, on the 3rd of November, 1906, Prithviraj Kapoor started his acting career playing minor roles in films. In 1928, the young man keen on following his dreams took a loan from his aunt and moved to Mumbai. This was still the era of silent films in pre-independent India. After joining the Imperial Film Company, he debuted as an extra in ‘Be Dhari Talwar’, in 1928. His first lead role was in a silent film named Cinema Girl, in 1929. He also played a supporting role in India’s first sound film, Alam Ara in 1931. Here, one of his greatest strengths was showcased – a powerful voice capable of evoking emotions you didn’t know could happen just by watching something on the screen.
After that Kapoor continued his journey in the film industry, playing leads and supporting roles. The 1932 film Rajrani Meera, was his breakthrough project. 1937 film, Vidyapati also gained him a lot of success. Throughout these years, bringing complex characters to life by playing on-screen personas, Prithviraj Kapoor remained devoted to theatre. He became well known as a versatile actor who could play various roles with utmost ease, both on stage and on-screen.
In 1944, Kapoor founded Prithvi Theatres. They were a travelling troupe who performed all around the country. Their sets and stories were memorable and extremely impactful. As a patriot, most of his plays revolved around inspiring the young influential minds of Indians to participate in the Indian Independence Movement and Quit India Movement. In its 16 years of continuance, over 2500 plays were staged. One of the most famous plays was titled, Pathan which was based on the friendship of a Hindu and Muslim. Released in 1947, the play was performed over 600 times in Mumbai.
By the late 1950s, his theatre career ceased to exist and he started taking up the occasional film offers, even from his own sons. He played a role along with his son, Raj Kapoor in Awaara, which is well-acclaimed. His contribution to the iconic film Mughal-e-Azam also cannot be forgotten.
His contributions to the Indian cinema were honoured by the Government of India when they awarded him with Padma Bhushan in 1969. He was also awarded the Dadasaheb Phalke award in 1971. A year later on 27th May 1972, the world lost an incredible man. But he shall always remain in our hearts as a legendary soul, for his many unforgettable contributions to the Indian film industry.
EDITOR'S PICK
Throwback Thursday: Remembering the Teen Superstar- Divya Bharti
Let us all hark back to the short but powerful reign of the ‘Saat-samundar girl’ on her 47th birth anniversary.

Known for her powerful performance on-screen and her beauty that reflected through her scintillating eyes, Divya Bharti Remains an icon even today as one of the most known faces of the Bollywood industry. Despite being an outsider in the industry her immense talent gave her a stupefying rise in the Indian filmdom.
One of the most popular personalities of the industry, Divya started getting offers since she was only 14. She started her acting career in the year 1990, at the age of 16 when she was casted in the movie ‘Bobbili Raja’ opposite Venkatesh. The movie is considered one of the hits of the 90s of the Tollywood. The late actress then was starred opposite big names like Chiranjeevi and Mohanbabu. Her Tollywood career also includes hits like Rowdy Alludu and Assembly Rowdy.
Divya stepped her foot in the Bollywood scene with her debut film ‘Vishwatma’ in the year 1992 at the age of just 16. She also bagged a filmfare award for the best debut actress for the movie. In a span of little over a year, she acted in an over dozen films which is an unbroken record hitherto. In her short but powerful acting career, she appeared in films like Shola aur Shabnam, Dil Aashna Hai, Vishwatma and Deewana.
The teen actress who was at the peak of her career lost her life due to head injuries; She fell from fifth floor balcony of her apartment in Mumbai. A star gone too soon but she left us with so many of her immaculate works. ‘Kshatriya’ was her last film which she witnessed releasing- she passed away a week after the release. Projects like ‘Rang’ and ‘Shatranj’ were released after her unfortunate demise.
Divya was truly the epitome of bold and beautiful talent on screen; her bright-eyed and bushy-tailed nature gained her a lot of fans. Her demise was an absolute shock to the fans of the Indian cinema and the actress herself.
EDITOR'S PICK
Santosh Anand: The Legendary Lyricist Of Yesteryears
Truly, one of the greatest lyricists of all times, we celebrate Santosh Anand through one of his most amazing songs.

“ज़िंदगी और कुछ भी नहीं, तेरी मेरी कहानी है |”
These words from the legendary song “Ek Pyar Ka Nagma Hai” underline the essence of love and life. But the irony of life is that Santosh Anand, the person who brought these beautiful words to life, is the one who is presently living life with just prized memories.
Santosh Anand, the legendary lyricist, was born in Bulandshahr, UP on 5th March 1939. He began his career under Kalyanji-Anandji in the film Purab Aur Paschim (1970). Throughout his career, he penned 109 songs for 26 films. Some of his superhits are “Aur Nahin Bas Aur Nahin” and “Main Na Bhoolunga” in the film Roti Kapada Aur Makaan; “Tera Saath Hai To” and “Megha Re Megha Re” in the film Pyaasa Sawan, “Mohabbat Hai Kya Cheez” and “Yeh Galiyan Yeh Chaubara”in the film Prem Rog. He won the Filmfare Awards for Best Lyricist in 1974 for “Main Na Bhoolunga” and 1983 for “Muhabbat Hai Kya Cheez”.
Truly, one of the greatest lyricists of all times, we celebrate him through one his most amazing song.
EDITOR'S PICK
Aatmvishwas: A Musical Collaboration Between Amit Bhadana And Badshah
Mainstream Rapper Badshah and YouTuber Amit Badhana have put out the latter’s second music video and it’s huge!

Known for his unique vine creation and being the first Indian Solo Youtuber to reach 20 Million Subscribers, Amit Bhadana has released his second Music Video in collaboration with the rapper, songwriter and producer Badshah. It hasn’t been long since Bhadana was gifted with the diamond YouTube button. His rise to fame was really organic as he started from the very bottom.
With fame come loads of love, appreciation and of course, some hate as well. Amit seems to be addressing the said ‘hate’ in this video and also expresses gratitude towards his family and fans for their support. The visualization of the music video is a clear indication of him narrating that he has indeed, worked hard to reach here where he is today; He is seen pulling a human sized rock with a thick rope representing his hard work.
The lyrics, written by Badshah mention several names – the ones Amit is thankful to for their constant support and encouragement in his journey. The 6 minute long music video features visuals of Amit’s life and how closely he appreciates some people of his life.
The child shown in the video seems to be the child counterpart of Amit and also represents dedication. Present Day Amit who was seen pulling the rock meets the child and he helps him reach his destination; The child then also draws a Diamond YouTube button – signaling Amit achieving 20 Million subscribers with his sheer dedication and talent.
The visuals of the video have many hidden messages and can be interpreted in many other ways. However, one thing that remains true is the message that dedication can make you reach heights.
Check out the chills evoking video here.
EDITOR'S PICK
Retelling The World’s Tale: A Portrait of Gulam Mohammed Sheikh
Meet Gulam Mohammed Sheikh, the legendary artist who has been telling stories about your world since the 60’s.

A celebrated painter, poet and art critic, Gulam Mohammed Sheikh, born in Surendranagar, Gujarat, has been an influential figure in the Indian contemporary art landscape for over 6 decades. As Chaitanya Sambrani proposes, Sheikh’s art style flows into a narrative sphere, taking on the responsibility of charting the world around him in a manner which lets the subject address that same world as their own. Sheikh’s projects, in essence, take, upon themselves, the idea that art is a medium for the masses to navigate what is around them. For him, art explains and makes sense of the world we live in.
With numerous teaching positions under his belt, including teaching art history in the Faculty of Fine Arts, Baroda, Sheikh has been consistently recognized internationally for his work and art style, being invited as a Visiting Artist at the Art Institute of Chicago, amongst others. For a figure who is so steeped in established education, it is interesting how Sheikh’s career actually began. In 1963, Sheikh, along with 11 emergent artists, began Group 1890, a collective of artists that meant to be the antithesis to, what they saw as, the banal art of the previous generation. The members of Group 1890 embraced the values of modernism that hinted at the idea of change. The collective held a single exhibition in October of 1963 at the Lalit Kala Akademi, Rabindra Bhavan in New Delhi, India. To this day, that singular exhibition is the only existing record of the group’s exhibition history.

Sheikh’s work can be seen as a direct parallel to what Group 1890 intended to be, a medium for artistic storytelling, drawing from the country’s own rich cultural heritage and imbibing an ethos of modernity that runs intertwined with a socio-political intent. Indeed, a famous piece of his, titled ‘Speechless City’, is an artistic political commentary on the Emergency of 1975. The painting, made in the immediate wake of the Emergency, explores the consequences that may become a reality if a government is allowed to rid itself of its critics.

Awarded the Padmashri in 1983 and Padmabhushan in 2014 for his contributions in the field of art, Sheikh’s life and work can be categorically summarized by the idea of attempting to explain the ubiquitous experience of what it means to be human. There is a sense of magical realism to his work that grounds itself in the cultural and mythological heritage of India. Through all his work, spanning decades, Sheikh has managed to build a miniature world, one that contains his personal memories and the larger circumstances of the cosmos.
EDITOR'S PICK
This Valentine’s Day ‘Love Is In The Air’, But Don’t Forget Your Masks!
We wish you a Happy Valentine’s Day and bring to you a few inspiring artists, spreading love and joy on this holiday!

Over the years Valentine’s Day has been celebrated as a ritual, a religious day and a commercial holiday. But the truth is, you can celebrate it however you want! Today is all about celebrating love. Whether that is for your partner, friends, families or someone you admire, it is all about appreciating people.
Usually, on the 14th of February, people would be out at family gatherings or parties, dinner dates and movies, etc. This time Valentine’s Day is going to be a little different considering the ongoing pandemic. But don’t you worry, the pandemic doesn’t mean you can’t enjoy this day to the fullest. Virtual dates are the way to go! But if you do go out and meet people – don’t forget your masks and sanitisers.
Now, some love Valentine’s day and some love to hate it. Some people like elaborate gestures while some don’t care about it. Either way, you can celebrate the day (or not) in whatever way you please, for there are no rules.
The Artists!
And on that note, we bring you a few artists you can this Valentine’s day and appreciate their hard work as they spread love in the world.
Firstly we have Ashwani Machal covering Chand Se Parda Kijiye from the ’94 movie, ‘Aao Pyaar Karen’. His rendition of the song will put you in a trance! His voice blends with the music with perfection. And the videography just adds to it.
Next, we have Drabin Chatterjee’s classical dance performance on the Bengali song, ‘Radha Tumi Sobetei Acho’. The melodic tune will pull on your heartstrings, and his choreography will hit you with a thousand emotions, all at once! His expressions are simply magical. You will have to click below and experience it for yourself because words aren’t enough to describe how spell-binding his Valentine’s Day dance cover is.
And lastly, on the 6th of February, 2021, Tape A Tale uploaded a video titled, ‘Love Story Ka Side Kick – Vanika Sangtani’. In this 7-minute-long video, Vanika takes us through a story spread out over the years. For a new perspective on love, this Valentine’s day, you can watch her talk about the time when a third person arrived in her love story. ‘The ending is unexpected’, will be my only hint for you! Watch the full video to uncover who was the side-kick in her tale of love and who was the hero!
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